This piece explores , through dance , Germaine Acogny sediments and That history of Africa through the prism of ancient tragedy . It is rich in associations of all kinds melting pot , it is a dialogue That calls archaic issues without neglecting the realities of our time .
This tragic matter , as a projection surface , will help take the questions and the suffering of our time differently . It is a great challenge to install a strong and uncompromising contemporary dialogue Between Africa and the ancient tragic world .
That shows Germaine Acogny through his testimony and dance - in his movements , in his breath - Is that if a start is still possible , it goes through a struggle of the mind against itself , a revolution able to design what is not. At the time of the great ideologies arrive longer give an identity to the single , it is essential to continue to offer to each Deep Within Dialogue with himself .
At one point in the beginning is in the counting of the dance , a witness on scene , a face -to -face Between solitude on the shelf and the intimacy of each viewer .