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CAUGHT - Repertory Theatre of St. Louis Auditions

Posted: October 27, 2017

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CAUGHT - NYC Appointments
Repertory Theatre of St Louis


APPOINTMENTS

NYC auditions to be held 11/13/2017, 11/14/2017 by APPOINTMENT ONLY.

CONTRACT

LORT Non-Rep AEA LORT D pays above minimum at $900/week

SEEKING

Equity actors for 4 roles. See breakdown.

Seeking submissions from AEA members. AEA members must submit themselves directly in order to be considered via this posting (no agent or third-party submissions).

INSTRUCTIONS

For consideration, email picture and resume by November 10th. Mark submissions: CAUGHT / NYC Appt Submission

SUBMIT TO

SUBMISSION.MCCORKLECASTING@GMAIL.COM

PERSONNEL

Artistic Director: Steve Woolf
Director: Seth Gordon
By: Christopher Chen
Casting Assistant: Tracy Kaczorowski
Casting Director: Pat McCorkle, Katja Zarolinski

OTHER DATES

Callback Date(s): 11/14/2017
Rehearsal Date(s): 02/13/2018
Preview Date(s): 03/07/2018
Opening Date(s): 03/09/2018
Closing Date(s): 03/25/2018

OTHER

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

[LIN BO]
Lin Bo- Chinese, male, 30-45. When he is Lin Bo, he is gentle, personable, introspective. When he is the actor who plays Lin Bo, he wears his heart on his sleeve much more.
[WANG MIN]
Wang Min- Chinese, female, 30-45. When she is Wang Min, she is very likable, friendly, intelligent. When she is the actress who plays Wang Min, she wears her heart on her sleeve much more.
[JOYCE]
Joyce- Writes for the New Yorker, white, female, late 30’s. Very friendly and open hearted. When she is the curator, there is more of an intellectual side to her.
[BOB]
Bob- New Yorker editor, white, male, 50’s. A bit pompous, the boss, smartest person in the room.
STORYLINE:
In the era of “fake news,” Caught creates a bracingly unique experience that will keep you wondering what’s real and what’s theatre. An art exhibition by a Chinese dissident is the first phase of a multi-layered puzzle, which presents the audience with an ever-changing set of rules. Chen’s piece deftly examines the blurred lines between truth and artifice, both in the theatre and in life.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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