Gerold Oliver

Led by a bravura performance from Carli Hardon, Nashville Repertory Theatre’s production of The Color Purple – the musical based on the beloved Alice Walker novel – is yet another extraordinary success from the professional company in the midst of its 39th season. Directed with complete self-assurance and confidence by Reggie Law, with evocative and energetic choreography by Joi Ware and the musical direction of Dion Treece that results in one of the most emphatically sung shows in Nashville Rep history.

Should you feel the sudden urge to go home and bake some gingerbread upon leaving a performance of Nashville Children’s Theatre’s world premiere production of The Gingerbread Kid, rest assured it’s not a sign that you’ve developed cannibalistic tendencies. Rather, it’s part of a clever plot by director/choreographer/librettist Abe Reybold and executive artistic director Ernie Nolan (and their gang of creative artists) to ensure you’re immersed in the sweet-smelling world of confectionery treats while enjoying the brand-new musical that presents all manner of childhood tales in “bakery-fresh” packaging.

It's the final week left to vote for the 2023 BroadwayWorld Nashville Awards! Voting ends on 12/31 at midnight. Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

There's just two weeks left to vote and we have the latest standings as of Monday, December 18th for the 2023 BroadwayWorld Nashville Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's the final 3 weeks and we have the latest standings as of Monday, December 11th for the 2023 BroadwayWorld Nashville Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

It's December, and the first standings of the month have been announced as of Tuesday, December 5th for the 2023 BroadwayWorld Nashville Awards! Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!

Thanks to Andrew Maraniss’ best-selling book Strong Inside – adapted for the stage by Tyrone L. Robinson – Wallace’s storied basketball career in the Southeastern Conference and the details of his upbringing in the segregated South are now brought vividly to life onstage in a history-making production from NCT, the third-oldest theater for younger audiences in the United States. Founded in 1931 by members of the Junior League of Nashville, there can be no denying that NCT, like its hometown itself and one of its favorite sons (Wallace), has been reflective of the growing diversity of its people and the evolution of its cultural and educational institutions.

Among attributes audience members have come to expect from a Nashville Children’s Theatre production – fired by significant amounts of imagination and enough creativity to empower the minds of every youngster who has ever been introduced to the transformative power of live theater by the artists of NCT – are unique approaches to live performance, replete with stunning visuals, the casting of actors who look like their young audiences, and refreshingly new and exciting concepts that breathe new life in ages-old tales.

The latest standings as of Monday, December 19th, have been released for the 2022 BroadwayWorld Nashville Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Nashville Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

Wendy Kesselman’s new adaptation of The Diary of Anne Frank – which is based upon the acclaimed 1955 play by Frances Goodrich and Albert Hackett and is an update of her 1997 script which has been widely produced since – is given a superb world premiere production by Nashville Children’s Theatre, which adds luster to the original work and makes it more accessible to contemporary audiences in director Ernie Nolan’s new iteration onstage through October 2.

There is no place more magical – no art form more transformative – than the theater and now, thanks to the continued creativity and sense of wonder shared by Ernie Nolan and David Weinstein (given an assist from a timeless tale by J.M. Barrie), audiences are treated to an exhilarating flight of fancy via the award-winning pair’s sprightly and sparkling new musical take on the story of Peter Pan: Wendy’s Adventure to Neverland.  

This is the last chance to vote for the 2021 BroadwayWorld Nashville Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Cassidy has very cleverly reconfigured the piece to be presented as a radio play, presented in 1947 on local Franklin radio station, WAKM, adding some dialogue that rings authentic of the era and certain to gain a reaction from the play’s audience. In less capable hands, this new conceit could be considered too cute by half, yet Cassidy and his ensemble very confidently bring the show to life with a spirit heretofore unrealized.

Time is running out to vote for for the 2021 BroadwayWorld Nashville Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Ragtime opened last night, featuring a cast of Nashville stage veterans and a sizable coterie of performers, heretofore unknown to local audiences, who are certain to become fast favorites. Taking a brief respite from their hectic schedules of rehearsals, fittings, photo calls, more rehearsals and getting to know one another, four of those newcomers – Shelby Denise Smith, Wood Van Meter, Kortney Ballenger and Steven McCoy – took the time to answer our questions to tell you why you need to score those tickets for Ragtime now if you haven’t already.

Ragtime, the Tony Award-winning musical about life in these United States during the very early years of the 20th century, is a richly drawn and evocatively told rumination on the pursuit of the American dream seen from the perspective of a diverse, multi-ethnic cast of characters. Now onstage through Sunday at the Tennessee Performing Arts Center’s James K. Polk Theatre, in a glittering and sumptuous revival from Nashville Repertory Theatre, Ragtime proves an ambitious choice for the company’s return to live performance after more than 18 months of darkness due to the Covid-19 pandemic.

Opening Thursday night, November 11 and continuing for five performances through Sunday, November 14, Ragtime – the musical by Stephen Flaherty (music), Lynn Ahrens (lyrics) and Terrance McNally (book) which, in turn, is based upon E.L. Doctorow’s 1975 novel of the same name – promises to be a grand undertaking, which hopefully will blow away the cobwebs and the dust that’s collected in the past year-and-a-half during which the theater was dark and the company strived to remain relevant and productive amidst all the challenges that ensued.

The result is Outside of Here – a work that has evolved from conversations among Lee, Sternberg, Melinda Sewak and Claudia Barnett – which will premiere this Saturday, October 2, on NECAT, Nashville’s Education, Community and Arts Television Network. For 12 hours, one performer (Sternberg plays “Her”) will experience one story dozens of times with more than 30 different actors, who comprise a veritable who’s who of Nashville’s theater community.

Local Black-owned theatre company Kennie Playhouse Theatre is collaborating with Nashville Shakes to produce August Wilson's Jitney, which runs August 12-22 at oneC1TY in Nashville, and September 16 and 17 at Williamson County Performing Arts Center at Academy Park in Franklin, TN.