Broadway Show Reviews & Critics' Ratings - Page 2

Under the direction of BJ Jones, John Patrick Shanley's newest play boasts a talented cast gifted with good humor and heartfelt emotion, but the uneven script feels as though it shrank in a dryer fed by clichés rather than coins.

What did our critic think of ROCK OF AGES at The Studio Theatre?

THE PLAY ABOUT MY FATHER is a warm and compassionate play that demonstrates the power of kindness to lift people up in their moments of greatest need and, in doing so, impact the rest of their lives.

On Saturday, April 20, 2024, PASO brought their program, Todo Tango, an intimate and fiery evening of tango to the Kennedy Center. 

THEATREX returns triumphantly in 2024, presenting a riveting and intimate production of Peter Morgan's 'FROST/NIXON,' in collaboration with Landmark Center. Set within the grandeur of a historic courtroom in Downtown Saint Paul's Landmark Center, this production promises a theatrical experience like no other.

Davor/Danach (Before/After) is an intimate chamber musical written by Stuart Matthew Price and Timothy Knapman. It can be seen for the first time in German at the Theatre Spielraum in the heart of Vienna.

Their robust and exposition-heavy first act scenes reminds me of that classic physics question, “what happens when an unstoppable force meets an unmovable object?”. 

What did our critic think of FRIENDS. THE UNAUTHORIZED MUSICAL PARODY at The Kujawsko-Pomorski Music Theatre, Torun?

Under Larry Sousa’s wonderfully imaginative direction and with his choreography, a 16-person company of some of Boston’s brightest, most versatile performers is bringing the Canadian musical, with music and lyrics by Lisa Lambert and Gregg Morrison and book by Bob Martin and Don McKellar, to dazzling life with delightfully silly production numbers aplenty and a well-served soupçon of heart-tugging emotion.

The newest production at Marriott Lincolnshire is Meredith Willson’s classic and beloved The Music Man. Director/choreographer Katie Spelman has stayed true to the script and has made the fictional town of River City – based on Willson’s hometown of Mason City, Iowa – come to life.

Mary Poppins is pretty much a familiar name among parents and children everywhere. Disney's film is the Halmark of popular children's films. However, seeing this as a live theater production is a thrilling experience for young and old. Having seen this gem live onstage three times, I never tire of its popularity and life lessons.

Yes, a grand opera was inserted at Belk Theater as the clock or calendar was winding down! Around the world, Callas, Nilsson, and Sutherland are among the divas who have graced the powerhouse role of TURANDOT, and Franco Zeffirelli's production at the Met is as revered for its stateliness and splendor as the Notre Dame Cathedral. Grand? Monumental.

Adapted from the 1988 Tim Burton cult classic, BEETLEJUICE - THE MUSICAL is an over-the-top, chaotic, and wildly unhinged reimagining that amps up the kooky-ness of its source material a thousand-fold. Mostly funny and entertaining despite its tonal shifts and forced outlandishness, the show elicits lots of laughs thanks to its title character.

What I am about to share with you is an experience that I hope all theatre-goers in the Dayton area get to experience at some point in their lives. You hope that the next play or musical you attend will provide the entertainment or the emotional journey that all audiences crave.

What is the difference between a house and a home? And who gets to write history? Interactive experience 1884 provokes challenging answers to these questions in the context of an almost-forgotten historical event that had significant consequences for two continents.

Watching the future of theatre here in Wellington, I see we will be well served in the future.

Leslie Odom, Jr. is a multifaceted artist of immense talent, boasting a resume adorned with two Academy Award nominations, Tony and Grammy Awards, and three Emmy Award nominations.

Unlike Firth’s decision to stretch out the film’s first half for the musical, confusingly ending it on the long-awaited calendar photoshoot, his play adaptation allows the audience to see the impact the calendar has on the outside world and the women’s personal lives.

Returning to the brand new King’s Head Theatre, Ned Campbell takes on award-winning Scottish playwright Kieran Hurley’s Beats in an adaptation that champions our imaginations and emphasises the power of collective gathering.

Nadine Sierra’s enthralling central performance helms this nerve-jangling revival.