Christopher Krysztofiak

For a dark heist play, like a dark heist movie, to work, you need to populate it with hard male actors. Those are the rules. You need reservoir dogs, not reservoir show dogs.

Theatrical Mining Company Proudly Presents, at the College of Notre Dame, as part of the Baltimore Playwrights Festival Black Widows A New Play by Susan Middaugh Directed by Barry Feinstein

Fells Point Corner Theatre will end its run of Stage 'The Marriage of Bette and Boo' by Christopher Durang, directed by Barry Feinstein, on May 2, 2010.

The almost-universal experience of life in alcoholic and/or abusive families can be hilarious. Christopher Durang's play, well-staged at FPCT, takes us into the heart of savagely-rendered darkness, and maybe even a few steps out again.

Fells Point Corner Theatre proudly presents on the Sokal Stage 'The Marriage of Bette and Boo' by Christopher Durang, directed by Barry Feinstein. The show will play from April 16 to May 2, 2010.

Fells Point Corner Theatre proudly presents on the Sokal Stage 'The Marriage of Bette and Boo' by Christopher Durang, directed by Barry Feinstein. The show will play from April 16 to May 2, 2010.

As part of the 28th season of the Baltimore Playwright's Festival, the Fells Point Corner Theatre will present Bloodlines, a new play by Maryland playwright, Daniel Baum, June 18 - July 5, 2009. Performances will be held Thursdays - Saturdays at 8 p.m. and Sundays at 7 p.m.

As part of the 28th season of the Baltimore Playwright's Festival, the Fells Point Corner Theatre will present Bloodlines, a new play by Maryland playwright, Daniel Baum, June 18 - July 5, 2009. Performances will be held Thursdays - Saturdays at 8 p.m. and Sundays at 7 p.m.

I Hate Hamlet is the unapologetically silly and hilarious tale of how Andy Rally, a successful young actor whose TV series has been cancelled, reluctantly comes to New York to take on one of the most challenging roles in theater history - Hamlet! To help him through this daunting task, the ghost of the legendary star (and lecher and lush), John Barrymore, appears to give his young would-be successor instructions in acting, not to mention life and love. Playwright Paul Rudnick invites the audience to laugh at the craziness that goes along with performing Shakespeare ('It's, like, algebra on stage!') and the wily Hollywood producer who tries to lure Andy back to L.A. with a new series that could make him millions.