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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BEHANDING IN SPOKANE (SCHOENFELD) |
$7,304,015 | $456,501 | $72 $200 |
102,171 | 137,088 | 128 | 74.53% |
|
A FREE MAN OF COLOR (VIVIAN BEAUMONT) |
$2,304,643 | $230,464 | $49 $115 |
47,597 | 77,182 | 74 | 62.88% |
|
A LIFE IN THE THEATRE (SCHOENFELD) |
$2,583,745 | $258,374 | $58 $250 |
45,770 | 85,680 | 80 | 53.41% |
|
A LITTLE NIGHT MUSIC (WALTER KERR) |
$33,086,813 | $675,241 | $102 $350 |
321,111 | 364,952 | 392 | 87.98% |
|
A VIEW FROM THE BRIDGE (CORT) |
$10,935,941 | $781,139 | $93 $250 |
116,582 | 119,769 | 111 | 97.31% |
|
ALL ABOUT ME (HENRY MILLER) |
$1,354,494 | $225,749 | $52 $252 |
26,494 | 49,162 | 47 | 54.12% |
|
AMERICAN IDIOT (ST. JAMES) |
$26,057,287 | $651,432 | $76 $250 |
342,406 | 565,679 | 311 | 63.12% |
|
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$57,374,899 | $1,103,363 | $103 $300 |
559,054 | 589,715 | 415 | 94.79% |
|
BLOODY BLOODY ANDREW JACKSON (JACOBS) |
$4,931,720 | $352,266 | $60 $190 |
83,399 | 115,744 | 112 | 72.06% |
|
BRIEF ENCOUNTER (STUDIO 54) |
$4,799,198 | $299,950 | $55 $137 |
87,166 | 124,258 | 124 | 69.91% |
|
BURN THE FLOOR (LONGACRE) |
$1,158,519 | $579,260 | $74 $174 |
15,697 | 16,704 | 16 | 93.95% |
|
BYE BYE BIRDIE (HENRY MILLER) |
$2,244,637 | $561,159 | $72 $142 |
31,027 | 32,832 | 32 | 94.48% |
|
CHICAGO (AMBASSADOR) |
$26,237,031 | $504,558 | $78 $185 |
333,687 | 448,200 | 415 | 74.46% |
|
COLIN QUINN: LONG STORY SHORT (HELEN HAYES) |
$1,243,285 | $124,328 | $56 $225 |
22,798 | 44,612 | 76 | 51.94% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
COLLECTED STORIES (FRIEDMAN) |
$1,348,639 | $134,864 | $42 $97 |
32,239 | 49,400 | 76 | 64.79% |
|
COME FLY AWAY (MARQUIS) |
$18,368,158 | $680,302 | $85 $250 |
218,299 | 344,034 | 214 | 63.66% |
|
DONNY AND MARIE: A BROADWAY CHRISTMAS (MARQUIS) |
$2,411,477 | $803,826 | $112 $250 |
21,077 | 27,812 | 17 | 75.50% |
|
DRIVING MISS DAISY (GOLDEN) |
$7,549,577 | $629,131 | $119 $300 |
63,625 | 72,360 | 90 | 87.93% |
|
ELF (AL HIRSCHFELD) |
$8,396,165 | $1,199,452 | $114 $352 |
73,098 | 81,168 | 57 | 90.04% |
|
ELF-THE MUSICAL (AL HIRSCHFELD) |
$594,759 | $594,759 | $65 $250 |
9,190 | 11,392 | 8 | 80.70% |
|
ELLING (BARRYMORE) |
$686,837 | $171,709 | $35 $225 |
20,665 | 32,736 | 31 | 63.07% |
|
ENRON (BROADHURST) |
$1,489,074 | $297,815 | $55 $250 |
27,431 | 44,764 | 38 | 61.34% |
|
EVERYDAY RAPTURE (AMERICAN AIRLINES) |
$2,358,299 | $196,525 | $45 $117 |
53,366 | 71,040 | 96 | 75.13% |
|
FELA! (EUGENE O'NEILL) |
$27,110,350 | $521,353 | $76 $225 |
355,451 | 428,480 | 416 | 82.95% |
|
FENCES (CORT) |
$12,908,907 | $992,993 | $117 $425 |
110,215 | 108,979 | 101 | 101.05% |
|
FINIAN'S RAINBOW (ST. JAMES) |
$2,077,995 | $692,665 | $67 $250 |
31,325 | 40,824 | 24 | 76.70% |
|
GOD OF CARNAGE (JACOBS) |
$8,055,367 | $350,233 | $66 $250 |
121,953 | 198,352 | 184 | 61.49% |
|
HAIR (AL HIRSCHFELD) |
$13,819,439 | $531,517 | $72 $250 |
189,665 | 293,696 | 208 | 64.58% |
|
HARRY CONNICK JR. (NEIL SIMON) |
$2,620,770 | $873,590 | $127 $250 |
20,625 | 21,660 | 15 | 95.17% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
IN THE HEIGHTS (RICHARD RODGERS) |
$30,318,416 | $583,046 | $72 $300 |
418,979 | 560,280 | 416 | 74.79% |
|
IN THE NEXT ROOM OR THE VIBRATOR PLAY (LYCEUM) |
$549,049 | $274,524 | $52 $95 |
10,510 | 14,384 | 16 | 73.05% |
|
IRVING BERLIN'S WHITE CHRISTMAS (MARQUIS) |
$759,048 | $759,048 | $82 $300 |
9,224 | 11,305 | 7 | 81.60% |
|
JERSEY BOYS (AUGUST WILSON) |
$55,578,060 | $1,068,809 | $113 $350 |
489,724 | 508,344 | 414 | 96.36% |
|
LA BETE (MUSIC BOX) |
$3,738,636 | $267,045 | $61 $300 |
63,114 | 108,756 | 108 | 58.69% |
|
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$21,461,285 | $564,771 | $87 $250 |
247,133 | 319,991 | 303 | 77.15% |
|
LEND ME A TENOR (MUSIC BOX) |
$8,249,462 | $358,672 | $68 $250 |
121,572 | 177,822 | 178 | 68.54% |
|
LOMBARDI (CIRCLE IN THE SQUARE) |
$3,476,686 | $248,335 | $58 $200 |
60,509 | 84,530 | 107 | 71.66% |
|
LOOPED (LYCEUM) |
$1,262,525 | $157,816 | $41 $225 |
31,207 | 54,992 | 60 | 56.94% |
|
MAMMA MIA! (WINTER GARDEN) |
$43,078,956 | $828,441 | $82 $200 |
522,365 | 621,670 | 415 | 84.03% |
|
MARY POPPINS (NEW AMSTERDAM) |
$45,482,824 | $874,670 | $76 $199 |
590,462 | 747,552 | 416 | 78.99% |
|
MEMPHIS (SHUBERT) |
$38,996,753 | $749,938 | $79 $250 |
489,246 | 611,520 | 416 | 80.01% |
|
MILLION DOLLAR QUARTET (NEDERLANDER) |
$19,330,038 | $460,239 | $78 $250 |
250,088 | 398,319 | 330 | 62.93% |
|
MRS. WARREN'S PROFESSION (AMERICAN AIRLINES) |
$2,917,482 | $224,422 | $52 $127 |
56,201 | 74,000 | 100 | 76.32% |
|
NEXT FALL (HELEN HAYES) |
$3,056,830 | $152,842 | $54 $225 |
57,552 | 93,062 | 158 | 61.94% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
NEXT TO NORMAL (BOOTH) |
$15,597,924 | $299,960 | $62 $200 |
250,197 | 321,924 | 417 | 77.69% |
|
PRESENT LAUGHTER (AMERICAN AIRLINES) |
$3,071,438 | $255,953 | $52 $117 |
58,727 | 68,080 | 92 | 85.85% |
|
PROMISES PROMISES (BROADWAY) |
$41,615,357 | $1,040,384 | $90 $250 |
463,379 | 543,317 | 311 | 85.68% |
|
RACE (BARRYMORE) |
$11,779,786 | $346,464 | $73 $250 |
158,317 | 287,776 | 272 | 55.01% |
|
RAGTIME (NEIL SIMON) |
$1,334,882 | $667,441 | $72 $300 |
18,502 | 21,285 | 15 | 87.35% |
|
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (NEIL SIMON) |
$6,179,225 | $617,922 | $79 $190 |
78,819 | 114,392 | 79 | 69.17% |
|
RED (GOLDEN) |
$6,835,696 | $427,231 | $76 $225 |
87,631 | 98,892 | 123 | 88.58% |
|
ROCK OF AGES (BROOKS ATKINSON) |
$25,998,686 | $499,975 | $80 $225 |
326,248 | 414,752 | 416 | 78.66% |
|
SHREK THE MUSICAL (BROADWAY) |
$1,387,182 | $1,387,182 | $108 $300 |
12,869 | 13,864 | 8 | 92.80% |
|
SONDHEIM ON SONDHEIM (STUDIO 54) |
$5,352,642 | $356,843 | $60 $127 |
89,781 | 113,452 | 113 | 79.45% |
|
SOUTH PACIFIC (VIVIAN BEAUMONT) |
$19,112,884 | $562,144 | $86 $125 |
222,360 | 282,111 | 271 | 78.91% |
|
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$4,012,015 | $802,403 | $102 $275 |
40,161 | 40,518 | 21 | 99.24% |
|
SUPERIOR DONUTS (MUSIC BOX) |
$303,165 | $303,165 | $63 $250 |
4,778 | 7,928 | 8 | 60.30% |
|
THE 39 STEPS (HELEN HAYES) |
$496,442 | $248,221 | $68 $225 |
7,190 | 9,424 | 16 | 76.30% |
|
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$48,030,985 | $1,143,595 | $108 $300 |
440,742 | 508,865 | 335 | 86.65% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$234,644 | $117,322 | $42 $117 |
5,351 | 8,140 | 11 | 66.65% |
|
THE LION KING (MINSKOFF) |
$73,828,966 | $1,419,788 | $112 $250 |
658,178 | 695,424 | 416 | 94.62% |
|
THE MERCHANT OF VENICE (BROADHURST) |
$9,720,065 | $972,006 | $131 $300 |
74,353 | 73,728 | 64 | 100.96% |
|
THE MIRACLE WORKER (CIRCLE IN THE SQUARE) |
$1,687,067 | $210,883 | $47 $200 |
36,610 | 45,548 | 59 | 80.96% |
|
THE PEE-WEE HERMAN SHOW (STEPHEN SONDHEIM) |
$5,303,114 | $589,235 | $96 $225 |
55,458 | 74,905 | 71 | 74.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$42,237,079 | $812,252 | $78 $200 |
536,044 | 671,840 | 416 | 79.79% |
|
THE PITMEN PAINTERS (FRIEDMAN) |
$2,330,017 | $194,168 | $52 $121 |
44,965 | 62,400 | 96 | 72.07% |
|
THE SCOTTSBORO BOYS (LYCEUM) |
$2,750,411 | $275,041 | $52 $250 |
52,266 | 70,452 | 78 | 73.99% |
|
TIME STANDS STILL (FRIEDMAN) |
$8,380,986 | $322,346 | $68 $250 |
124,270 | 171,808 | 197 | 76.16% |
|
West Side Story 2009-2011 (PALACE) |
$40,907,099 | $786,675 | $77 $300 |
524,318 | 705,952 | 416 | 74.27% |
|
WICKED (GERSHWIN) |
$82,893,687 | $1,594,109 | $111 $300 |
744,579 | 752,544 | 416 | 98.94% |
|
WISHFUL DRINKING (STUDIO 54) |
$1,030,731 | $343,577 | $60 $127 |
17,254 | 21,084 | 21 | 81.83% |
|
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (BELASCO) |
$4,442,395 | $370,200 | $66 $125 |
67,569 | 90,158 | 91 | 75.58% |
| TOTAL | $1,036,522,660 | $555,745 | $85.65 $227.81 |
12,101,985 | 15,275,364 | 12201 | 79.23% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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