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SoBe Arts Presents The World Premiere Of HAMLET Soundtheater/Opera

SoBe Arts Presents the World Premiere of



Music and Libretto by Carson Kievman

Based on

The Tragedy of Hamlet, Prince of Denmark by William Shakespeare Friday, February 24, through Sunday, March 11, 2012

Little Stage Theater at SoBe Arts, 2100 Washington Avenue, Miami Beach

SoBe Institute of the Arts presents the World Premiere of Carson Kievman's HAMLET Soundtheater/Opera in the Little Stage Theater on Miami Beach. This provocative, sophisticated, and radically re-imagined musical setting of Shakespeare's masterpiece was the final commission by legendary producer Joseph Papp ("A Chorus Line," "Hair," etc.) for the New York Shakespeare Festival / Public Theater. Due to Papp's tragic passing soon after the work was completed, HAMLET remained unperformed, until now.

"I worked on HAMLET Soundtheater/Operaw ith Papp for four years, and his intention was to produce it at the Delacorte Theater in Central Park," Kievman remembers. The loss of Papp affected the composer deeply. A main theme of HAMLET is, painfully and ironically, the death of fathers, and during Kievman's years of preparing the libretto and working on the score, several other important mentors and father figures in his life passed away, including Florida Philharmonic's General Director Joseph Leavitt, visionary Luigi Nono and Olivier Messiaen, and Kievman's own father, Michael. Kievman continues, " I placed it in my desk drawer, and there it remained for 21 years, until now."

HAMLET Soundtheater/Opera is interwoven with spiritual and sexual conflicts, it challenges boundary lines, and is multi-dimensional in its cultural and musical reference points. Pulsing with collective zeitgeistan d new shapes, the chilling vocals spiral beyond the confines of language to articulate emotional truths behind literal meaning.

Conducted by celebrated New York opera conductor John Yaffé, lighting by award-winning designer Robert Perry (, HAMLET Soundtheater /Opera is being performed by a top-flight cast of 13 singers from Miami and New York including:

Expressive and critically-acclaimed lyric baritone Kenneth Mattice as Hamlet

Unique and versatile Meagan Brus as Ophelia

Powerful bass Richard Zuch as Claudius and the Ghost of Hamlet's Father

Internationally trained Finnish soprano Danielle Krause as Gertrude

Recording artist and actor Richard Cassell as Polonius

Rising young tenor Justin John Moniz as Horatio

Also rounding out the dramatis personae are Jeffrey Wienand (Laertes), Enrique Estrada (Rosencrantz), David Schnell (Guildenstern), Jillian Staffiera (the Player Queen), Kunya Rowley (Marcellus), Enrique Coizeau (Cornelius) and John Cabrali (Fortinbras). 

Kievman states, "My intention was and is to create a HAMLET with the highest impact to contemporary audiences primarily with actions and gripping music, while maintaining a clear respect for Shakespeare's genius. This HAMLET takes place as a 'medieval carnival' visits Elsinore Castle. The sense of Elsinore being on the border (and shore) of Denmark will hopefully evoke the excitement of mystery and instability caused by the constant questioning of what lies just across the border. As Hamlet confronts his fellow characters, a merry-go-round, a house of horrors and a house of mirrors are brought to mind." 

"Carson Kievman is a composer of extremely original music, which is rare"

Olivier Messiaen, composer

"I never thought it could be done - you have done the impossible…

enhanced Shakespeare's words."

Joseph Papp, producer

"…But that won't stop Kievman from writing for the rest of the world. He spends part of each day

composing the last scenes of HAMLET. He has promised Papp he'll finish the opera by April 23,

Shakespeare's birthday. The premiere production is slated for next season in New York.

Remarkably, Kievman is setting the original and problematic old English text to music. Though he

has done a little condensing, it is essentially a complete, faithful HAMLET. But the music, with its

often aggressive, rockish vocal writing and minimalist-flavored rhythmic pulses, and the staging,

which will be wildly visual, might have startled the Danish prince."

Tim Smith, Sun-Sentinel, Sunday, April 2, 1989 (Mr. Smith is now music writer for The Baltimore


The birth of this compelling new work, the perfect Miami winter weather, the beautiful setting, and excellent acoustics of this intimate South Beach venue, all promise to make this event a once-in-alifetime experience. For schedules and ticket information, call 305.674.9220 or go to




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