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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
AVENUE Q (Golden) |
$430,285 | $430,285 | $70 $201 |
6,126 | 6,368 | 8 | 96.20% |
|
AWAKE AND SING! (BELASCO) |
$282,086 | $282,086 | $47 $86 |
5,966 | 8,032 | 8 | 74.30% |
|
BAREFOOT IN THE PARK (CORT) |
$216,023 | $216,023 | $51 $201 |
4,254 | 8,816 | 8 | 48.30% |
|
BEAUTY AND THE BEAST (LUNT-FONTANNE) |
$605,454 | $605,454 | $59 $175 |
10,291 | 12,072 | 8 | 85.20% |
|
BRIDGE AND TUNNEL (HELEN HAYES) |
$171,816 | $171,816 | $59 $201 |
2,921 | 4,688 | 8 | 62.30% |
|
CHICAGO (AMBASSADOR) |
$492,659 | $492,659 | $68 $240 |
7,291 | 8,640 | 8 | 84.40% |
|
DIRTY ROTTEN SCOUNDRELS (IMPERIAL) |
$586,064 | $586,064 | $71 $251 |
8,289 | 11,480 | 8 | 72.20% |
|
DOUBT (WALTER KERR) |
$229,010 | $229,010 | $57 $301 |
4,039 | 7,392 | 8 | 54.60% |
|
FAITH HEALER (BOOTH) |
$475,267 | $475,267 | $77 $251 |
6,178 | 6,240 | 8 | 99.00% |
|
FESTEN (MUSIC BOX) |
$128,392 | $128,392 | $50 $151 |
2,564 | 8,072 | 8 | 31.80% |
|
HAIRSPRAY (NEIL SIMON) |
$605,235 | $605,235 | $63 $240 |
9,553 | 11,424 | 8 | 83.60% |
|
HOT FEET (HILTON THEATRE) |
$297,896 | $297,896 | $51 $101 |
5,815 | 14,504 | 8 | 40.10% |
|
JERSEY BOYS (AUGUST WILSON) |
$1,025,695 | $1,025,695 | $105 $251 |
9,763 | 9,776 | 8 | 99.90% |
|
LESTAT (PALACE) |
$448,525 | $448,525 | $67 $200 |
6,740 | 12,728 | 8 | 53.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MAMMA MIA! (CADILLAC WINTER G) |
$1,004,000 | $1,004,000 | $83 $201 |
12,053 | 11,984 | 8 | 100.60% |
|
RENT (NEDERLANDER) |
$499,863 | $499,863 | $58 $200 |
8,646 | 9,448 | 8 | 91.50% |
|
SHINING CITY (BILTMORE) |
$247,884 | $247,884 | $59 $80 |
4,234 | 5,200 | 8 | 81.40% |
|
SPAMALOT (SHUBERT) |
$996,469 | $996,469 | $88 $301 |
11,365 | 11,528 | 8 | 98.60% |
|
SWEENEY TODD (EUGENE O'NEILL) |
$379,336 | $379,336 | $76 $289 |
5,000 | 8,832 | 8 | 56.60% |
|
TARZAN (RICHARD RODGERS) |
$690,700 | $690,700 | $70 $201 |
9,922 | 10,552 | 8 | 94.00% |
|
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (CIRCLE) |
$317,539 | $317,539 | $70 $175 |
4,530 | 5,472 | 8 | 82.80% |
|
THE CAINE MUTINY COURT-MARTIAL (SCHOENFELD) |
$186,247 | $186,247 | $55 $176 |
3,417 | 8,632 | 8 | 39.60% |
|
THE COLOR PURPLE (BROADWAY) |
$1,040,240 | $1,040,240 | $81 $251 |
12,775 | 13,744 | 8 | 92.90% |
|
THE DROWSY CHAPERONE (MARQUIS) |
$790,020 | $790,020 | $66 $249 |
11,931 | 12,888 | 8 | 92.60% |
|
THE HISTORY BOYS (BROADHURST) |
$647,118 | $647,118 | $71 $176 |
9,074 | 9,280 | 8 | 97.80% |
|
THE LIEUTENANT OF INISHMORE (LYCEUM) |
$213,190 | $213,190 | $51 $176 |
4,163 | 5,648 | 8 | 73.70% |
|
THE LIGHT IN THE PIAZZA (VIVIAN BEAUMONT) |
$399,290 | $399,290 | $64 $100 |
6,239 | 8,328 | 8 | 74.90% |
|
THE LION KING (NEW AMSTERDAM) |
$1,207,297 | $1,207,297 | $85 $200 |
14,178 | 14,408 | 8 | 98.40% |
|
THE ODD COUPLE (BROOKS ATKINSON) |
$760,033 | $760,033 | $90 $250 |
8,440 | 8,616 | 8 | 98.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PAJAMA GAME (AMERICAN AIRLINES) |
$434,390 | $434,390 | $74 $101 |
5,883 | 5,792 | 8 | 101.60% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$787,600 | $787,600 | $64 $200 |
12,226 | 12,856 | 8 | 95.10% |
|
THE PRODUCERS (ST. JAMES) |
$728,636 | $728,636 | $70 $241 |
10,366 | 13,648 | 8 | 76.00% |
|
THE THREEPENNY OPERA (STUDIO 54) |
$416,715 | $416,715 | $57 $111 |
7,261 | 8,048 | 8 | 90.20% |
|
THE WEDDING SINGER (AL HIRSCHFELD) |
$559,885 | $559,885 | $64 $251 |
8,785 | 11,376 | 8 | 77.20% |
|
THREE DAYS OF RAIN (JACOBS) |
$953,572 | $953,572 | $111 $251 |
8,583 | 8,592 | 8 | 99.90% |
|
WICKED (GERSHWIN) |
$1,355,903 | $1,355,903 | $94 $300 |
14,472 | 14,472 | 8 | 100.00% |
| TOTAL | $20,610,334 | $572,509 | $72.74 $203.76 |
283,333 | 349,576 | 288 | 81.05% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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