New York Choral Artists

The Grammy-nominated Western Wind Vocal Sextet will present 'Of Dreams, Desires & Dragons: Music by Women from Hildegarde to Joni Mitchell'on Saturday, March 19 at 7:00 PM at St. John's in the Village, 218 West 11th Street, NYC (West Village). The concert celebrates Women's History Month with a rich assortment of music by classical and modern women composers. Both live in-person and live streaming tickets are available.

The New York Philharmonic is making available two new broadcasts this week on Facebook and YouTube. This Thursday, May 28 at 7:30 p.m. EDT, the Philharmonic will rebroadcast the 1982 Great Performances episode featuring violinist and Philharmonic Board Member Itzhak Perlman performing the Mendelssohn and Brahms Violin Concertos.

The New York Philharmonic announced its schedule of broadcasts for May 2020. On select weekdays, the New York Philharmonic will post video of a past performance on Facebook and YouTube Premieres, simulating the experience of a live concert to foster a sense of community among classical music fans worldwide.

Cincinnati Music Theatre (CMT), a resident company of the Aronoff Center for the Arts, returns to the intimate Jarson-Kaplan Theater from May 11-19 with seven performances of the Broadway triumph Camelot.

Baryshnikov Arts Center (BAC) opens its Spring 2018 Music Series with Anton Batagov and the Attacca Quartet on Tuesday, January 16, 2018 at 7:30pm in the Jerome Robbins Theater. This varied evening of music features the World Premiere of Different Things from influential post-minimalist Russian composer and pianist Anton Batagov, paired with Beethoven's String Quartet Op. 18, No. 6. Batagov's Different Things will be performed by the composer (at the piano) and the Attacca Quartet, one of America's premier young string ensembles, along with Kris Saebo, double bass; Linda Jones, soprano; Luthien Brackett, mezzo soprano; Andrew Fuchs, tenor; and Steven Hrycelak, bass.

Noted Conductor, Clinician and Educator who Assumes Post on August 1, 2018, Served as Music Director of American Boychoir from 2004-2017 His Tenure Was Highlighted by 200 Performances and up to Five National and International Tours Annually including Appearances with New York Philharmonic, Philadelphia Orchestra, Boston Symphony Orchestra, Berlin Philharmonic, Royal Concertgebouw Orchestra, London Symphony Orchestra, Vienna Philharmonic, St. Olaf Choir, Westminster Choir and New York Choral Artists, among Others Eight Recordings, Live Performances at the Oscars and on CNN and Featured Role in Fictional Movie Inspired by Choir

Bernard Labadie (photo: Francois Rivard) Hailed as “one of the most versatile and galvanic ensembles in the U.S.” (WQXR), Orchestra of St. Luke's (OSL) was first formally founded at Caramoor 38 years ago, and has long made the idyllic estate its summer home. Fittingly, then, it is at Caramoor – 90 acres of picturesque Italianate architecture and gardens in Katonah, Westchester, just one hour's drive from Manhattan – that French-Canadian conductor Bernard Labadie makes his eagerly anticipated OSL debut this summer, before launching a four-year tenure as the ensemble's new Principal Conductor in the fall of 2018. One of the world's foremost exponents of 18th-century repertoire, Labadie leads an all-Mozart program, pairing three early symphonies with the charming Concerto for Flute and Harp (July 2).

Professor Harold Hill will be marching into The Carnegie with his 76 trombones next month for The Carnegie's production of THE MUSIC MAN, playing weekends January 19-29, 2017.

Professor Harold Hill will be marching into The Carnegie with his 76 trombones next month for The Carnegie's production of THE MUSIC MAN, playing weekends January 19-29, 2017.

 Music Director Thierry Fischer leads the Utah Symphony and Utah Symphony Chorus prepared by Dr. Barlow Bradford in Prokofiev's remarkable cantata, "Alexander Nevsky" with the help of Russian mezzo-soprano Alisa Kolosova and the University of Utah Choirs on November 18 and 19 at 7:30 PM at Abravanel Hall.

Music Director Thierry Fischer leads the Utah Symphony and Utah Symphony Chorus prepared by Dr. Barlow Bradford in Prokofiev's remarkable cantata, “Alexander Nevsky” with the help of Russian mezzo-soprano Alisa Kolosova and the University of Utah Choirs on November 18 and 19 at 7:30 PM at Abravanel Hall. The all-Prokofiev program will also feature the composer's Symphonic Suite from the film, “Lieutenant Kijé” – both the cantata and suite will be recorded live for later release. Also on the program, Utah Symphony Concertmaster Madeline Adkins will make her Utah Symphony concerto debut in a performance of Prokofiev's Concerto No. 2 for Violin. Tickets start at $21 and can be purchased at www.utahsymphony.org or by calling (801) 533-6683.

 Music Director Thierry Fischer leads the Utah Symphony and Utah Symphony Chorus prepared by Dr. Barlow Bradford in Prokofiev's remarkable cantata, "Alexander Nevsky" with the help of Russian mezzo-soprano Alisa Kolosova and the University of Utah Choirs on November 18 and 19 at 7:30 PM at Abravanel Hall.

Music Director Thierry Fischer leads the Utah Symphony and Utah Symphony Chorus prepared by Dr. Barlow Bradford in Prokofiev's remarkable cantata, “Alexander Nevsky” with the help of Russian mezzo-soprano Alisa Kolosova and the University of Utah Choirs on November 18 and 19 at 7:30 PM at Abravanel Hall. The all-Prokofiev program will also feature the composer's Symphonic Suite from the film, “Lieutenant Kijé” – both the cantata and suite will be recorded live for later release. Also on the program, Utah Symphony Concertmaster Madeline Adkins will make her Utah Symphony concerto debut in a performance of Prokofiev's Concerto No. 2 for Violin. Tickets start at $21 and can be purchased at www.utahsymphony.org or by calling (801) 533-6683.

Brahms wasn't having a midlife crisis when he composed his masterwork, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), his meditation on death. In fact, he was only 33 when he started writing it in 1866 and had written sections of the opening as early as 1861. His reasons for taking on the piece are unclear, though his mentor, Robert Schumann, had died in 1856 (and his mother would die before it was finished), deeply affecting him. Let's just call him “interested in death,” but that doesn't mean there was anything deathly about the performance of the hour-long work at the New York Philharmonic, heard last weekend. Conducted by the great Brahms specialist, Christoph von Dohnanyi, with the ample contributions of the New York Choral Artists, under Joseph Flummerfelt, and soloists Camilla Tilling and Matthias Goerne, the performance was transcendent.

Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of Esa-Pekka Salonen's Karawane - a New York Philharmonic co-commission with Zurich's Tonhalle Orchestra, Swedish Radio Symphony Orchestra, Bamberg Symphony, and Finnish Radio Symphony Orchestra - featuring the New York Choral Artists, directed by Joseph Flummerfelt; Sibelius's Violin Concerto, with Leonidas Kavakos as soloist; and Shostakovich's Suite from The Age of Gold, Thursday, March 17, 2016, at 7:30 p.m.; Friday, March 18 at 8:00 p.m.; and Saturday, March 19 at 8:00 p.m.

Christoph von Dohna?nyi returns to the New York Philharmonic to conduct Brahms's A German Requiem, featuring soprano Camilla Tilling, baritone Matthias Goerne, and the New York Choral Artists, directed by Joseph Flummerfelt, Thursday, March 3, 2016, at 7:30 p.m.; Friday, March 4 at 8:00 p.m.; Saturday, March 5 at 8:00 p.m.; and Tuesday, March 8 at 7:30 p.m.

The New York Philharmonic will present the U.S. Premiere of director Co?me de Bellescize's staging of Honegger's dramatic oratorio Joan of Arc at the Stake in season-finale performances conducted by Alan Gilbert and starring Academy Award-winning actress Marion Cotillard as Joan of Arc.

Music Director Alan Gilbert and director Come de Bellescize are hard at work with Academy Award-Winning Actress Marion Cotillard, the Brooklyn Youth Chorus, and cast members of the New York Philharmonic's upcoming production of Honegger's Joan of Arc at the Stake. Check out a look inside rehearsal below!

Alan Gilbert -- recently recognized with a Foreign Policy Association Medal for his extraordinary commitment to cultural diplomacy -- completes his sixth season at the helm of the New York Philharmonic with this week's U.S. premiere of director Côme de Bellescize's staging of Joan of Arc at the Stake, which stars Academy Award-winner Marion Cotillard (June 10–13). Next, he and the orchestra toast the summer with a trio of free concerts under the stars to celebrate the 50th anniversary of the Philharmonic's historic Concerts in the Parks (June 17–24), using the same program as the centerpiece of their upcoming residencies at Colorado's Bravo! Vail (July 24–31), Santa Barbara's Music Academy of the West (Aug 1–8), and in Shanghai, China (July 4–10). Gilbert also makes his Mostly Mozart debut, leading the American stage premiere of George Benjamin's Written on Skin (Aug 11–15), and crowns an artistic residency at the Santa Fe Chamber Music Festival with an account of Messiaen's epic and otherworldly Des canyons aux étoiles (Aug 23).