Puzzle Piece Begins Fifth Season With Emmy-Nominee's THE PEOPLE'S TEMPLE
During a time of social and political upheaval, a unconventional leader emerges to lead a group of loyal and passionate followers to an unlikely end. The leader is Jim Jones, the group is The Peoples Temple, the ending is a tragedy where on November 18 1978, 918 Americans died in the jungles of Guyana in a place namEd Jonestown. Many know this as a story of mass suicide where crazed cultists assassinated a congressman and then drank poisoned kool-aid, but there is much more to be told. Puzzle Piece Theatre begins its fifth season with the Michigan premiere of The People's Temple by Emmy-nominated Leigh Fondakowski, best known as the head writer of The Laramie Project. The production runs from October 6th through the 22nd. Performances are at 8pm on Fridays and Saturdays, and 2pm on Sundays. All performances take place at 460 Hilton in Ferndale. Tickets are $20 and can be purchased on the company's website at www.puzzlestage.org
In her play The People's Temple, which premiered at the Berkeley Repertory Theatre in 2005, playwright Leigh Fondakowski and her collaborators spent three years and hundreds of hours conducting interviews with those that survived and the relatives of those who died. The result is a docu-drama form of theatre that preserves the humanity of a group of socially conscious individuals who wanted to leave the world a better place. For Puzzle Piece's production Ms. Fondakowski will be updating her script with new material; you won't want to miss what promises to be a major event of the Michigan theatre season.
"When people hear the words "Peoples Temple" or "Jonestown", the general assumption becomes one where the victims are all painted as mindless lemmings who follow Jim Jones to their deaths. This tendency to marginalize those who died couldn't be further from the truth." says D.B. Schroeder, the play's director and Puzzle Piece's producing artistic director. "The play that Ms. Fondakowski has crafted is one that illuminates how extremism can creep into acceptance, and suddenly original supporters have become trapped by something they never agreed to or expected. The pavilion in Jonestown had a sign that read 'Those who do not remember the past are condemned to repeat it.' I can't think of a play more relevant to bring to the stage at this particular moment in time."