Ann Hampton Callaway News

A celebrity filled audience was treated to a display of Callaway artistry at Birdland last night. Tony nominated actress Liz Callaway and Ann Hampton Callaway celebrated the soundtrack of their childhood with the unforgettable songs of the 60s & 70s. The New York Times got it right when they said the sisters 'lift these songs to expressive heights rarely attained by any singer'. Music director and pianist Alex Rybeck created the perfect accompaniment for the show. Alex & Jared Egan on bass also sang backup vocals, and Ron Tierno was on drums.

Whether you're a classical music lover or a disco darling, there's something for everyone as Peter Nero and the Philly Pops® plays its most requested audience favorites in Big Numbers (May 15, 18, 20-21, 2011). This crowd-pleasing program, which features music ranging from Tchaikovsky to Earth, Wind & Fire, showcases the talented POPS musicians as they step out from the orchestra and into the spotlight for spectacular solo performances.

Staging one of the theatre's most unique and unclassifiable pieces, Brecht & Weill's THE SEVEN DEADLY SINS for the New York City Ballet, starting May 11 and running through May 16, is just the latest act in a career made up of anomalies, seemingly built upon always attempting to do the impossible - from her Broadway debut, trying to bring balletic bravado to Trevor Nunn's terminally troubled 1988 musical CHESS (a project begun under the guidance of Michael Bennett before his death), up through the trying-but-Tony-winning TITANIC in 1997 and, this century, SWING! starring Ann Hampton Callaway and Laura Benanti and a succession of successful regional ballets and theatre pieces - the gifted and dynamic director/choreographer Lynne Taylor-Corbett continues to challenge herself, her peers and audiences with each of her audacious new endeavors. THE SEVEN DEADLY SINS, starring two-time Tony-winning Broadway legend Patti LuPone as Anna I, is a particularly problematic play - or is it a musical? Or, is it a ballet? A song-spiel? - and in this revealing and engaging discussion, Ms. Taylor-Corbett and I attempt to deduce the themes, analyze the structure and look back at the authors' lives to gain insight into the perplexing America painted by Brecht and Weill in the forty-minute-long theatrical experiment. Also, in this complete conversation, Lynne and I take a look back at her long and varied career and she generously shares her thoughts on where the place of dance is in the twenty-first century, the exhilaration of working with a theatre artist like Patti LuPone, her own inspirations and formative experiences in the theatre, the legacy of Michael Powell and THE RED SHOES, the theatre versus the dance world, her son Shaun's career, and much, much more! Further information on THE SEVEN DEADLY SINS - including tickets - is available here.

On Saturday, April 30 at 7:00pm, members of the Bay Area Cabaret & Theatrical communities join forces to raise funds for, and honor the work of, cabaret columnist and award-winning director Mike Ward, facing the final months of terminal, inoperable liver cancer.

There is a 'Clint Holmes Experience' going on at Feinstein's. From the moment he walks (charges) out on stage the audience is mesmerized and treated to a performance that presses all the right buttons. The voice, the acting, the moves, all are brilliantly displayed in a well honed night club act that makes you want to jump on a plane to Vegas and see Clint on his home court. Giving him standing ovations at this performance were Marilyn Maye (her solo Feinstein engagement starts May 24th) Billy Stritch (soon to be seen and heard in 'The Best Is Yet To Come' opening at 59E59 May 18th) Ann Hamton Callaway and Jamie deRoy. Jeff Neiman piano, Steve Beskrone bass, and Jess Gopen drums were just the right accompaniment to Clint's swinging style.

Bay Area Cabaret's season finale will star one of Broadway's greatest vocal talents, Lillias White.

Stephen Schwartz has teamed up with the New York City opera for the New York premiere of his first opera, Seance on a Wet Afternoon. The prodigious Oscar and Grammy Award-winning composer has written the scores to hit shows Godspell, Pippin, and Wicked, which continues to break Broadway attendance records and has become one of the most popular musicals of all time.

On Saturday, April 30 at 7:00pm, members of the Bay Area Cabaret & Theatrical communities join forces to raise funds for, and honor the work of, cabaret columnist and award-winning director Mike Ward, facing the final months of terminal, inoperable liver cancer.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production WICKED. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of FLOYD COLLINS and THE LIGHT IN THE PIAZZA), John Kander (composer of CABARET and CHICAGO) and David Henry Hwang (librettist for operas such as ALICE IN WONDERLAND and THE FLY, playwright of M. BUTTERFLY, book for FLOWER DRUM SONG, TARZAN and AIDA on Broadway). The discussion precedes the New York premiere of Schwartz's first opera SEANCE on a WET AFTERNOON, opening at New York City Opera on Tuesday, April 19.

Due to the overwhelmingly positive response from artists, managers, and promoters, the Blue Note Jazz Benefit for Japan will be extended to include an additional set of performances on April 18 to benefit those afflicted by the horrific natural disasters in Japan.

On Saturday, April 30 at 7:00pm, members of the Bay Area Cabaret & Theatrical communities join forces to raise funds for, and honor the work of, cabaret columnist and award-winning director Mike Ward, facing the final months of terminal, inoperable liver cancer.

Tony Award-winner Dick Latessa, and Chairman of the Board, brings together Broadway stars to help raise funds for Creative Alternatives of New York (CANY) which uses theatre to help New York's most vulnerable children and adults.

The Invisible Theatre continues its landmark 40th anniversary season with "Painting the Town Red" our Ruby Anniversary Star-Studded Retro-Spectacular Cabaret hosted by 'Mols' (Molly McKasson) and 'Suz' (Susan Claassen)!

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production Wicked. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of Floyd Collins and The Light in the Piazza), John Kander (composer of Cabaret and Chicago) and David Henry Hwang (librettist for operas such as Alice in Wonderland and The Fly, playwright of M. Butterfly, book for Flower Drum Song, Tarzan and Aida on Broadway). The discussion, which will take place on April 10, precedes the New York premiere of Schwartz's first opera Séance on a Wet Afternoon, opening at New York City Opera on Tuesday, April 19.

Due to the overwhelmingly positive response from artists, managers, and promoters, the Blue Note Jazz Benefit for Japan will be extended to include an additional set of performances on April 18 to benefit those afflicted by the horrific natural disasters in Japan.

The Invisible Theatre continues its landmark 40th anniversary season with "Painting the Town Red" our Ruby Anniversary Star-Studded Retro-Spectacular Cabaret hosted by 'Mols' (Molly McKasson) and 'Suz' (Susan Claassen)!

At its 48th Annual Leaders in Management Awards Dinner this spring, Pace University will recognize Robert S. Sands, Esq., Law '84, an important philanthropist and business entrepreneur in upstate New York who is President and Chief Executive Officer, Constellation Brands, Inc., the world's largest premium wine company; and F. Daniel Gabel, a significant early supporter of environmental organizations who is Chairman and Chief Executive Officer, Hagedorn & Company, a major insurance brokerage firm.

At its 48th Annual Leaders in Management Awards Dinner this spring, Pace University will recognize Robert S. Sands, Esq., Law '84, an important philanthropist and business entrepreneur in upstate New York who is President and Chief Executive Officer, Constellation Brands, Inc., the world's largest premium wine company; and F. Daniel Gabel, a significant early supporter of environmental organizations who is Chairman and Chief Executive Officer, Hagedorn & Company, a major insurance brokerage firm.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production WICKED. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of FLOYD COLLINS and THE LIGHT IN THE PIAZZA), John Kander (composer of CABARET and CHICAGO) and David Henry Hwang (librettist for operas such as ALICE IN WONDERLAND and THE FLY, playwright of M. BUTTERFLY, book for FLOWER DRUM SONG, TARZAN and AIDA on Broadway). The discussion precedes the New York premiere of Schwartz's first opera SEANCE on a WET AFTERNOON, opening at New York City Opera on Tuesday, April 19.

The Laurie Beechman Theatre has announced that Tony Award-winner DONNA McKECHNIE, one of Broadway's most beloved and esteemed performers, will return to The Laurie Beechman Theatre with her critically-acclaimed solo show, My Musical Comedy Life, which will play the midtown venue on Monday, April 4th at 8pm. Currently co-starring off-Broadway in Love, Loss & What I Wore, Ms. McKechnie returns to The Beechman for one night only.