Choreographic transposition of this legendary work has no idea other purpose, other argument that music that supports, nourishes, and is the only reason. The dancing here is only following the slow progress of the composer who is from anguish to joy, from darkness to light. It's not a ballet, in the sense generally adopted the term, plated on a partition that is a highlight of the music, but a deep human participation in a work that belongs to humanity and is here not only played and sang, but danced, as was the Greek tragedy or all primitive and collective religious events.
Cast and Creative team for The Tokyo Ballet & Bejart Ballet Lausanne at La Compagnie Des Ballets De Monte-Carlo