Bobby Previte

Black Mountain College Museum + Arts Center will present Sō Percussion, a quartet composed of Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting. 

The Hermitage Artist Retreat announces playwright Deepa Purohit as the recipient of the 2024 Hermitage Greenfield Prize.

In 1995, at the request of New World Records, Terry wrote and recorded an all-original jazz album. The NRBQ founder/pianist invited friends Marshall Allen and other Sun Ra members, Roswell Rudd (Archie Shepp and Carla Bley), the rhythm section of Greg Cohen and Bobby Previte that he met working on Robert Altman's Short Cuts movie.

Tickets are now on sale for the 5th Chicago International Puppet Theater Festival, the largest of its kind in North America, returning January 18-29, 2023, at venues large and small throughout the city.

The Chocolate Factory Theater has announced its 18th season of performances - the second at its new permanent facility - featuring 10 Commissioned Premieres, 4 Supported Creative Residencies, and partnerships with Abrons Arts Center, ISSUE Project Room, Queens Museum, and The Bushwick Starr.

St. Ann’s Warehouse is presenting Get Back! Summer Concerts 2022, a series of free performances presented on four consecutive Wednesday evenings on the panoramic Empire Fulton Ferry Lawn, adjacent to Jane’s Carousel in Brooklyn Bridge Park.

Kicking off the Hermitage Artist Retreat’s 20th Anniversary Season, the Hermitage’s annual Artful Lobster: An Outdoor Celebration will be held on Saturday, November 12, 2022, from 11:30am to 2pm.

OPERA America is pleased to announce the selection of Stephanie Fleischmann as the 2022 Campbell Opera Librettist Prize recipient. Conceived and funded by acclaimed librettist and lyricist Mark Campbell, the Prize is the first award in the history of American opera created specifically to honor the work of opera librettists, and comes with a $7,000 award to support the winner’s creative and career development.

Get Back!: The Dock Street Concerts 2021 is part of Con Edison's Arts Al Fresco, a series of free and safe outdoor arts experiences across the five boroughs, and Westchester, Orange and Rockland counties.

St. Ann’s Warehouse is inviting the public to come together in Brooklyn Bridge Park for Get Back!: The Dock Street Concerts 2021, listening and dancing to free live performances by a genre-spanning lineup of musicians, singers, and poets, programmed in collaboration with Khadijat Oseni and other guest curators.

The evening of entertainment included a welcome video from Tamara Tunie and Black Theatre United; a tribute featuring past Hermitage Greenfield Prize recipients, jurors, and partners; performances of Harris' work; and a stirring musical closing by Ann Morrison and Joseph Holt.

The Chocolate Factory Theater has announced the world premiere of The End Is Not What I Thought It Would Be, a new piece by choreographer, performance artist, and novelist Andrea Kleine.

Now, as New York City struggles to get back on its feet after long COVID-19 shutdowns, and theaters are still months from being able to reopen, St. Ann's Warehouse, which turned 40 this year, has found a range of meaningful ways to program for New Yorkers and more far-flung audiences.

The Hermitage Artist Retreat, in collaboration with the Greenfield Foundation, has selected New York-based artist Jennifer Packer as the winner of the 2020 Greenfield Prize, given this year in the field of visual art. Packer will receive a six-week residency at the Hermitage and a $30,000 commission for a new work, which will premiere in Sarasota in 2022 with the Hermitage's presenting partner, The John & Mable Ringling Museum of Art.

Award winning jazz soprano saxophonist Jane Ira Bloom returns to St. Paul's German Lutheran Church to present the second of a series of special all-acoustic concerts in the resonant space renown for its extraordinary acoustics. Bloom will be joined by long-time bandmates pianist Dominic Fallacaro and bassist Mark Helias. They will perform original compositions and American songbook ballads specially selected for performance in the unique acoustic environment of the church.

Crystal Beth unleashes her first full-length studio record, PUSH THRU, a solo incarnation using wailing vocals, amplified clarinet, beat-boxing and electronics to weave a sonic universe all her own. The album will be released on Trey Gunn's 7D Media on October 18, 2019. Beth has been described as “world music from an imaginary planet..quite compelling & magical” (Seattle Times), “a supremely versatile and virtuosic maverick” (The Stranger), and “one of the most fearless and innovative musicians in the city…” (Earshot Jazz). Known for crafting aural rituals that encompass industrial chants, alien disco breaks, heart gushings, and robot love songs, Crystal Beth redefines the possibilities of the voice and clarinet in tight experimental pop songs and undulating, cathartic noise cries. Crafting moments that ricochet between meditation and a full body purge, she is an electric, adrenaline inducing performer voted Seattle's Best Classical Musician and nominated for NW Vocalist of the Year.

After his triumphant, Tony-award winning revival of OKLAHOMA!, Daniel Fish had a lot to live up to when he announced he would be directing an adaptation of WHITE NOISE. To raise the stakes, he is also the author of the piece, which he described as 'freely adapted from the Don DeLillo novel.'

NYU Skirball will present the U.S.  premiere of Tony Award winner Daniel Fish's White Noise, freely inspired by the novel by Don DeLillo.

NYU Skirball's season opens on September 6, 2019 with the N.Y. premiere of JoAnne Akalaitis's BAD NEWS! i was therea??, a site-specific processional work performed throughout NYU Skirball's lobbies and backstage

The trumpeter and composer Samantha Boshnack isn't a geologist by trade, but she certainly thinks a lot about earthquakes and volcanoes. Over the past 15 years, while living in her adopted hometown of Seattle, Boshnack has hiked the environs of Washington's Mount Rainier and Mount St. Helens with a kind of unnerved fascination. During her travels in places like Mexico and Indonesia, she's made a point to visit the storied volcanic sites. Throughout her journeys, a couple of questions have persisted: What causes these astounding landscapes and events, and how are they all connected? And how can these vistas be so unspeakably beautiful yet also harbor such a profound potential for catastrophe?