CURSE OF THE STARVING CLASS - NYC Appointments
Brooklyn Acting Lab
APPOINTMENTS
NYC auditions to be held January 10, 6pm to 8pm, at the Brooklyn Acting Lab, 1012 8th Avenue, Brooklyn NY 11215, by Appointment Only.
CONTRACT
Showcase-NY travel stipend provided.
SEEKING
Submissions for various roles. See breakdown.
INSTRUCTIONS
For consideration, email picture and resume ASAP. Deadline by 1/9/18
Deadline: Tue, Jan 9, 2018
SUBMIT TO
submissions@brooklynactinglab.org
PERSONNEL
Artistic Director: Kristen Lynch
OTHER DATES
First rehearsal: January 22, 2018 Opening: March 22, 2018Closing: March 25, 2018Performance at the Actors Fund
Arts Center
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
Weston Tate
(Male, 30 – 45): The father. He is an alcoholic and has driven his family into deep debt.
Wesley Tate
(Male, 16 - 18): The son. Wesley looks for a way to keep his family together while changing from a boy to a man.
Emma Tate
(Female, 16 – 18): The daughter. Emma plans to become a mechanic, and pursues her 4-H projects and horseback fantasies with an adolescent’s intensity.
Ellis:
(Male 25-50): The owner of the Alibi Club, the bar where Weston spends his time. He is greedy and seeks to take advantage of the family.
Taylor:
(Male, 30-50) : The lawyer who seduces Ella and scams Weston.
Emerson:
(Male: 30-50) A small town man that Weston owes money to.
Slater:
(Male:20-50) Emerson's partner.
Malcolm:
(Male 25-50) Sergeant who arrests Emma.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
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