Edward Moore

How far back can you remember? When you were 10? 5? Do you remember the day you were born? Probably not. That is what makes the subject of D.W. Gregory’s Memoirs of a Forgotten Man so incredible, he can. Thalia’s Umbrella’s productions of the four-person play, masterfully directed by Terry Edward Moore and housed at 12th Avenue Arts, has officially opened, and this is one you truly don’t want to miss…or forget.

Thalia's Umbrella will present MEMOIRS OF A FORGOTTEN MAN, a NW premiere by DW Gregory. Don't miss this captivating new play!

I’m sick of everyone moaning all the time, so I’ve written a show about how bloody great everything is. I haven’t actually written it at the time of going to print and in previous years I’ve made all sorts of promises in the blurb. Not going to fall into that trap again! But look, I’m going to put a real shift in for you guys, you’ll get value for money. I’m very good at stand-up, I’m actually one of the best at it. Seriously, Google me. I’ve been on telly in America.

BWW caught up with Garrett Millerick to chat about bringing Never Had It So Good to the 2023 Edinburgh Festival Fringe.

Augie is the understudy for one of the most demanding roles in the theater, King Lear--and he may have to go on tonight. Anna, his wife, is ready to help him. But she has a secret (or two), and he has a problem...

As seen regularly on Mock the Week, comedian Alasdair blogs for Broadway World about how going viral has changed his writing as well as his live shows and the impact of studying film on his career so far.

BWW catches up with Alasdair Beckett-King to chat about bringing Nevermore to the 2022 Edinburgh Festival Fringe.

The best play about the United States in 2021 was written in Scotland in 1994. In a time when words and ideas are divisive, and when someone from another country—or the other side of town—can seem both exotic and threatening, come join the feast that is David Greig's powerful play about two outsiders who change a small town. Two refugees arrive at a train station in a small border town where the trains no longer stop. They are not looking for love; they are not looking for trouble. They find both. 

All performances of Thalia's Umbrella's production of EUROPE, by David Greig, have been canceled.

The best play about BREXIT was written in Scotland in 1994. (It's also about a few other places.) In a time when words and ideas are divisive, come join the feast that is David Greig's powerful play about two refugees who change a small town. The town is already reeling from layoffs at the local factory, and because the trains that link all of Europe no longer stop in the town's station. Everyone in town, old and new, must decide where home is and what they will do to find, make, or keep it. Come see the terror and triumph of worlds colliding in a play that Arts Desk called a?oeTimely, tender, brutal, and brilliant.a??

Comedian JIM CAMPBELL's latest show BEEF confronts his family curse. The show is a fast-paced and bold attempt to overcome overthinking, anxiety and find self-acceptance through humour. Ahead of performing it at this year's Edinburgh Festival Fringe, he chats to BroadwayWorld.

The ongoing alternate-history podcast BRASS premieres its third season this month. Recorded in Seattle, Washington and featuring a veteran cast of Pacific Northwest talent, the series follows the adventures of a quartet of Victorian science geniuses and their ongoing battle against a criminal mastermind known only as the Crime Minister.

The greater Binghamton area's only professional, non-profit Equity theatre, Chenango River Theatre, will open their 2019 season on May 24 with a new play that is currently the most frequently produced play in the country, A Doll's House, Part 2.  Following that production is the World Premiere of a new comedy about an Irish Catholic family in 1973, Incident at Our Lady of Perpetual Help.  The Immigrant, based on the true story of the author's own family who became the only Jewish family in town when they immigrated to Hamilton, Texas in 1909, runs in the late summer slot.  The season finale will be The Sea Horse, an unusual and volatile love story set in a dumpy waterfront bar of the same name. 

Yes, Dear Readers, it's "Uncle Vanya" … again. Now, don't get confused. I know I just reviewed this a few weeks ago but this is a different production. This is Theatre9/12, those plucky actors who pour over scene work week after week until they come up with a full play they'd like to present, this time it's Annie Baker's adaptation of Chekhov's "Uncle Vanya". They're all about the performance and not so much on the frills since there's usually little in the way of sets or elaborate costumes and they perform at the Trinity Church Parish Hall. And while they usually bring in a fantastic piece, this time it felt they focused a bit too much on individual scene work and not so much on connecting with each other as the play felt like so many performances in a vacuum.

Thalia's Umbrella is thrilled to present the Seattle premiere of Bess Wohl's (mostly) silent comedy Small Mouth Sounds at 12th Avenue Arts April 18 to May 11, 2019.

Many have wished they could alter the personality of their significant others in some way but it's usually something small. Don't eat in bed. Stop telling corny jokes. Don't spend all our money on geeky toys. But what if your spouse suddenly had a whole new personality … and you liked it better? Such is the conceit of the world premiere from Thalia's Umbrella with Y York's 'The Impossibility of Now' currently playing at 12th Avenue Arts. And with York's rich dialog and characters and the fantastic cast this sweet little romantic comedy is a delight.

Thalia's Umbrella announces their fifth production: The Impossibility of Now by Y York.  The Impossibility of Now will be performed March 8-31, 2018, at 12th Avenue Arts on Capital Hill. 

Seattle Playwrights Salon kicks off a year of parity (plays by women!) by presenting Unhinged, by Seattle-based playwright, Pamela Hobart Carter at the Conservatory, 5813 South, Seattle, 98108. Admission is free! Beer, wine, cider, and food available for purchase before and after the show, and during intermission.

Good satire needs two things: merciless mockery, and a compelling narrative. Sandbox Radio's farcical 63 Trillion nails the mockery, but focuses so much of its attention on cramming in as many double-entendres as possible that the narrative becomes secondary to the dick jokes.

BWW speaks to Adam Hess about bringing Cactus to the 2017 Edinburgh Festival Fringe.