ACT 2020 MAINSTAGE SEASON Equity Performer Auditions - A Contemporary Theatre Inc. Auditions

Posted October 11, 2019
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ACT 2020 MAINSTAGE SEASON - A Contemporary Theatre Inc.

ACT 2020 Mainstage Season - Seattle EPA/ECC Singers Days

A Contemporary Theatre Inc


AUDITION DATES

Mon, Oct 21, 2019

10:00 am - 6:00 pm (PDT)

Lunch: 1:30PM - 2:30PM

Tue, Oct 22, 2019

12:00 pm - 8:00 pm (PDT)

Break: 3:30PM - 4:30PM

APPOINTMENTS

3 minute slots. Sign-up online at www.acttheatre.org

CONTRACT

LORT Non-Rep Minimums - $899/wk - $717/wk

SEEKING

Actors of potential interest for 2020 projects and future seasons.

PREPARATION

Presentation not to exceed 3 minutes. 2 contrasting contemporary monologues OR 1 classical monologue & 1 contemporary monologue. Song optional. Accompanist provided.

LOCATION

A Contemporary Theatre

700 Union St

Seattle, WA 98101

PERSONNEL

Margaret Layne, Director of Casting
Accompanist - TBA

OTHER DATES

See breakdown

OTHER

www.acttheatre.org

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

In reference to the character breakdown(s): most characters we encounter currently are on the binary and written with he/him or she/her pronouns, and that is reflected in their descriptions. Despite that linguistic limitation, however, ACT casting strives to be as inclusive as possible and we invite gender non-conforming, gender-queer, transgender, and non-binary actors to submit for the roles they most identify with. Race/ethnicity is indicated only when specified by the playwright as integral to character and/or narrative. Otherwise ACT seeks actors of all races and ethnicities, neuro-diversities, and disabilities, for available roles.

Note: ACT will not be seeking understudies for any projects this season other than for A CHRISTMAS CAROL.

SWEAT

by Lynn Nottage

Directed by John Langs

1st reh: 2/25/20

1st perf: 3/20/20

Open: 3/26/20

Close: 4/12/20 (poss extension thru 4/19)

Fully Cast.

THE EFFECT

by Lucy Prebble

Directed by Tracy Young

1st reh: 3/24/20

1st perf: 4/17/20

Open: 4/23/20

Close: 5/10/20

Roles Available:

TRISTAN FREY, M, late20s/early 30s

CONNIE HALL, F, 20s

DR LORNA JAMES, F, 40s

CHOIR BOY (co-production with Denver Center for the Performing Arts)

By Tarell Alvin McCraney

Directed by Jamil Jude

Denver dates:

1st reh: 3/10/20

1st perf: 4/10/20

Open: 4/17/20

Close: 5/10/20

Seattle Dates:

1st Reh (tech): 6/2/20

1st Perf: 6/5/20

Open: 6/11/20

Close: 6/28/20

HEADMASTER MARROW, man of color, late 30s/early 40s

PHARUS YOUNG, young man of color, late teens/early 20s

MR PENDLETON, M, white, late 60s/70s

BOBBY MARROW, young man of color, late teens/early 20s

JUNIOR DAVIS, young man of color, late teens/early 20s

ANTHONY JUSTIN “AJ” JAMES, young man of color, late teens/early 20s

DAVID HEARD, young man of color, late teens/early 20s

THE LAUGH TRACK (World Premiere)

by Wendy MacLeod

Directed by John Langs

1st reh: 8/18/20

1st perf: 9/11/20

Open: 9/17/20

Close: 10/4/20

Fully Cast.

WITCH

by Jen Silverman

Directed by Allison Narver

1st reh: 9/29/20

1st perf: 10/23/20

Open: 10/29/20

Close: 11/15/20 (poss extension thru 11/22/20)

ROLES AVAILABLE:

SCRATCH, M, 20s/early 30s – The Devil

FRANK THORNEY, M, 20s/early 30s, confident, charming, ruthless

A CHRISTMAS CAROL by Charles Dickens

Adapted by Gregory A Falls

Directed by Julie Beckman

1st reh: 11/9/20

1st perf: 11/27/20

Opening: 11/29/20

Close: 12/27/20

(With the exception of SCROOGE, all actors play more than one role. Only the primary role is listed for each track.)

SCROOGE (2 actors, alternating performances), M, 50-80, embittered, miserly, misanthropic, and selfish, but in the end transformed to be full of joy, warmth, and playfulness

BOB CRATCHIT, M, 30-50, Scrooge’s clerk, a family man, underpaid and Scrooge’s punching bag, a hopeful and optimistic soul buoyed by his love for his large family

MRS CRATCHIT, 30 -50, Bob’s wife and mother of six, strong, loving, anxious about their circumstances but doing her best for her family with what she’s got

FRED, M, 25-35, Scrooge’s nephew, leading man type, outgoing, friendly, positive, full of genuine charm and Christmas cheer

MR FEZZIWIG, M, 40 – 60, warehouse owner, jovial, ebullient, full of bounce and holiday spirit

MRS FEZZIWIG, F, 40-60, warm, lively, motherly, the female equivalent of her husband

MIDDLE SCROOGE, M, 25-35, Scrooge as a young man, engaging, ambitious, already showing signs of misanthropy and greed

BELLE, F, 20-30, Scrooge’s one-time fiancée, wise, lovely, open-hearted

MARLEY’S GHOST, any gender identity, 40-60, ghost of Scrooge’s late partner, angry, tortured, scary

GHOST OF CHRISTMAS PAST, any gender identity, any age, ethereal, mischievous, but steely when called upon

GHOST OF CHRISTMAS PRESENT, any gender identity, any age, larger than life, boisterous, bountiful, commanding


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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