Mini-Operas THE WANTON SUBLIME & THE COMPANION Set for Roulette, 4/22

Mini-Operas THE WANTON SUBLIME & THE COMPANION Set for Roulette, 4/22

American Modern Ensemble (AME), in partnership with American Opera Projects (AOP) and presented by Ear Heart Music (EHM), performs "The Wanton Sublime & The Companion," a pair of one-act chamber operas, on Tuesday, April 22, 2014, 8:00 PM, at Roulette (509 Atlantic Avenue, Brooklyn, NY). Tickets: $20 general; $15 members/seniors. Roulette.org

The Wanton Sublime, from composer Tarik O'Regan and librettist Anna Rabinowitz, explores the human and mythic aspects of the Virgin Mary. In this one-act monodrama for mezzo-soprano and amplified chamber ensemble, Mary struggles to retain her flesh and blood identity in the face of external forces intent on symbolizing her as the ideal woman. Featuring mezzo-soprano Hai-Ting Chinn under the direction of Mallory Catlett. Duration: 30 minutes.

Says Anna Rabinowitz, "The Virgin Mary comes down to us through western cultural history as the eternal feminine, exemplar of woman as gentle and compliant. The vehicle through which she has been known may be theology, but, as the dominant female in our culture, many of the characteristics of her womanhood are today in conflict with powerful social and political issues of gender. In The Wanton Sublime, Mary is a woman who, in the face of the destiny presented to her, occupies an interior world rife with questions rather than received answers. She is troubled, anxious, ambiguous, aware of her rights or lack thereof."

In The Companion, a futuristic one-act opera by composer Robert Paterson and librettist David Cote, people live with biomorphic androids that cook, clean, and make love on demand. Maya is not completely satisfied with her model so she calls in tech-support worker Dax. But can Maya handle Joe 2.0? Featuring soprano Nancy Allen Lundy, tenor Brandon Snook, and baritone Kyle Guglielmo under the direction of Walker Lewis. Duration: 35 minutes.

Says David Cote, "The Companion is the second act of an opera triptych about sexuality and power called Three Way. Clearly The Companion is science fiction, but who doubts that society is headed this way? In the piece, I wanted to tell a funny yet strange story about obsession, detachment and projection. Technology enables Maya's quest for perfect love, even as it reflects the absurdity of that quest back at her. Dax knows how robots work, but people are a dark mystery. Joe has amazing perceptual and cognitive powers, but he lacks emotional integration. Whether that makes him more human or less is an open question."

These semi-staged premieres, featuring the American Modern Ensemble with Tyson Deaton, conductor, will be presented with an intermission. The author A.M. Homes, best known for her novel The End of Alice and her memoir, The Mistress's Daughter, moderates a mid-concert discussion with fellow Yaddo artists Mallory Catlett, Walker Lewis, Tarik O'Regan, Robert Paterson, and Anna Rabinowitz, as well as David Cote.

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