WAREHOUSE THEATR

by Paul Batterson - April 23, 2024

RIDE THE CYCLONE is more like an eccentric Tim Burton film than a John Hughes hug fest. However, the moments of genuine humanity and sentiment keeps the show from going off the rails....

by Paul Batterson - April 20, 2024

The Shadowbox motto is to do to sketch comedy what Second City does for improv. To do that, it uses a simple formula: crisp writing and solid acting produce big laughs....

by Paul Batterson - April 10, 2024

The script is filled with pratfalls, sight gags, puns and “Dad jokes,” but what makes this play work is the backstory and the personality given to each character and each role contributes something to the plot....

by Paul Batterson - April 09, 2024

Cooney’s script is much like a van Gogh painting. Some characters, like Erin, are created with intricate paintbrush strokes; others are fingerpainted in concentric circles....

by Paul Batterson - March 17, 2024

Broadway Musicals are often fantasies, musical representations about things that could not possibly happen. The saddest thing about Short North Stage’s production of THE PROM, which runs from March 14 through April 7 at the Garden Theater, is that it is based partly in truth....

by Dylan Shaffer - March 18, 2024

With familiar hits such as “Dancing Queen,” “Mamma Mia,” and “Honey, Honey,” MAMMA MIA! has a leg up on most musicals: audiences already know the songs. But to surmount and overcome the expectations of audiences is no easy feat. The 25th Anniversary Tour of MAMMA MIA! blows all expectations out of t...

by Paul Batterson - March 10, 2024

In his two-hour set, Metheny, the only artist to win Grammys in 10 different categories, was like a magician as he revealed the skills that garnered him gold records for Still Life (Talking), Letter from Home, and Secret Story....

by Paul Batterson - March 04, 2024

Rico Parker joins a talented quartet of actors, performing with Wilma Hatton (Faye), Clarissa Rai (Shanita), and Alan Tyson (Reggie), in bringing this two-act, two-hour show to life. Each actor brings out certain nuances to his or her character, revealing the character’s strengths and concealing his...

by Christina Mancuso - February 14, 2024

Nominated for a record-setting 14 Tony Awards and winning 6 in the original production in 1970, Stephen Sondheim’s COMPANY was one of the first musicals to deal with contemporary dating, marriage, and divorce.  Originally played by a male lead, Director Marianne Elliott (with approval from Sond...

by Paul Batterson - February 11, 2024

The two seem to have that innate ability to write simple poetry without making them seem like something you would find at the Valentine’s cards bin at Walmart....