Opera Interviews - Page 2

Her Mozart is lyrical, lush, secure and dynamic, with a forceful top range and fluid technique that makes her vocality perfect for a role such as Donna Anna, which has challenged sopranos over the past two centuries. Yet soprano Vanessa Goikoetxea showed her versatility when she won immense kudos fo...

One of the world’s foremost, most adventurous, female producers of contemporary opera, and a tireless champion of diverse voices, Beth Morrison unequivocally embraces her seemingly limitless drive....

John Riesen made headlines earlier this year when in the early days of the health crisis, he helped bring income to artists by creating the COVID-19 Artist Support - Pure Voice Spotify playlist, Now, Riesen is continuing to bring beautiful music into the world, this time through the release of his ...

When the Ringling Brothers Barnum & Bailey Circus folded its tent for the last time, I’m not sure whether they held on to its title of “the Greatest Show on Earth.” But Atlanta is showing that there’s still a big tent around with some great shows to be seen. It’s the Atlanta Opera, headed by General...

Renée Fleming's long and distinguished career includes performing in some of the world's most famous opera houses, performing on Broadway, and being heard on many recordings singing everything from arias to showtunes. Tonight Ms. Fleming will add another honor to her canon as she and Vanessa Will...

A lot of repertoire you do over and over, while finding new things within those pieces, but something totally new is interesting...

the exquisite voice, dramatic stage presence and winning personality of this Grammy-nominated artist have garnered kudos throughout the opera world...

Named as one of Musical America's Top 30 Innovators in Classical Music, Josh Shaw is the Executive and Artistic Director of Pacific Opera Project (POP), one of L.A.'s most exciting opera companies. During the past nine seasons, Shaw has directed over 35 productions at POP. Since 2011, Shaw  has dire...

Here's a look at how 'Light Shall Lift Us; Singers Unite in Song' (for OPERA America), a video project featuring 107 opera singers in “a song of hope and solidarity” by Paul Moravec and Mark Campbell, came together to help raise up the spirits of their communities as we deal with COVID-19. It went '...

During the shutdown, we're taking the opportunity to look back at some memorable productions. Here, Dick Bird discusses his career with BroadwayWorld, and gives us some fantastic insights into designing the Royal Danish Theatre, Teatro Real Madrid and Scottish Opera's co-production of a modern class...

It's a busy week for Piotr Beczala, at least on the Met on Demand. It started with Monday's free broadcast of 2014's RUSALKA, opposite Renée Fleming (when the interview that follows was conducted) to Saturday night's free ADRIANA LECOUVREUR performance opposite Anna Netrebko, from January 2019. You ...

Some people dream of a White Christmas--or at least an end to the horrors of COVID-19 and a semblance of life returned to normal. I'll drink to that. But high on my list of events I'm hoping to hear in a world turned back on its feet, is the return of Richard Strauss's DIE FRAU OHNE SCHATTEN to the ...

Vocal and dialect coach Vanessa Dinning talks about what she does and how she is bringing her talents online...

The Met's first cancellation due to coronavirus concerns was the revival of Rossini's LA CENERENTOLA, the opera retelling of the Cinderella story, set to star mezzo Tara Erraught in the title role and one of its biggest tenor stars, Javier Camarena as Don Ramiro, her prince. The opera holds a partic...

It's been a big year for soprano Lisette Oropesa, with starring roles at major European houses. But in this country, it's something else entirely: She won the Richard Tucker Award and the Met's Beverly Sills Award. That was followed by a pair of name-above-the-title roles, her first at the Met: her ...

The first thing to know about Brian Jagde is that his name is pronounced a?oeJade,a?? like the jewel...

Brenna Corner started out with dreams of Broadway. It wouldn't be a big surprise if the versatile young director's dreams came true, but not in the way she'd originally pictured. I met with her to learn more about that and the San Diego Opera's upcoming production of Hansel and Gretel. 'Broadway ...

The LA Opera and the Metropolitan Opera join forces to co-produce the world premiere of EURYDICE from the creative minds of composer/conductor Matthew Aucoin and librettist Sarah Ruhl; beginning February 1, 2020 at the Dorothy Chandler Pavilion. Based on Sarah's 2003 play EURYDICE, this Greek myth u...

Are you lamenting that you can't get more cornbread and chili while taking in a performance of Richard Rodgers and Oscar Hammerstein's OKLAHOMA? Well, On Site Opera's site specific production of the family friendly musical DAS BARBECÜ, written by Jim Luigs and featuring music by Scott Warrender, is ...

Pelto will make his much-anticipated San Diego Opera debut on Feb. 8, 2020, in their highly imaginative production...

'The grace of the Lord Jesus be with God's people. Amen.' And so ends the Book of Revelation, with Chapter 22, in the New Testament...or does it? In speaking with creator-librettist Cerise Lim Jacobs, I find someone who clearly believes that too much is never enough. Thus, she decided that there was...

Wolfgang Amadeus Mozart's classic THE MAGIC FLUTE opens this week at the Dorothy Chandler Pavilion on Saturday November 16, 2019; under the baton of James Conlon (with Grant Gershon conducting on December 1, 12 and 15). This will be the third LA Opera mounting of 1927 and Barrie Kosky's avant-garde ...

Tenor Carl Tanner is in San Diego to sing Radames, the lead male role in Verdi's Aida, a role he's already sung 145 times before. We met to discuss his background and career just before he was due at a rehearsal. Tanner's is the most unlikely tenor in the history of opera....

Rhyming a?oeGingera?? with a??Singera?? may be a stretch, but in Ginger Costa-Jackson's case, it might well be appropriate....

Last January, Joseph Keckler seemed to burst forth, fully blown, like Athena from the head of Zeus, at New York's Prototype Festival (though his emergence was, in fact, no such thing, having already been a staple of the Downtown scene for several years). This month, Philadelphia's got him, at the Op...

The first time I heard bass-baritone Davone Tinesa--he off the sensual, resonant voice and startlingly vivid stage presence--it was in Handel's ACI, GALATEA E POLIFEMO (described as a spectacular, streamlined, Cliff-Notes version of a Handel opera), at Brooklyn's National Sawdust. Tines wowed me and...

Anna Morrissey talks about her work as a movement director and the challenges of making her directing debut with Benjamin Britten's A Midsummer Night's Dream...

“It's been quite a ride,” says Kim Reed, co-librettist, filmmaker—and inspiration--for AS ONE, the chamber opera by Laura Kaminsky, with co-librettist Mark Campbell. The work's 27th production, in under five years, opened on May 30 under the auspices of New York City Opera, American Opera Projects (...

For me, concert-going in Barcelona is not simply hearing a singer like Diana Damrau bring beauty and insights to the music of great composers, but where you get to hear her perform this magic. This week's evening of lieder and other art songs, for instance, performed with harpist Xavier de Maistre, ...

Isabel Leonard is one of, if not the, most in-demand opera singer in the world today. For the last decade her star has been on the rise all around the world both on the opera and concert stages. This season at The Met alone she's performing in three different production, singing three roles that cou...

Was the pairing of Iain Bell and Mark Campbell--respectively, composer and librettist of New York City Opera's (NYCO) world premiere STONEWALL--'love at first sight”? I asked them. We were at the workshop in New York earlier this month that allowed them and director Leonard Foglia to cross the t's a...

Since 2011 Mezzo-soprano Ginger Costa-Jackson has sung the title role in 12 different productions of Bizet's Carmen. She will star in yet another this month for San Diego Opera. From here it's on to rehearsals for nine performances of Bizet's masterwork at Seattle Opera. Is the singer tiring of Carm...

The famous mezzo soprano Fredericka von Stade is in San Diego this week rehearsing Three Decembers, one of several works written with her in mind by her close friend Jake Heggie. The chamber opera for three singers and 11 musicians will be performed three times next weekend at the 500-seat Patrick H...

Julia Burbach talks to BroadwayWorld UK about her role as Revival Director of the ROH's Cosi Fan Tutte and about her work as an opera director....

Coloratura Alisa Jordheim will be debuting in the role of Gilda with baritone Stephen Powell in a San Diego Opera production of Verdi's Rigoletto. This is the fifth time he's sung the lead. The first time was in a Cincinnati Opera production in which Jordheim had only a few lines as a page. 'I feel ...

Washington state is justifiably proud to call Angela Meade a native. The star soprano has been a prizewinner in more than 50 top competitions...

BWW Interview: Erica Miner author of DEATH BY OPERA...

BWW Interview: Ted Rosenthal composer of DEAR ERICH at Museum Of Jewish Heritage...

Tenor Javier Camarena--who completes his run as Nadir, the love-struck tenor lead in Bizet's LES PECHEURS DE PERLES (THE PEARL FISHERS) this Saturday--isn't finished wow-ing Met audiences for the season. Not by a long shot. He's back in February to throw off those nine High Cs in “Ah, mes amis!” the...

Can a musical drama set on a grim WW I battlefield make an audience feel good? Those working on the San Diego Opera's staging of All Is Calm: the Christmas Truce of 1914 are certain it can. The work tells the true story of the spontaneous unofficial truce between WWI enemies who left their trenches ...