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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$851,262 | $851,262 | $122 $327 |
6,984 | 7,256 | 8 | 96.30% |
|
A RAISIN IN THE SUN (ETHEL BARRYMORE) |
$1,290,437 | $1,290,437 | $154 $348 |
8,368 | 8,368 | 8 | 100.00% |
|
ACT ONE (VIVIAN BEAUMONT) |
$370,426 | $370,426 | $72 $135 |
5,162 | 6,504 | 6 | 79.40% |
|
AFTER MIDNIGHT (BROOKS ATKINSON) |
$567,578 | $567,578 | $86 $197 |
6,624 | 8,288 | 8 | 79.90% |
|
ALADDIN (NEW AMSTERDAM) |
$1,332,137 | $1,332,137 | $97 $253 |
13,788 | 13,784 | 8 | 100.00% |
|
ALL THE WAY (NEIL SIMON) |
$1,229,459 | $1,229,459 | $129 $225 |
9,538 | 11,376 | 8 | 83.80% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,170,050 | $1,170,050 | $142 $275 |
8,266 | 8,208 | 8 | 100.70% |
|
BULLETS OVER BROADWAY (ST. JAMES) |
$773,110 | $773,110 | $90 $252 |
8,616 | 13,040 | 8 | 66.10% |
|
CABARET (STUDIO 54) |
$731,192 | $731,192 | $111 $162 |
6,584 | 7,144 | 8 | 92.20% |
|
CASA VALENTINA (FRIEDMAN) |
$256,272 | $256,272 | $67 $125 |
3,837 | 5,152 | 8 | 74.50% |
|
CHICAGO (AMBASSADOR) |
$492,950 | $492,950 | $81 $186 |
6,079 | 8,640 | 8 | 70.40% |
|
CINDERELLA (BROADWAY) |
$760,204 | $760,204 | $74 $297 |
10,301 | 14,008 | 8 | 73.50% |
|
HEDWIG AND THE ANGRY INCH (BELASCO) |
$1,071,625 | $1,071,625 | $149 $248 |
7,216 | 7,049 | 7 | 102.40% |
|
HOLLER IF YA HEAR ME (PALACE) |
$163,586 | $163,586 | $24 $173 |
6,719 | 8,704 | 8 | 77.20% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
IF/THEN (RICHARD RODGERS) |
$802,082 | $802,082 | $93 $223 |
8,642 | 10,488 | 8 | 82.40% |
|
JERSEY BOYS (AUGUST WILSON) |
$820,918 | $820,918 | $97 $237 |
8,439 | 9,824 | 8 | 85.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$1,372,011 | $1,372,011 | $126 $349 |
10,909 | 11,392 | 8 | 95.80% |
|
LADY DAY AT EMERSON'S BAR & GRILL (CIRCLE IN THE SQUARE) |
$457,174 | $457,174 | $118 $300 |
3,876 | 4,092 | 6 | 94.70% |
|
LES MISÉRABLES (IMPERIAL) |
$1,038,249 | $1,038,249 | $102 $273 |
10,138 | 11,272 | 8 | 89.90% |
|
MAMMA MIA! (BROADHURST) |
$629,849 | $629,849 | $84 $225 |
7,501 | 9,328 | 8 | 80.40% |
|
MATILDA (SHUBERT) |
$1,047,222 | $1,047,222 | $93 $250 |
11,219 | 11,456 | 8 | 97.90% |
|
MOTHERS AND SONS (GOLDEN) |
$156,116 | $156,116 | $55 $225 |
2,818 | 6,416 | 8 | 43.90% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$991,944 | $991,944 | $100 $250 |
9,948 | 12,056 | 8 | 82.50% |
|
NEWSIES (NEDERLANDER) |
$770,524 | $770,524 | $85 $199 |
9,067 | 9,480 | 8 | 95.60% |
|
OF MICE AND MEN (LONGACRE) |
$806,630 | $806,630 | $99 $223 |
8,124 | 8,584 | 8 | 94.60% |
|
ONCE (JACOBS) |
$438,506 | $438,506 | $79 $198 |
5,557 | 8,472 | 8 | 65.60% |
|
PIPPIN (MUSIC BOX) |
$565,734 | $565,734 | $87 $225 |
6,487 | 7,920 | 8 | 81.90% |
|
ROCK OF AGES (HELEN HAYES) |
$280,008 | $280,008 | $78 $197 |
3,589 | 4,664 | 8 | 77.00% |
|
ROCKY (WINTER GARDEN) |
$761,451 | $761,451 | $88 $248 |
8,629 | 12,128 | 8 | 71.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,604,507 | $1,604,507 | $183 $477 |
8,752 | 8,528 | 8 | 102.60% |
|
THE CRIPPLE OF INISHMAAN (CORT) |
$515,389 | $515,389 | $89 $248 |
5,776 | 8,584 | 8 | 67.30% |
|
THE LION KING (MINSKOFF) |
$2,043,643 | $2,043,643 | $150 $198 |
13,596 | 13,600 | 8 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$984,109 | $984,109 | $84 $200 |
11,686 | 12,840 | 8 | 91.00% |
|
THE REALISTIC JONESES (LYCEUM) |
$442,302 | $442,302 | $88 $223 |
5,021 | 6,976 | 8 | 72.00% |
|
VIOLET (AMERICAN AIRLINES) |
$342,638 | $342,638 | $81 $142 |
4,248 | 5,872 | 8 | 72.30% |
|
WICKED (GERSHWIN) |
$1,969,827 | $1,969,827 | $129 $300 |
15,271 | 15,424 | 8 | 99.00% |
| TOTAL | $29,901,121 | $830,587 | $104.05 $239.21 |
287,375 | 336,917 | 283 | 85.30% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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