At its London premiere in 1728, John Gay's rollicking Beggar's Opera caused a sensation. Lampooning the politics and public morality of the day, it became an instant hit.
A Noise Within (ANW), the acclaimed classical repertory theatre company, continues its 2014-2015 REVOLUTIONary season with two new productions: The Threepenny Opera, Bertolt Brecht and Kurt Weill's groundbreaking theatrical work in Michael Feingold's translation February 15 through May 9 (press opening February 21) and William Shakespeare's Julius Caesar March 22 to May 8 (press opening March 28). While both plays spoke to the times in which they were first produced - Weimar Germany and Elizabethan England, respectively-they also speak to this season's theme of REVOLUTION, most especially from a socio-political point of view.
Led by guest conductor Donato Cabrera and featuring guest pianist Thomas Lauderdale of Pink Martini, this concert offers not only Gershwin's Rhapsody in Blue, the all-time classic synthesis of Carnegie Hall and Tin Pan Alley, but two more pieces with similar flavors from Gershwin's fellow American, George Antheil.
Virginia's Tony-Award winning Signature Theatre announces the cast for The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife.
A Noise Within, led by Producing Artistic Directors Geoff Elliott and Julia Rodriguez-Elliott, announces its 23rd season of classic theater in Southern California. Informed by the climate of social and economic upheaval in which we live, the season's theme-reflected in a kaleidoscopic palette of plays-is REVOLUTION.
Virginia's Tony-Award winning Signature Theatre announces the cast for The Threepenny Opera, Bertolt Brecht and Kurt Weill's cutting and enduring critique of capitalism and corruption. Directed by Signature Theatre's Associate Artistic Director Matthew Gardiner (Tender Napalm, Dreamgirls, Really Really), the production stars Mitchell Jarvis (Broadway's Rock of Ages) as the charismatic Macheath, known to popular culture as Mack the Knife.
SALON/SANCTUARY CONCERTS opens its fifth season with Ethan Peck, Florencia Lozano and Steven Rattazzi, joining Grammy-nominated musicians Jory Vinikour and Jose Lemos in the return of 'THE HEIRS OF TANTALUS' tonight, September 19 and the 21st, 2013.
SALON/SANCTUARY CONCERTS opens its fifth season with Ethan Peck, Florencia Lozano and Steven Rattazzi, joining Grammy-nominated musicians Jory Vinikour and Jose Lemos in the return of 'THE HEIRS OF TANTALUS' on September 19 and 21, 2013.
SALON/SANCTUARY CONCERTS opens its fifth season with the return of 'THE HEIRS OF TANTALUS'.
According to the Washington Post, Signature Theatre's 2013-14 season will include three world premiere musicals, one world-premiere play, a developmental run of a world-premiere musical, and revivals of Miss Saigon, Gypsy and The Threepenny Opera. Signature's Artistic Director Eric Schaeffer will be directing all four of the new musicals, as well as Miss Saigon.
After being absent from Seattle's professional stages for almost 30 years, Seattle Shakespeare Company revives Bertolt Brecht and Kurt Weill's landmark musical The Threepenny Opera for 14 performances at the Intiman Theatre.
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
The New York Times reports that Ana Gasteyer has joined the cast of Roundabout's 'Threepenny Opera' for which previews will beging on March 24th.
The New York Times reports that Dale will return to Broadway after an absence of nine years to star as Mr. Peachum in the Roundabout production.
Filling the final slot of their 2004/05 season, Keen Company will revive Sutton Vane's 1924 Broadway hit OUTWARD BOUND.
Filling the final slot of their 2004/05
season, Keen Company will revive Sutton Vane's 1924 Broadway hit OUTWARD
BOUND. Produced in association with Joseph Harrow, and directed by Broadway
veteran Robert Kalfin, OUTWARD BOUND begins previews on Tuesday, April 12th
for a limited engagement through Sunday, May 8th.
Alan Cumming, Edie Falco and Nelli McKay to appear in a new Roundabout production of The Threepenny Opera.
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