Gemma Arterton

In an interview with BBC News, Sean Foley said: “They’ve got to be a great comic actor, of which we have very many. They’ve got to be of that shape-shifting kind of quality.'

Stanley Kubrick's iconic work will be adapted for the first time ever, when a world premiere stage production of his timeless classic Dr. Strangelove opens in the West End in Autumn 2024.

Nica Burns has announced a new production of William Shakespeare’s As You Like It, directed by Josie Rourke, starring Leah Harvey as Rosalind, Rose Ayling-Ellis as Celia, Alfred Enoch as Orlando and with Martha Plimpton in the role of Jaques.

Brown Boys Swim is the winner of the Popcorn Writing Award 2022.  Written by Karim Khan (a recipient of Riz Ahmed’s Left Handed Films and Pillars Fund inaugural fellowship and an alumnus of the The North Wall’s ArtsLab programme), this lyrical coming-of-age tale looks at the pressures that surround young Muslim men today. 

The BBC and Shakespeare's Globe have teamed up to celebrate the Globe's 25th Anniversary, broadcasting three films on BBC Four and BBC iPlayer. The productions span across the years with Michelle Terry in Twelfth Night (2021), Emma Rice's A Midsummer Night's Dream (2016) and Gemma Arterton in The Duchess of Malfi (2014).

From Thursday 10th March 2022, schools, universities, and educational institutions all over the world will be able to see the digital streaming of Walden - the fresh and ambitious debut play by Amy Berryman. Walden stars Gemma Arterton, Fehinti Balogun and Lydia Wilson and is directed by Ian Rickson. 

WhatsOnStage today announced that Jodie Prenger and Tom Read Wilson will host the 22nd Annual WhatsOnStage Awards. They are joined by presenters Chris Bush, Graziano Di Prima, Omari Douglas, James Graham, David Harewood, Frances Mayli McCann, Stephanie McKeon, Drew McOnie, Daniel Monks, Tracy Ann Oberman, Johannes Radebe, and more.

“The King’s Man,” the prequel to the previous two movies in the “Kingsman” film franchise—“Kingsman: The Secret Service” and “Kingsman: The Golden Circle”—unfolds the origins of the very first independent intelligence agency through a story that features a collection of history’s worst tyrants. The score is by Matthew Margeson and Dominic Lewis.

Shakespeare's Globe has announced the relaunch of their video-on-demand streaming service, Globe Player. The original platform was the first of its kind and the upgrade enables audiences to subscribe or pay-on-demand for world-class Shakespeare productions to devices internationally. 

“Measure of a Man” opens with FKA twigs' cinematic and arresting vocals. FKA twigs then lures us into a hypnotic RnB fuelled beat before handing over to Central Cee who adds his dynamic touch as he floats across the track. “The King’s Man” is directed by Matthew Vaughn and stars Ralph Fiennes and Gemma Arterton. It's released theaters December 22.

After returning from a year-long Moon mission, Cassie, a NASA botanist, finds herself in a remote cabin in the woods, where her estranged twin sister, Stella, a former NASA architect, has found a new life with climate activist Bryan. Old wounds resurface as the sisters attempt to pick up the pieces of the rivalry that broke them apart.

Alan Stacey has today announced that he will be stepping down as Executive Director of Headlong in March 2022 after six years with the company. During his tenure Stacey has helped bring some of Headlong's most critically acclaimed work to over 900,000 people in theatres across the UK.

And they're off! London theatres have been open for several weeks now, and the reviews once again are coming hard and fast as a glance at this very site will confirm. Quick off the mark have been the smaller-sized shows: solo plays like Cruise or Harm or a three-person West End entry like Amy Berryman's Walden (though that title was beset by pre-opening dramas of its own, more of which below). But as the big musicals prepare their own re-emergence on to a scene marked out already by the producer Sonia Friedman's RE:EMERGE season (of which Walden is the first of three to open), excitement is in the air. The question now remains as to who, precisely, the audience is likely to be for these shows, given the difficulty for many in travelling to the UK.

To use any other word than ‘crisis’ to describe what is happening with today’s climate is ridiculous. Temperatures rise, natural resources dwindle and human beings waste more than ever. Is our planet saveable? Can we heal mother earth, or is it better to admit defeat and divert all resources into finding another place to build a sustainable ecosystem. This is the main question grappled with in Amy Berryman’s Walden.

Amy Berryman's Walden, which is currently playing at the Harold Pinter Theatre, has announced that it will pause performances this evening, May 25, after a COVID threat arose within the company.

Get a first look at production images for Amy Berryman’s Walden which is currently running at the Harold Pinter Theatre as the first production in SFP’s RE:EMERGE season.

The first show of the Harold Pinter Theatre RE:EMERGE season is Amy Berryman’s Walden. Get a peek inside rehearsals!

The fabled date is getting nearer!  For months, May 17 has loomed large in the calendar of London theatreland as the signal for playhouses to reopen their doors after a five-month lockdown - a period of closure that has, of course, been much longer in New York for the simple reason that London theaters did at least flicker partially to life last autumn.

Sonia Friedman Productions today announces the dates for the RE:EMERGE season as priority booking opens on 15 April at 10.30am, with public booking opening 16 April at 10am.

May 17 has long held near-sacrosanct status in and around London theatreland. That's the date earmarked for a return to live performance, albeit to limited audiences, with a further diary entry worth marking of June 21 (the summer solstice no less) when all restrictions on social contacts will be removed and playhouses may - one stresses the word may - be allowed to return to something resembling pre-pandemic capacity.