Bryant Smith

City Springs Theatre Company will continue its sixth season with the crowd-pleasing Legally Blonde: The Musical, part of the 2023-2024 PNC Bank Season, May 3 - 19, with direction and choreography by Broadway star Nikki Snelson.

Joining the Dots Theatre Co has announced the premiere season of It’s A Wonderful Life. Inspired by the iconic Hollywood classic film and transported to the stage, this is a production that will charm and surprise. 

 Today, GLAAD, the world's largest lesbian, gay, bisexual, transgender, and queer (LGBTQ) media advocacy organization, announced participants wearing purple or going purple online for Spirit Day in a united stand against bullying and show of support for LGBTQ youth.

Joining the Dots Theatre Company will present the Australian premiere of Abigail Killeen and Rose Courtney's stage adaptation of the much-loved short story by Isak Dinesen that became the 1987 Oscar-winning film, Babette's Feast at Marrickville's Greek Theatre from 1st to 12th February.

“Hell Hole: A Love Story” brings part of the extraordinary story of Dorothy Day to life. Adapted from an original play by Jo Kadlecek and directed by Nicholas Papademetriou this is the opening play of Joining the Dots Theatre Company's 2021 season.

'Against a backdrop of Tory cuts, high unemployment and the deregulated economy of 1970s Britain, a young urban guerrilla group mobilises: The Angry Brigade. Their targets: MPs, embassies, police, pageant queens. A world of order is shattered by anarchy and the rules have changed. An uprising has begun. No one is exempt.' The New Theatre impresses us again with their production of James Graham's The Angry Brigade.

The Angry Brigade was a small cell of left-wing, anti-elitist urban guerillas in 1970s Britain. They emerged in a society blighted by government cuts, high unemployment, austerity measures and deregulation, at a time of global political and cultural upheaval: riots and revolutions, the black-power and women's lib movements, protests against the war in Vietnam.

For the first time, Riverside Theatres will present a play by the legendary absurdist playwright, Harold Pinter, live on stage! Pinter's The Caretaker is one of the most brilliant contemporary classics of our time and is a must-see in Parramatta from 21st to 23rd February 2019.

For the first time, Riverside Theatres will present a play by the legendary absurdist playwright, Harold Pinter, live on stage! Pinter's The Caretaker is one of the most brilliant contemporary classics of our time and is a must-see in Parramatta from 21st to 23rd February 2019.

Next to Normal explores how one suburban household copes with crisis and mental illness. Winner of three 2009 Tony Awards, including Best Musical Score and the 2010 Pulitzer Prize, Next to Normal was also chosen as 'one of the year's ten best shows' by critics around the country, including The Los Angeles Times, The Washington Post, Rolling Stone and The New York Times.

Last night, in front of a packed house, Artistic Director Louise Fischer announced New Theatre's 2019 Season.

The Suzi Bass Awards revealed nominations for the 2017-2018 Atlanta professional theatre season on Monday evening, August 27, to patrons and industry artists. The Suzi Nomination Party was generously hosted by Synchronicity Theatre, at 7:30pm, One Peachtree Pointe, 1545 Peachtree St. NE #102, Atlanta.  

In 2016, New Theatre was the recipient of the ACON Honour Award for Arts & Entertainment, in recognition of our 25-year commitment and support of the LGBTQI community, and for acknowledging diverse sexualities and genders as an important demographic within the theatre's community and audience.

In the scorching heat of an Oklahoma summer, the Weston family has come together due to the disappearance of their patriarch, a world-class poet and alcoholic.

Dirty Rotten Scoundrels, a musical farce based on the 1988 film of the same name, opened on Friday evening at Atlanta Lyric Theatre, and despite the fact that the book by Jeffrey Lane doesn't manage the governing tension of the story as well as its film predecessor and that the music by David Yazbek is mostly forgettable, the production represents a decidedly successful outing for the Atlanta Lyric Theatre. A great cast, boasting standout performances by Chase Peacock in the role of Freddy Benson and Jessica De Maria in the role of Muriel Eubanks, and designed-to-impress choreography by Lauren Brooke Tatum provide all the makings for a fun evening at the theatre.

Atlanta Lyric Theatre presents this fun filled musical comedy February 9-25, 2018. Two con men, three exceptional women, and the elite of the French Riviera collide in this sexy and irreverent farce. DIRTY ROTTEN SCOUNDRELS performs at the Jennie T. Anderson Theatre (548 South Marietta Pkwy., Marietta). For tickets, reservations and group pricing visit www.AtlantaLyric.com or call 404-377-9948.

Atlanta Lyric Theatre presents this fun filled musical comedy February 9-25, 2018. Two con men, three exceptional women, and the elite of the French Riviera collide in this sexy and irreverent farce. DIRTY ROTTEN SCOUNDRELS performs at the Jennie T. Anderson Theatre (548 South Marietta Pkwy., Marietta). For tickets, reservations and group pricing visit www.AtlantaLyric.com or call 404-377-9948.

It is winter. Into his derelict household shrine Aston brings Davies, a tramp - but a tramp with pretensions, even if to the world he may be a pathetic old creature.

An old bum receives shelter in a cluttered room of an abandoned house. Aston lives in personal and emotional isolation, tinkering with gadgets and dreaming of building a shed out in the yard. And Mick, who carries on like a man of affairs, inhabits a dream world that resembles an extrovert's nightmares.

Young playwright Kate Hamill is the best thing to happen to Jane Austen since Colin Firth. Her wonderfully witty and whimsical adaptations of Pride and Prejudice and Sense and Sensibility are the best stage adaptations of Austen's work to date. Anyone who saw Bedlam's rapturous production of Sense and Sensibility that landed at the Gym at Judson last year where it enjoyed extension after extension knows this. Hamill's adaptations are all about invention, about making a magical world that supports the condensing of a 400-page novel to a two-hour play. And that invention is tricky business. Synchronicity Theatre, with their production of Sense and Sensibility, have turned out a lovely and engaging production that offers up some excellent storytelling.