THE BEDWETTER - Atlantic Theater Company Auditions

Posted: October 4, 2019

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THE BEDWETTER - NYC EPA

Atlantic Theater Company

AUDITION DATE

Fri, Oct 18, 2019
10:00 am - 6:00 pm (EDT)
Lunch 1:30 to 2:30

CONTRACT

Off Broadway Category CC ($867/week)

SEEKING

Equity actor/singers for various roles. See breakdown.

SM positions have been filled.

PREPARATION

Please prepare a brief pop or contemporary musical theatre song. Bring picture and resume.

LOCATION

Pearl Studios NYC (519)
519 8th Ave
12th Fl
New York, NY 10018
*must have photo ID to enter the building

PERSONNEL

Produced by Atlantic Theater Company (Neil Pepe, Artistic Director)
Book by Joshua Harmon and Sarah Silverman
Lyrics by Adam Schlesinger and Sarah Silverman
Music by Adam Schlesinger
Directed by Anne Kauffman
Casting by Telsey + Company

Personnel expected in attendance TBD.

OTHER DATES

1st Rehearsal: Tuesday, March 17th, 2020
1st Performance: Saturday, April 25th, 2020
Closing: Sunday, June 14th, 2020
Possible Extension: Sunday, June 28th, 2020

OTHER

EPA Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN

[SARAH]
(10). She’s spunky, joyful, full of moxie and heart. A brunette in a blonde world. She can survive
anything with her winning sense of humor, anything but her deepest darkest shame: she’s a
bedwetter. Excellent pop/contemporary musical theatre singer.
[DONALD]
(40s). Sarah’s father. He is Boston through and through, with a thick accent. Owns a clothing store –
Crazy Donny’s Factory Outlet – and does his own radio ads for it, too. He loves his customers..
especially the local, lonely housewives. Masculine, funny, charming, no genius but he gets by with
charisma. Recently divorced from Beth Ann. It’s complicated but what’s simple is his love for his girls.
Great singer
[BETH ANN]
(40s). Sarah & Laura’s Mom, recently divorced from Donald. She speaks with perfect diction, and no
hint of a Boston accent. Think Diane Chambers from Cheers. She has a fashion sense all her own:
Corduroy blazer and Hobo-style purse covered in political pins. But we don’t see that so much these
days, as she spends most of her time in bed. Watching television is her happy place. She’s a wildly
loving mother yet probably knows more about People Magazine than the people in her own life. Great
singer.
[NANA]
(70s). Sarah’s grandmother. Her ladylike demeanor is contrasted by her Boston accent, love of hard
jokes and even harder drinks. Should be comfortable with some singing.
[LAURA]
(13). Sarah's older sister, better adjusted to the new school than Sarah but still struggling with parents'
divorce. Excellent pop/contemporary musical theatre singer.
[AMY]
(10). Any ethnicity, a popular girl at school, the leader of the pack. Excellent pop/contemporary
musical theatre singer.

[ALLY]
(10) Any ethnicity, a mean girl. Excellent pop/contemporary musical theatre singer.

[ABBY]
(10) Any ethnicity, not the sharpest tool in the shed. Excellent pop/contemporary musical theatre
singer.

[MRS. DEMBO]
(40’s). A middle school teacher with a THICK New England accent and delusions of grandeur. Great
contemporary musical theatre singer.

[DR. GRIMM]
(40’s). New Age-y, he’s full of shit and deep down he knows it. Great contemporary musical theatre
singer.

[DR. RILEY]
(40’s). Relentlessly enthusiastic. Sarah’s psychiatrist. He barely talks to her before carelessly
prescribing Xanax. Hey, it works for him! He is too happy. Great contemporary musical theatre singer.

[MISS NEW HAMPSHIRE]
(22). A Glinda-esque goddess of perfection. Great pop/contemporary musical theatre singer.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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