Peter A. Jacobs News

I've never particularly been a fan of Shakespeare's histories. To me they amount to a lot of political posturing. But even with all the posturing they usually amount to a story with high stakes for all involved. Unfortunately the pacing and some performances from Seattle Shakespeare Company's current production of "Richard II" are so middle of the road and one note that the show lacked those high stakes and amounted to just so much of that posturing.

With recent airings on PBS via the BBC's 'Hollow Crown' series and a screening of the RSC production with David Tenant, the Puget Sound region has seen a mini-renaissance of Shakespeare's Richard II. Seattle Shakespeare Company starts the New Year with its own production of Richard II directed by Rosa Joshi. Artistic Director George Mount will play the title role in a cast that features 16 actors.

With recent airings on PBS via the BBC's "Hollow Crown" series and a screening of the RSC production with David Tenant, the Puget Sound region has seen a mini-renaissance of Shakespeare's Richard II. Seattle Shakespeare Company starts the New Year with its own production of Richard II directed by Rosa Joshi. Artistic Director George Mount will play the title role in a cast that features 16 actors.

OK, so I've seen it several times. I mean there are the movies plus countless productions about town. It's done a lot as it's one of Shakespeare's more accessible plays with its quick wit and very clear heroes and villains (one hero is even called Hero). But that doesn't mean I don't still love it. I always tend to find something new and appealing in most productions of what has become my favorite of his canon. And the current production of 'Much Ado About Nothing' from Seattle Shakespeare Company is no exception as they have tapped into much of the comedy of the piece as well as infused it with some wonderful jazz renditions of the Shakespearean songs from the piece.

Seattle Shakespeare Company's Much Ado About Nothing takes on the flavor of the Riviera in 1953 in Artistic Director George Mount's season opening. Highlights in the production include original music by Seattle Repertory Jazz Orchestra's Michael Brockman, and a lagoon with water in the Center Theatre. Check out a first look below!

A Contemporary Theatre (ACT) have announced their mainstage season productions are now on sale to the general public for individual ticket purchases. The first two major productions of the season are First Date, a new musical co-produced with The 5th Avenue Theatre, followed by The Pitmen Painters, a regional premiere of the acclaimed London and Broadway play.

A Contemporary Theatre (ACT) have announced their mainstage season productions are now on sale to the general public for individual ticket purchases. The first two major productions of the season are First Date, a new musical co-produced with The 5th Avenue Theatre, followed by The Pitmen Painters, a regional premiere of the acclaimed London and Broadway play.

The citizenry are revolting and political power is concentrated in the hands of the rich and powerful. Shakespeare points up the parallels to current headlines and shows that politics are a nest of vipers more dangerous than an enemy's sword in Seattle Shakespeare Company's production of Coriolanus. Director David Quicksall stages a lean, action-packed adaptation of Shakespeare's tragedy about a warrior without equal who discovers he is nothing without his sword.

Bred for the battlefield, the triumphant soldier Coriolanus discovers he is out of his depths when elected to the Roman Senate where the politics can be twice as treacherous as warfare.

The citizenry are revolting and political power is concentrated in the hands of the rich and powerful. Shakespeare points up the parallels to current headlines and shows that politics are a nest of vipers more dangerous than an enemy's sword in Seattle Shakespeare Company's production of Coriolanus. Director David Quicksall stages a lean, action-packed adaptation of Shakespeare's tragedy about a warrior without equal who discovers he is nothing without his sword.

I've said it before and I'm sure I'll say it again since it keeps coming up, I personally cannot stand other people's therapy on stage. And if you must put up some theatrical therapy, at least frame it in an interesting story. And while the Seattle Rep's current production of "Circle Mirror Transformation" isn't necessarily author Annie Baker's therapy, it is the therapy for her five characters and no, they're not that interesting.

I've said it before and I'm sure I'll say it again since it keeps coming up, I personally cannot stand other people's therapy on stage. And if you must put up some theatrical therapy, at least frame it in an interesting story. And while the Seattle Rep's current production of "Circle Mirror Transformation" isn't necessarily author Annie Baker's therapy, it is the therapy for her five characters and no, they're not that interesting.

SCT's Junie B. Jones proves to be a delight for all ages.

Two very different musicals tred the boards of Seattle.

Emmy Award-winner Hummie Mann and local playwright Alison Gregory adapt Peter and the Wolf for Seattle Children's Theatre.