Joseph Arkley

The Royal Shakespeare Company today released Sonnets in Solitude, a selection of Shakespeare's sonnets self-recorded by RSC actors while in lockdown. Many of the actors were working with the RSC at the time of the theatre's temporary closure on 17 March and have been unable to perform or rehearse since.

As part of the newly launched Royal Shakespeare Community initiative, artists from the Royal Shakespeare Company, who are currently unable to rehearse or perform, will lend a hand in helping to unlock Shakespeare for thousands of children and young people studying at home.

Chicago Shakespeare Theater is proud to welcome the return of the world-renowned Royal Shakespeare Company (RSC) to Chicago for the first time in nearly 25 years. Chicago Shakespeare will present the company's acclaimed gender-swapped production of Shakespeare's The Taming of the Shrew, directed by Justin Audibert, in a special limited engagement April 15a?"May 2, 2020 in The Yard at Chicago Shakespeare.

The RSC visit the Canterbury venue with As You Like It, The Taming Of The Shrew and Measure For Measure between Wednesday 29 January and Saturday 8 February. It is the first time the RSC has performed three plays in repertoire at the theatre.

The final installment of the Royal Shakespeare Company's season in London sees Artistic Director Gregory Doran's Measure for Measure coming into town. The choice of play is momentous, as it's historically the Bard's only active denunciation of men's unfair treatment of women. Doran sets the piece in a turn-of-the-Century Vienna that's torn between the lasciviousness of its brothels and strict ideals of conservative purity.

As you enter the Barbican's auditorium to watch the RSC's The Taming of the Shrew, you can't miss the sound of fireworks in the background. It's implied a celebration is coming. As part of this RSC season alongside As You Like It and Measure for Measure, The Taming of the Shrew is directed by Justin Audibert. But is it an explosion of theatrical goodness or a wet fizzle? Prithee, read on to find out.

'Measure still for measure': justice is still a tricky concept. Gregory Doran's insightful realisation of Shakespeare's notorious 'problem play' highlights Measure for Measure's enduring, perhaps even increasing, relevance.

Later this year, the three Shakespeare productions from the Royal Shakespeare Company's (RSC) Summer 2019 Stratford season transfer to the Barbican from 26 October 2019. The Company features 27 actors, who each appear across two of the three productions:

Turning the 1590's patriarchy into a matriarchy, Justin Audibert breaks down why he chose to gender reverse The Taming of the Shrew for the Royal Shakespeare Company, and what effects the decision has had on the actors and audience alike.

A bold and often beautifully staged production that makes women men and men women to throw light on the often brutal text. What emerges is plenty of new insight, but the nagging doubt persists that the play just isn't very good.

For the first time the Royal Shakespeare Company will tour three productions in repertoire to six regional theatres, playing for two weeks in each venue. As You Like It, The Taming of the Shrew and Measure for Measure will visit Salford in September 2019, and then Canterbury, Plymouth, Nottingham, Newcastle upon Tyne and Blackpool in early 2020. Performance dates at the end of the release.

The collaborative, cross-cast company is announced for the Royal Shakespeare Company's (RSC) productions of As You Like It, The Taming of the Shrew and Measure for Measure, playing in a newly reconfigured Royal Shakespeare Theatre next summer. All three productions will then tour in repertoire for the first time to six regional theatres in 2019 and 2020. The actors will each appear in two of the three plays performed as part of the Summer 2019 repertoire. Design for all three productions is by Stephen Brimson Lewis, Director of Design for the Royal Shakespeare Company.

The Almeida will broadcast Artistic Director Rupert Goold's production of RICHARD III, with Ralph Fiennes as Shakespeare's most notorious villain and Vanessa Redgrave as Queen Margaret, live to cinemas in the UK and around the world today 21 July.

The Almeida's production of RICHARD III, with Ralph Fiennes as Shakespeare's most notorious villain and Vanessa Redgrave as Queen Margaret, is likely headed to the West End, and possibly the Great White Way.

Ralph Fiennes plays the villainous title role in Rupert Goold's new production of Shakespeare's RICHARD III at the Almeida, opening tonight. Vanessa Redgrave is Queen Margaret, and the cast also features David Annen, Joseph Arkley, Osman Baig, Benedict Barker, Tom Canton, Daniel Cerqueira, Simon Coates, Josh Collins, Susan Engel, James Garnon, Mark Hadfield, Scott Handy, Lev Levermore, Finbar Lynch, Aislin McGuckin, Joseph Mydell, Lukas Parish, Joshua Riley, Lukas Rolfe , Joanna Vanderham, Baxter Westby and Oliver Whitehouse.

The Almeida will broadcast Artistic Director Rupert Goold's production of RICHARD III, with Ralph Fiennes as Shakespeare's most notorious villain and Vanessa Redgrave as Queen Margaret, live to cinemas in the UK and around the world on 21 July.

Two brothers, Earl and Ray, travel to Bernalillo New Mexico upon the mysterious death of their estranged father, Henry. Over a bottle of bourbon and a box of old photographs, they try to reconcile their very different childhood memories. Earl's version of Henry's death doesn't add up; so Ray determines to find the truth.  As Ray plays detective we encounter Henry's bizarre collection of friends as the story of his last days is uncovered. Family tensions are blown apart as Ray discovers more than he'd bargained for…

Full casting is announced for Gregory Doran's new production of the rarely-performed Jacobean domestic tragedy by Dekker, Ford and Rowley, The Witch of Edmonton. As previously announced Eileen Atkins returns to the RSC in the title role of Elizabeth Sawyer as the RSC continues to stage the plays of Shakespeare's contemporaries in the Swan Theatre. The Witch of Edmonton opens for previews on the 23 October 2014 and will play in repertoire with an extended run of The White Devil until the 29 November 2014.

Full casting is announced for Maria Aberg's production of Webster's violent tragedy The White Devil, which continues the Royal Shakespeare Company's 'Roaring Girls' season in the Swan Theatre, revealing some of the great parts written for and about women.

Gary Naylor sees an uncompromising presentation of an uncompromising play.