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2 PIANOS 4 HANDS - Milwaukee Reptertory Theater Auditions

Posted: April 21, 2019

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2 PIANOS, 4 HANDS - Milwaukee Appointments
Milwaukee Repertory Theater

CONTRACT

LORT Non-Rep
LORT D $775 per week minimum

SEEKING

Actors for Milwaukee Repertory Theater's 2019/20 Stackner Cabaret production of 2 PIANOS, 4 HANDS.

INSTRUCTIONS

Deadline: Fri, Apr 26, 2019

SUBMIT TO

fhonts@milwaukeerep.com

PERSONNEL

Artistic Director- Mark Clements
Executive Director- Chad Bauman
Casting Director- Frank Honts
Director- Laura Braza

OTHER DATES

1st Rehearsal- August 13, 2019
1st Preview- September 6, 2019
Opening- September 8, 2019
Closing- November 3, 2019

OTHER

Email submissions only, please.

First round of auditions will occur through videotaped submissions. Callbacks will be determined at a later date.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

2 PIANOS, 4 HANDS by Ted Dykstra and Richard Greenblatt
TED (male, 20s-40s, any ethnicity): An aspiring concert pianist. Over the course of fifteen years, Ted, along with his friend Richard, learns the basics of the keyboard, competes against other children, gains experience in a wide range of musical styles, develops a more sophisticated perspective about his musicianship, and ultimately, as an adult, comes to terms with how his larger dream eluded him. The performer playing Ted must be (a) a strong actor who can deliver a grounded, honest performance and (b) an expert-level pianist. Both actors will play multiple roles throughout the play and will be expected to perform complicated piano selections from a variety of musical genres.
RICHARD (male, 20s-40s, any ethnicity): An aspiring concert pianist. Over the course of fifteen years, Richard, along with his friend Ted, learns the basics of the keyboard, competes against other children, gains experience in a wide range of musical styles, develops a more sophisticated perspective about his musicianship, and ultimately, as an adult, comes to terms with how his larger dream eluded him. The performer playing Richard must be (a) a strong actor who can deliver a grounded, honest performance and (b) an expert-level pianist. Both actors will play multiple roles throughout the play and will be expected to perform complicated piano selections from a variety of musical genres.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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