Jump to Year :
2024 |
2023 |
2022 |
2021 |
2020 |
2019 |
2018 |
2017 |
2016 |
2015 |
2014 |
2013 |
2012 |
2011 |
2010 |
2009 |
2008 |
2007 |
2006 |
2005 |
2004 |
2003 |
2002 |
2001 |
2000 |
1999 |
1998 |
1997 |
1996 |
Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MACHINAL (AMERICAN AIRLINES) |
$182,072 | $91,036 | $38 $127 |
4,784 | 7,270 | 10 | 66.35% |
|
DEAD ACCOUNTS (MUSIC BOX) |
$254,255 | $254,255 | $71 $248 |
3,583 | 7,976 | 8 | 44.90% |
|
GRACE (CORT) |
$418,788 | $418,788 | $72 $197 |
5,781 | 8,584 | 8 | 67.30% |
|
CHAPLIN (ETHEL BARRYMORE) |
$509,381 | $509,381 | $75 $194 |
6,776 | 8,360 | 8 | 81.10% |
|
ELF (AL HIRSCHFELD) |
$696,616 | $696,616 | $77 $250 |
9,012 | 11,392 | 8 | 79.10% |
|
WAR HORSE (VIVIAN BEAUMONT) |
$948,043 | $948,043 | $112 $175 |
8,469 | 8,552 | 8 | 99.00% |
|
GOLDEN BOY (BELASCO) |
$1,218,878 | $406,293 | $70 $125 |
17,296 | 23,328 | 24 | 74.13% |
|
THE TESTAMENT OF MARY (WALTER KERR) |
$1,279,803 | $213,300 | $40 $225 |
32,424 | 40,549 | 43 | 79.83% |
|
IL DIVO - A MUSICAL AFFAIR (MARQUIS) |
$1,308,223 | $1,308,223 | $142 $300 |
9,241 | 9,672 | 6 | 95.50% |
|
PETER AND THE STARCATCHER (BROOKS ATKINSON) |
$1,434,942 | $478,314 | $75 $198 |
19,100 | 24,912 | 24 | 76.67% |
|
HANDS ON A HARDBODY (BROOKS ATKINSON) |
$1,597,428 | $199,678 | $40 $197 |
41,856 | 57,816 | 56 | 74.34% |
|
A TIME TO KILL (GOLDEN) |
$1,720,560 | $215,070 | $56 $223 |
32,130 | 44,912 | 56 | 74.24% |
|
SOUL DOCTOR (CIRCLE IN THE SQUARE) |
$1,940,459 | $149,266 | $39 $200 |
51,690 | 68,684 | 98 | 75.43% |
|
PICNIC (AMERICAN AIRLINES) |
$2,004,456 | $250,557 | $54 $127 |
37,207 | 47,360 | 64 | 78.55% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE RASCALS: ONCE UPON A DREAM (RICHARD RODGERS) |
$2,245,793 | $748,598 | $122 $298 |
18,432 | 20,085 | 15 | 91.80% |
|
THE BIG KNIFE (AMERICAN AIRLINES) |
$2,337,664 | $212,515 | $51 $127 |
45,618 | 62,900 | 85 | 72.62% |
|
THE SNOW GEESE (FRIEDMAN) |
$2,376,183 | $216,017 | $54 $125 |
44,083 | 55,250 | 85 | 79.86% |
|
THE WINSLOW BOY (AMERICAN AIRLINES) |
$2,392,300 | $217,482 | $55 $127 |
42,745 | 62,900 | 85 | 67.81% |
|
THE OTHER PLACE (FRIEDMAN) |
$2,405,077 | $267,231 | $61 $131 |
39,477 | 46,368 | 72 | 85.13% |
|
JEKYLL & HYDE (MARQUIS) |
$2,470,240 | $411,707 | $65 $200 |
39,385 | 72,078 | 45 | 54.82% |
|
BREAKFAST AT TIFFANY'S (CORT) |
$2,475,937 | $353,705 | $66 $200 |
37,872 | 59,345 | 55 | 64.13% |
|
LET IT BE (ST. JAMES) |
$2,535,797 | $362,257 | $54 $199 |
48,350 | 94,248 | 56 | 51.30% |
|
WHO'S AFRAID OF VIRGINIA WOOLF? (BOOTH) |
$2,553,440 | $283,716 | $78 $225 |
32,905 | 49,140 | 63 | 66.98% |
|
GLENGARRY GLEN ROSS (SCHOENFELD) |
$2,702,656 | $900,885 | $141 $350 |
19,142 | 21,400 | 20 | 89.50% |
|
FOREVER TANGO (WALTER KERR) |
$3,041,368 | $304,137 | $61 $199 |
49,419 | 74,240 | 80 | 66.56% |
|
THE HEIRESS (WALTER KERR) |
$3,350,640 | $558,440 | $89 $275 |
37,359 | 44,697 | 47 | 83.87% |
|
THE MYSTERY OF EDWIN DROOD (STUDIO 54) |
$3,606,477 | $360,648 | $61 $137 |
58,966 | 80,320 | 80 | 73.42% |
|
EVITA (MARQUIS) |
$4,050,278 | $1,012,570 | $100 $275 |
40,637 | 51,584 | 32 | 78.80% |
|
ORPHANS (SCHOENFELD) |
$4,056,117 | $507,015 | $72 $225 |
55,985 | 68,544 | 64 | 81.68% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MANILOW ON BROADWAY (ST. JAMES) |
$4,160,716 | $693,453 | $121 $700 |
35,432 | 44,037 | 27 | 81.27% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$4,271,877 | $711,980 | $109 $450 |
39,411 | 46,170 | 45 | 85.35% |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$4,625,835 | $462,584 | $79 $250 |
57,684 | 70,298 | 80 | 81.93% |
|
ANN (VIVIAN BEAUMONT) |
$5,251,537 | $276,397 | $63 $175 |
84,060 | 168,063 | 151 | 50.09% |
|
A NIGHT WITH JANIS JOPLIN (LYCEUM) |
$5,305,494 | $353,700 | $81 $200 |
65,307 | 85,126 | 115 | 77.71% |
|
THE ASSEMBLED PARTIES (FRIEDMAN) |
$5,402,056 | $284,319 | $65 $147 |
82,288 | 95,550 | 147 | 85.77% |
|
NO MAN'S LAND/WAITING FOR GODOT (CORT) |
$6,200,280 | $620,028 | $88 $243 |
70,845 | 78,329 | 73 | 90.58% |
|
ROMEO AND JULIET (RICHARD RODGERS) |
$6,208,798 | $388,050 | $75 $223 |
84,914 | 158,262 | 120 | 55.66% |
|
AFTER MIDNIGHT (BROOKS ATKINSON) |
$6,377,555 | $579,778 | $88 $197 |
72,861 | 85,570 | 83 | 85.90% |
|
MARY POPPINS (NEW AMSTERDAM) |
$7,374,514 | $819,390 | $73 $179 |
99,959 | 129,384 | 72 | 77.26% |
|
TWELFTH NIGHT/RICHARD III (BELASCO) |
$7,681,182 | $698,289 | $87 $247 |
87,886 | 89,335 | 85 | 98.39% |
|
THE NANCE (LYCEUM) |
$8,563,126 | $407,768 | $77 $130 |
112,339 | 150,224 | 164 | 74.81% |
|
MACBETH (BARRYMORE) |
$8,642,377 | $345,695 | $75 $197 |
118,552 | 165,929 | 159 | 72.32% |
|
700 SUNDAYS (IMPERIAL) |
$9,253,581 | $1,156,698 | $147 $350 |
62,764 | 70,512 | 48 | 89.01% |
|
FIRST DATE (LONGACRE) |
$9,455,270 | $378,211 | $63 $223 |
151,620 | 213,800 | 200 | 70.93% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
I'LL EAT YOU LAST: A CHAT WITH SUE MENGERS (BOOTH) |
$9,561,477 | $735,498 | $137 $298 |
69,337 | 69,168 | 89 | 100.26% |
|
THE GLASS MENAGERIE (BOOTH) |
$9,841,125 | $578,890 | $108 $225 |
90,735 | 103,474 | 133 | 87.63% |
|
CAT ON A HOT TIN ROOF (RICHARD RODGERS) |
$9,851,040 | $757,772 | $96 $175 |
102,823 | 142,552 | 103 | 72.21% |
|
BIG FISH (NEIL SIMON) |
$10,858,194 | $638,717 | $74 $200 |
146,730 | 184,712 | 132 | 80.22% |
|
VANYA AND SONIA AND MASHA AND SPIKE (GOLDEN) |
$13,130,430 | $525,217 | $94 $223 |
138,147 | 157,400 | 200 | 87.77% |
|
THE TRIP TO BOUNTIFUL (STEPHEN SONDHEIM) |
$13,498,945 | $465,481 | $86 $250 |
158,164 | 227,482 | 214 | 70.93% |
|
BETRAYAL (ETHEL BARRYMORE) |
$16,134,359 | $1,241,105 | $149 $423 |
108,459 | 108,459 | 103 | 100.00% |
|
NICE WORK IF YOU CAN GET IT (IMPERIAL) |
$16,390,966 | $682,957 | $86 $249 |
190,232 | 276,288 | 192 | 68.85% |
|
ROCK OF AGES (HELEN HAYES) |
$21,377,425 | $411,104 | $96 $263 |
222,656 | 241,945 | 415 | 92.01% |
|
LUCKY GUY (BROADHURST) |
$22,992,145 | $1,210,113 | $141 $348 |
163,710 | 161,926 | 137 | 101.04% |
|
CHICAGO (AMBASSADOR) |
$31,957,599 | $614,569 | $83 $186 |
381,606 | 449,280 | 416 | 84.94% |
|
PIPPIN (MUSIC BOX) |
$36,576,303 | $892,105 | $117 $225 |
310,899 | 318,820 | 322 | 97.54% |
|
MAMMA MIA! (WINTER GARDEN) |
$40,015,239 | $784,613 | $85 $225 |
465,908 | 581,068 | 404 | 79.92% |
|
ONCE (JACOBS) |
$42,013,236 | $807,947 | $106 $275 |
395,601 | 439,390 | 415 | 90.07% |
|
NEWSIES (NEDERLANDER) |
$43,873,554 | $843,722 | $94 $199 |
463,743 | 493,225 | 415 | 93.94% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
ANNIE (PALACE) |
$44,823,091 | $861,983 | $84 $250 |
526,197 | 675,213 | 417 | 77.81% |
|
JERSEY BOYS (AUGUST WILSON) |
$45,576,860 | $876,478 | $103 $237 |
443,003 | 510,848 | 416 | 86.71% |
|
CINDERELLA (BROADWAY) |
$45,771,847 | $934,119 | $89 $297 |
511,075 | 662,563 | 386 | 77.84% |
|
MATILDA (SHUBERT) |
$50,081,464 | $1,164,685 | $105 $250 |
473,867 | 482,375 | 337 | 98.25% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$52,245,597 | $1,004,723 | $86 $200 |
599,976 | 667,680 | 416 | 89.86% |
|
MOTOWN THE MUSICAL (LUNT-FONTANNE) |
$56,887,366 | $1,354,461 | $116 $250 |
491,836 | 501,502 | 334 | 98.13% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$57,214,550 | $1,100,280 | $90 $247 |
626,852 | 756,552 | 415 | 82.88% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$62,953,446 | $1,430,760 | $127 $449 |
488,694 | 489,856 | 344 | 99.75% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$90,410,251 | $1,738,659 | $198 $477 |
457,294 | 445,588 | 418 | 102.60% |
|
WICKED (GERSHWIN) |
$95,278,197 | $1,832,273 | $128 $300 |
740,557 | 769,725 | 423 | 96.19% |
|
THE LION KING (MINSKOFF) |
$96,983,840 | $1,865,074 | $139 $198 |
699,880 | 711,769 | 420 | 98.31% |
| TOTAL | $1,193,186,615 | $662,648 | $103.01 $238.68 |
11,583,627 | 13,511,915 | 10890 | 85.73% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
Videos
TICKET CENTRAL
FORBIDDEN BROADWAY
Recommended For You
Get Broadway's #1 Newsletter
Get the best news & discounts for Broadway & beyond.
