I just saw on Montego Glover's website that she'll be participating in a reading on Friday of LITTLE MISS SUNSHINE: The Musical, directed by James Lapine and featuring a score by William Finn.
Has anyone else heard anything about this? The quirky subject matter seems right up Finn's alley.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Richard Hoover: Norbert Leo Butz Sheryl Hoover: Alice Ripley Grandpa: John Cullum Olive Hoover: Rachel Resheff Dwayne Hoover: Jonathan B. Wright Frank: Michael Berresse
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."
Though it would never happen, I would love the idea of Toni Collette reprising her role for this, if only to get her back to the stage. Plus she was kind of excellent in the film.
When I first saw this fabulous movie I thought it would make a great piece of musical theatre. With a score by the genius that is William Finn this could be something really special.
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
I don't think I've heard of a better match when it comes to Composer/Librettist and Souce Material.
You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl
"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor
"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl
"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
This sounds very promising. Much like others, I too would be thrilled if Toni came back to the stage. It's such a wonderful piece of cinema that it just seems like a natural transition to musical theater.
"I have the prettiest mother..."--Rhoda Penmark~~~ The Bad Seed
I actually don't think this movie would make a good musical at all. First of all, I think a road trip movie is really hard to transfer to the stage. Also, I really am against the recent trends to transfer popular recent films to the Broadway stage, because I think the film performances and story are so freshly kept in the audiences' minds than anything that is on stage comes off as an imitation (see THE WEDDING SINGER, LEGALLY BLONDE, SHREK, etc). Toni Collette, Alan Arkin, Greg Kinnear, Paul Dano, Abigail Breslin, and Steve Carrell all did a brilliant job in creating these roles. Yes, I know the stage is a different monster, but I just don't see why anyone should tackle those parts so recently. I guess I'll have to wait and see, but unless this adaptation is completely different from the film (in the same way that say A LITTLE NIGHT MUSIC and NINE are different from their film counterparts), I don't think there's a reason for the show to happen.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Finn's shows are never conventional and always surprising, not to mention generally focused more on the characters themselves than the story arc. If there's any composer who can make this work, it's Finn.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I heard Carolee Carmello played the Toni Collette role.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.