New Ohio Theatre's NYC Indie Theatre Film Festival (NYCITFF), now in its 7th year, has announced the in-person screening schedule for their 2023 film festival. This year's festival will be a hybrid of in-person and online film screenings and will present work from independent theatre artists that are defying labels and branching out into digital media and film.
New Ohio Theatre's NYC Indie Theatre Film Festival (NYCITFF), now in its 7th year, has announced the in-person screening schedule for their 2023 film festival. This year's festival will be a hybrid of in-person and online film screenings and will present work from independent theatre artists that are defying labels and branching out into digital media and film.
New Ohio Theatre's NYC Indie Theatre Film Festival has announced the lineup for their 2023 hybrid in-person and online film festival.
Necessary Digression in collaboration with Torn Page and The Martin E. Segal Center for Theatre Research as well as Colgate University will present two English Language premieres of celebrated Argentinian playwright Romina Paula, FAUNA (September 16 - October 1, 2022), translated by April Sweeney & Brenda Werth, directed by April Sweeney, and THE WHOLE OF TIME (October 21 - November 13, 2022), translated by Jean Graham-Jones and directed by Tony Torn.
Necessary Digression in collaboration with Torn Page and The Martin E. Segal Center for Theatre Research as well as Colgate University will present two English Language premieres of celebrated Argentinian playwright Romina Paula.
The Outdoor Film Festival consists of a series of interactive workshops and film screenings set in open spaces and nature in East Harlem. With each day given a thematic focal point, the festival is centered around intergenerational healing as it relates to Black and BIPOC communities living in Harlem and across New York City.
With an online reading of Charles Martin's new translation of 'Medea' scheduled for this weekend, Syracuse Stage has announced a live online panel discussion, 'Medea and the Moment,' for Monday, June 8 to discuss issues related to current events that are addressed in Euripides' tragedy.
Syracuse Stage celebrates a new translation of a classic Greek tragedy as the a?oeCold Read Festival of New Playsa?? moves online to present a reading of Euripides' a?oeMedea.a??
The thought of spending time at a lake for a reunion tends to conjure up images of relaxing on the dock, grilling food, and mixing drinks with conversation. Time at Black Lake, though, is more mercurial in nature, rippling across relationships. At Black Lake unfolds as an opaque memory/mystery play where time doesn't heal wounds--it scratches the surface until clues trickle like blood.
Opera House Arts at the Stonington Opera House in Maine announced today the complete casts and creative teams for the company's 20th Anniversary Season, which includes Shakespeare in Love (July 18-28), based on the screenplay by Marc Norman and Tom Stoppard, adapted for the stage by Lee Hall as well as Avalon (August 15-25), a world-premiere by Melody Bates.
*Necessary Digression will present the United States Premiere of Dea Loher's At Black Lake translated by Daniel Brunet and directed by Ashley Tata at The Tank
All plays were once new plays. That's the idea behind Syracuse Stage's Cold Read Festival of New Plays. Now in its second season, the Cold Read festival has five different events featuring some of the freshest voices writing for theater today, both nationally and locally, scheduled for Thursday, March 7, through Sunday, March 10.
The Martin E. Segal Theatre Center, located at the Graduate Center City University of New York, announces its Fall 2015/Winter 2016 season of public programs. The season will launch with the twelfth annual PRELUDE Festival (October 7, 8 & 9), an always thought-provoking and engaging first look at the latest in New York City downtown experimental performance scene. The season continues with free public programs throughout the fall and winter, featuring contemporary theatre and performing artists from around the world.
A playful, exuberant and musical adaptation of Gertrude Stein's existential, modernist children's book The World Is Round will be performed this summer at The Mill: Arts, Letters, and Numbers in Averill Park, New York (east of Albany). THE WORLD IS ROUND IS ROUND IS ROUND is a music-theater piece chronicling the adventures of a girl named Rose in her quest to get 'there'-to the top of a mountain. It is adapted and directed by Karin Coonrod with music by Gina Leishman, who Time Out New York called 'one of New York's most versatile composers.' The work will premiere in August 2013 at The Mill before traveling to New York and other cities.
A playful, exuberant and musical adaptation of Gertrude Stein's existential, modernist children's book The World Is Round will be performed this summer at The Mill: Arts, Letters, and Numbers in Averill Park, New York (east of Albany). THE WORLD IS ROUND IS ROUND IS ROUND is a music-theater piece chronicling the adventures of a girl named Rose in her quest to get "there"-to the top of a mountain. It is adapted and directed by Karin Coonrod with music by Gina Leishman, who Time Out New York called "one of New York's most versatile composers." The work will premiere in August 2013 at The Mill before traveling to New York and other cities.
A cooperative of NYC-based cutting-edge experimental theater companies and artists will present their work throughout July as part of the 2012 undergroundzero festival (Paul Bargetto, Artistic Director, Connie Hall, Executive Director). The festival will take place June 29-July 29 on 5 stages in the East Village and Brooklyn and outdoor sites throughout lower Manhattan. Weekly parties, panels, and new play readings will happen at festival headquarters: the legendary Living Theatre.
The sound of Carnival carousing and swordfights will fill the World Financial Center this March when it hosts Aphra Behn's seminal play The Rover, the prototypical bawdy feminist romp that was written by the first professional female playwright in the English language.
The sound of Carnival carousing and swordfights will fill the World Financial Center this March when it hosts Aphra Behn's seminal play The Rover, the prototypical bawdy feminist romp that was written by the first professional female playwright in the English language.
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