MILWAUKEE REPERTORY THEATRE 2019-20 SEASON - Milwaukee Reptertory Theater Auditions

Posted: February 5, 2019

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Milwaukee Rep 2019-20 Season - Chicago EPA Days
Milwaukee Repertory Theater

AUDITION DATES
Fri, Feb 15, 2019
10:00 am - 6:00 pm (CST)
Lunch 1-2pm. Accompanist available. Non-musical auditions please schedule on February 18th.

Mon, Feb 18, 2019**
10:00 am - 6:00 pm (CST)
Lunch 1-2pm.
**Non-musical day**

APPOINTMENTS
Equity Members may sign up for an appointment through the Member Portal beginning Friday, February 8th at noon.

CONTRACT
LORT Non-Rep LORT A ($1,116/week minimum), B ($941/week minimum), & D ($696/week minimum)

SEEKING
Actors for the Milwaukee Repertory Theatre 2019 Season. Actors of all ethnicities are encouraged to audition. See breakdown for details.

PREPARATION
32 bars of a sing; 1 contemporary monologue (60-90 seconds) Please bring headshot/resume. An accompanist will be in attendance for the day. Please schedule Non Musical auditions on February 18th when an accompanist will not be available.

LOCATION
Actors' Equity Association - Chicago
557 W Randolph St
Chicago, IL 60661
Please dial 011 at buzzer

PERSONNEL
Mark Clements, Artistic Director
Chad Bauman, Executive Director
Frank Honts, Casting Director

OTHER DATES
2019/20 Season:
1st Rehearsal- 08/13/2019
Opening- 09/08/2019
Closing- 05/24/2020
Please see breakdown for specific rehearsal/performance dates

OTHER
Please schedule Non Musical auditions on February 18th when an accompanist will not be available.
EPA Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN
Two Pianos, Four Hands by Ted Dykstra and Richard Greenblatt
Stackner Cabaret, LORT D. Director: Laura Braza
1st Rehearsal- 08/13/2019; 1st Preview- 09/06/2019; Opening- 09/08/2019; Closing- 11/03/2019
TED (male, 20s-40s, any ethnicity): strong actor and expert-level pianist
RICHARD (male, 20s-40s, any ethnicity): strong actor and expert-level pianist
West Side Story: Book by Arthur Laurents, Music by Leonard Bernstein, Lyrics by Stephen Sondheim
Quadracci Powerhouse, LORT B. Director: Mark Clements
1st Rehearsal- 08/20/2019; 1st Preview- 09/17/2019; Opening- 09/21/2019; Closing- 10/27/2019
Roles available: Riff, Tony, Action, A-Rab, Baby John, Graziella, Velma, Bernardo, Maria, Anita, Chino, Rosalia, Consuelo, Doc, Schrank, Krupke, Glad Hand, Ensemble
The Niceties by Eleanor Burgess
Stiemke Studio, LORT D. Director: Annika Boras
1st Rehearsal- 08/27/2019; 1st Preview- 09/25/2019; Opening- 09/27/2019; Closing- 11/03/2019
Janine Bosko (female, white, early 60s): A college professor
Zoe Reed (female, black, 20): A college student
Nunsense: Book, Music, and Lyrics by Dan Goggin
Stackner Cabaret, LORT D
1st Rehearsal- 10/15/2019; 1st Preview- 11/08/2019; Opening- 11/10/2019; Closing- 01/12/2020
Sister Mary Regina, Mother Superior
Sister Mary Hubert, Mistress of Novices
Sister Robert Anne
Sister Mary Amnesia
Sister Mary Leo
The Nerd by Larry Shue
Quadracci Powerhouse, LORT B. Director: JC Clementz
1st Rehearsal- 10/15/2019; 1st Preview- 11/12/2019; Opening- 11/15/2019; Closing- 12/15/2019
Willum Cubbert,
Tansy McGinnis *CAST*
Axel Hammond,
Warnock Waldgrave,
Clelia Waldgrave,
Rick Steadman *CAST*
A Christmas Carol: Adaptation by Mark Clements
Pabst Theatre, LORT A
1st Rehearsal- 11/05/2019; 1st Preview- 11/26/2019; Opening- 11/29/2019; Closing- 12/24/2019
Charles Dickens/Ebenezer Scrooge
Dickens Assistants
Bob Cratchit
Fred
Charitable Workers
Ghost of Marley
Ghost of Christmas Past
Thomas’s Mother and Father
Young Scrooge
Mr. Fezziwig
Mrs. Fezziwig
Belle
Ghost of Christmas Present
Mrs. Cratchit
Topper
Caroline
Caroline’s Husband
Gentlemen
Old Joe
Mrs. Dilber
The Legend of Georgia McBride by Matthew Lopez
Quadracci Powerhouse, LORT B
1st Rehearsal- 12/17/2019; 1st Preview- 01/14/2019; Opening 01/17/2019; Closing- 02/16/2019
Casey
Jo
Tracy
Rexy/Jason
Eddie
Chasin’ Dem Blues: Untold Story of Paramount Records by Kevin Ramsey
Stackner Cabaret, LORT D
1st Rehearsal- 12/23/2019; 1st Preview- 01/17/2020; Opening- 01/19/2020; Closing- 03/22/2019
Blue
Queen
Harp
Professor
Hedwig and the Angry Inch. Book by John Cameron Mitchell, Music and Lyrics by Stephen Trask
Stiemke Studio, LORT D. Director: Mark Clements
1st Rehearsal- 12/31/2019; 1st Preview- 01/28/2020; Opening- 01/31/2020; Closing- 03/08/2020
Hedwig
Itzhak
Eclipsed by Danai Gurira
Quadracci Powerouse, LORT B. Director: May Adrales
1st Rehearsal- 02/04/2020; 1st Preview- 03/03/2020; Opening- 03/36/2020; Closing- 03/29/2020
The Girl
Helena
Bessie
Mama
Rita
Hootenanny: The Musicale (World Premiere) by David M. Lutken
Stackner Cabaret, LORT D. Director: Sherry Lutken
1st Rehearsal- 02/25/2020; 1st Preview- 03/20/2020; Opening- 03/22/2020; Closing- 05/24/2020
Six Actor/Musicians
Note: This project is still in development and a specific casting breakdown is not available at this time.
Antonio’s Song: Dreaming of a Son by Deal Orlandersmith and Antonio Edwards Suarez
Stiemke Studio, LORT D. Director: Mark Clements
1st Rehearsal- 03/17/2020; 1st Preview- 03/25/2020; Opening- 03/27-2020; Closing- 04/12/2020
Antonio
Note: The role of Antonio is cast.
Destiny of Desire by Karen Zacarías
Quadracci Powerhouse, LORT B. Director: José Luis Valenzuela
1st Rehearsal- 04/14/2020; 1st Preview- 04/21/2020; Opening- 04/28/2019; Closing- 05/17/2020
Hortencia del Rio
Ernesto del Rio
Victoria Maria del Rio/Nurse 1
Armando Castillo
Fabiola Castillo
Pilar Esperanza Castillo/Nurse 2
Sebastian Jose Castillo/Paramedic 1/Cop 1
Doctor Jose Ramio Mendoza/Casino Dealer/Cop
Doctor Diego Mendoza/Paramedic 2/Cop 2
Sister Sonia


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.


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