Paul Sacher

Cellist Seth Parker Woods has announced his 2022-2023 season. Woods has established his reputation as a versatile artist and innovator across multiple genres. His projects delve deep into our cultural fabric, reimagining traditional works and commissioning new ones to propel classical music into the future.

Kaufman Music Center's Artist-in-Residence program embeds versatile artists who are reimagining music and transforming the field into programs straddling KMC's thriving education and performance programs.

Parlando con 'Parlando' chief Ian Niederhoffer. It's always exciting to witness the birth of a new musical ensemble. BroadwayWorldClassical speaks to PARLANDO founder and conductor Ian Niederhoffer about his inaugural concert at Merkin Hall, November 6th.

Ensemble for the Romantic Century (Eve Wolf, Executive Artistic Director) is proud to announce the opening of Angelica Page in the title role BECAUSE I COULD NOT STOP: An Encounter with Emily Dickinson. Opening Night is this Thursday, September 27th.

On Saturday, November 3rd, 2018 at 8pm in NEC's Jordan Hall, Cantata Singers begins the season with J.S. Bach's exquisite cantata BWV 140, "Wachet auf," alongside the first complete performance of John Harbison's Sacred Trilogy. Presented in honor of the composers' 80th birthday, the three cantatas that form the Trilogy are all works commissioned by, and composed for, Cantata Singers. The first cantata, The Flight Into Egypt (1986), winner of the 1987 Pulitzer Prize. It tells the story of the escape of Joseph, Mary, and the baby Jesus from Judea. The second cantata, But Mary Stood (2006), recounts Mary Magdalene's recognition of Jesus after the resurrection. The third and final cantata, The Supper at Emmaus (2014), co-commissioned with Emmanuel Music, presents the encounters of two disciplines with the resurrected Jesus. This will be the first time all three works will be presented together on one concert.

Andr s Schiff will return to the New York Philharmonic to conduct and perform J.S. Bach's Piano Concerto in A major, BWV 1055, and Schumann's Piano Concerto; he also conducts Haydn's Symphony No. 80 and Bart k's Divertimento for String Orchestra.

Andr s Schiff will return to the New York Philharmonic to conduct and perform J.S. Bach's Piano Concerto in A major, BWV 1055, and Schumann's Piano Concerto; he also conducts Haydn's Symphony No. 80 and Bart k's Divertimento for String Orchestra.

Music Director Alan Gilbert begins his final weeks by leading the New York Philharmonic in Schoenberg's A Survivor from Warsaw and Beethoven's Symphony No. 9. The program juxtaposes the tragedy and optimism of human experience through Schoenberg's depiction of the horror of the Holocaust and the message of hope, brotherhood, and joy in Beethoven's Ninth Symphony. Schoenberg's A Survivor from Warsaw will feature Gabriel Ebert as narrator (in his Philharmonic debut) and the men of the Westminster Symphonic Choir, directed by Joe Miller. Beethoven's Ninth Symphony will feature soprano Camilla Tilling, mezzo-soprano Daniela Mack (debut), tenor Joseph Kaiser (debut), bass-baritone Eric Owens, and the Westminster Symphonic Choir, directed by Joe Miller. The performances will take place Wednesday, May 3, 2017, at 7:30 p.m.; Thursday, May 4 at 7:30 p.m.; Friday, May 5 at 8:00 p.m.; Saturday, May 6 at 8:00 p.m.; and Tuesday, May 9 at 7:30 p.m. The program will be presented without intermission.

Music Director Alan Gilbert will conduct the New York Philharmonic in the World Premiere-New York Philharmonic Commission of Lera Auerbach's NYx: Fractured Dreams (Violin Concerto No. 4).

Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven's Symphony No. 5; Bartok's Music for Strings, Percussion, and Celesta; and Ligeti's Mysteries of the Macabre, for Trumpet and Orchestra, featuring Principal Trumpet Christopher Martin in his Philharmonic solo debut, Today, October 5, 2016, at 7:30 p.m.

Momenta Quartet, the 'outstanding' (George Grella) and 'enterprising' (Russell Platt) string quartet based in New York City, happily announces Momenta Festival II, following the success of the inaugural Momenta Festival in 2015.

Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven's Symphony No. 5; Bartok's Music for Strings, Percussion, and Celesta; and Ligeti's Mysteries of the Macabre, for Trumpet and Orchestra, featuring Principal Trumpet Christopher Martin in his Philharmonic solo debut, Wednesday, October 5, 2016, at 7:30 p.m. Alan Gilbert and the Orchestra will perform Beethoven's Piano Concerto No. 4, with Lang Lang as soloist; Bartok's Music for Strings, Percussion, and Celesta; and Ligeti's Mysteries of the Macabre, with Principal Trumpet Christopher Martin as soloist, Thursday, October 6, 2016, at 7:30 p.m.; Friday, October 7 at 8:00 p.m.; and Saturday, October 8 at 8:00 p.m.

Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven's Symphony No. 5; Bartok's Music for Strings, Percussion, and Celesta; and Ligeti's Mysteries of the Macabre, for Trumpet and Orchestra, featuring Principal Trumpet Christopher Martin in his Philharmonic solo debut, Wednesday, October 5, 2016, at 7:30 p.m.

The New York Philharmonic has announced the 2016-17 season's Insights at the Atrium series, free events exploring themes of the Philharmonic's concert season through multimedia lectures, conversations, and panel discussions. Expanding to eight events this season, Insights at the Atrium has gained in popularity since its inception in 2011, helping thousands of audience members delve more deeply into the music, musicians, and ideas featured in the Philharmonic's season through a dynamic and accessible forum. All events are held at the David Rubenstein Atrium at Lincoln Center and begin at 7:30 p.m.

Momenta Quartet, the 'outstanding' (George Grella) and 'enterprising' (Russell Platt) string quartet based in New York City, happily announces Momenta Festival II, following the success of the inaugural Momenta Festival in 2015.

The Milwaukee Symphony Orchestra and Music Director Edo de Waart present de Waart Conducts Strauss this weekend, February 27-28, 2015 at the Marcus Center for the Performing Arts.

MILWAUKEE, WIS. 02/04/2015 – The Milwaukee Symphony Orchestra and Music Director Edo de Waart present de Waart Conducts Strauss on February 27-28, 2015 at the Marcus Center for the Performing Arts. The performances feature Strauss's Metamorphosenfor 23 Solo Strings, Oboe Concerto in D major, and Don Quixote, Op. 35. Featured soloists include the MSO's Principal Oboe Katherine Young Steele, Principal Cello Susan Babini, and Principal Viola Robert Levine.

Fresh off its recent Tchaikovsky production at BAM Fisher, the Ensemble of the Romantic Century (ERC) presents another fully staged theatrical concert interweaving drama and music about one of the most famous trials of the 19th century. Delivered by a top-caliber cast in an intimate setting, The Trial of Oscar Wilde focuses on the tragic shackling, public scrutiny, and subsequent imprisonment of the homosexual playwright/writer Oscar Wilde (1854-1900). A script based on Wilde's correspondence, plays, and short stories (performed by Broadway's Michael Halling as Oscar Wilde and esteemed Robert Ian Mackenzie as Lord Queensbury) provides a dramatic backdrop for chamber music by French and English composers from the late 19th and early 20th centuries including Chausson's masterful Concerto for violin, piano and string quartet, and works by Satie, Elgar, Faure and Franck in performances by the dynamic Amphion String Quartet, violinist Susie Park, pianist Max Barros and a romping barbershop quartet.

Fresh off its recent Tchaikovsky production at BAM Fisher, the Ensemble of the Romantic Century (ERC) presents another fully staged theatrical concert interweaving drama and music about one of the most famous trials of the 19th century. Delivered by a top-caliber cast in an intimate setting, The Trial of Oscar Wilde focuses on the tragic shackling, public scrutiny, and subsequent imprisonment of the homosexual playwright/writer Oscar Wilde (1854-1900). A script based on Wilde's correspondence, plays, and short stories (performed by Broadway's Michael Halling as Oscar Wilde and esteemed Robert Ian Mackenzie as Lord Queensbury) provides a dramatic backdrop for chamber music by French and English composers from the late 19th and early 20th centuries including Chausson's masterful Concerto for violin, piano and string quartet, and works by Satie, Elgar, Faure and Franck in performances by the dynamic Amphion String Quartet, violinist Susie Park, pianist Max Barros and a romping barbershop quartet.