With seven hours of angels and five hours of wizards to take in on Broadway this season, can a case be made for four hours of end-of-the-line drunks? Yes, and a good one. The Iceman Cometh, Eugene O'Neill's frequently revived dark meditation on the life-sustaining merits of self-delusion, is in good hands with this latest creative team led by director George C. Wolfe. (That stunning tableau is thanks to lighting designers Jules Fisher and Peggy Eisenhauer; costumes are by Ann Roth and scenic design, Santo Loquasto.)