Jump to Year / Week:
2024 |
2023 |
2022 |
2021 |
2020 |
2019 |
2018 |
2017 |
2016 |
2015 |
2014 |
2013 |
2012 |
2011 |
2010 |
2009 |
2008 |
2007 |
2006 |
2005 |
2004 |
2003 |
2002 |
2001 |
2000 |
1999 |
1998 |
1997 |
1996 |
Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$553,366 | $553,366 | $92 $327 |
6,046 | 7,256 | 8 | 83.30% |
|
ALADDIN (NEW AMSTERDAM) |
$1,592,508 | $1,592,508 | $116 $228 |
13,786 | 13,784 | 8 | 100.00% |
|
AN ACT OF GOD (STUDIO 54) |
$852,902 | $852,902 | $124 $349 |
6,889 | 8,048 | 8 | 85.60% |
|
AN AMERICAN IN PARIS (PALACE) |
$1,399,818 | $1,399,818 | $105 $223 |
13,345 | 13,432 | 8 | 99.40% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$993,724 | $993,724 | $131 $299 |
7,607 | 8,208 | 8 | 92.70% |
|
CHICAGO (AMBASSADOR) |
$702,637 | $702,637 | $84 $186 |
8,392 | 8,640 | 8 | 97.10% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$1,172,903 | $1,172,903 | $98 $225 |
11,920 | 12,032 | 8 | 99.10% |
|
FISH IN THE DARK (CORT) |
$842,633 | $842,633 | $108 $373 |
7,781 | 8,584 | 8 | 90.60% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$716,631 | $716,631 | $117 $250 |
6,116 | 5,920 | 8 | 103.30% |
|
GIGI (NEIL SIMON) |
$508,643 | $508,643 | $78 $198 |
6,482 | 11,072 | 8 | 58.50% |
|
HAND TO GOD (BOOTH) |
$389,264 | $389,264 | $85 $223 |
4,585 | 6,176 | 8 | 74.20% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$456,585 | $456,585 | $94 $248 |
4,858 | 7,049 | 7 | 68.90% |
|
IT SHOULDA BEEN YOU (BROOKS ATKINSON) |
$403,081 | $403,081 | $66 $197 |
6,151 | 8,096 | 8 | 76.00% |
|
JERSEY BOYS (AUGUST WILSON) |
$681,426 | $681,426 | $95 $199 |
7,144 | 9,824 | 8 | 72.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
KINKY BOOTS (AL HIRSCHFELD) |
$880,700 | $880,700 | $104 $299 |
8,462 | 11,392 | 8 | 74.30% |
|
LES MISÉRABLES (IMPERIAL) |
$639,481 | $639,481 | $78 $225 |
8,160 | 11,272 | 8 | 72.40% |
|
MAMMA MIA! (BROADHURST) |
$776,089 | $776,089 | $88 $225 |
8,773 | 9,328 | 8 | 94.10% |
|
MATILDA (SHUBERT) |
$1,058,673 | $1,058,673 | $92 $250 |
11,446 | 11,456 | 8 | 99.90% |
|
ON THE TOWN (LYRIC) |
$559,983 | $559,983 | $67 $247 |
8,360 | 14,992 | 8 | 55.80% |
|
ON THE TWENTIETH CENTURY (AMERICAN AIRLINES) |
$609,744 | $609,744 | $107 $229 |
5,717 | 5,776 | 8 | 99.00% |
|
SKYLIGHT (GOLDEN) |
$865,346 | $865,346 | $135 $323 |
6,416 | 6,416 | 8 | 100.00% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$1,178,048 | $1,178,048 | $97 $249 |
12,195 | 13,336 | 8 | 91.40% |
|
THE AUDIENCE (SCHOENFELD) |
$1,171,220 | $1,171,220 | $155 $323 |
7,577 | 7,483 | 7 | 101.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,494,196 | $1,494,196 | $171 $475 |
8,748 | 8,528 | 8 | 102.60% |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$885,114 | $885,114 | $110 $223 |
8,015 | 8,144 | 8 | 98.40% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$1,109,198 | $1,109,198 | $137 $297 |
8,115 | 8,376 | 8 | 96.90% |
|
THE LION KING (MINSKOFF) |
$2,102,748 | $2,102,748 | $156 $225 |
13,500 | 13,600 | 8 | 99.30% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$980,877 | $980,877 | $84 $200 |
11,657 | 12,840 | 8 | 90.80% |
|
THE VISIT (LYCEUM) |
$274,465 | $274,465 | $60 $225 |
4,613 | 7,208 | 8 | 64.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
WICKED (GERSHWIN) |
$1,954,144 | $1,954,144 | $127 $240 |
15,332 | 15,408 | 8 | 99.50% |
|
WOLF HALL PARTS ONE & TWO (WINTER GARDEN) |
$581,972 | $581,972 | $97 $294 |
5,978 | 11,064 | 8 | 54.00% |
| TOTAL | $28,388,119 | $915,746 | $107.46 $260.40 |
264,166 | 304,740 | 246 | 86.69% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
Videos
TICKET CENTRAL
FORBIDDEN BROADWAY
Recommended For You
Get Broadway's #1 Newsletter
Get the best news & discounts for Broadway & beyond.
