OK, since the last revival was such a mess (save Laura Benanti) I think they should do another revival in a few years. I was thinking about possible (realistic) casting and I had some ideas.
Daniel Jenkins as Baker Melora Hardin as Baker's Wife Eamon Foley as Jack Sami Gayle as Little Red
Any other ideas? I always thought Madonna would make a great Witch and Matthew Broderick a great Baker, but I don't think they'd do a Broadway revival.
I always thought Madonna would make a great Witch...
Why would you want to cast Madonna in a role that requires her to act?
Matthew Broderick... maybe. The more I think about it, the more appealing it is.
But really, we don't need another Broadway revival. The show is very very popular with amateur groups, and unless someone comes along and radically re-invents the piece (or does some much-needed re-writing), we just don't need it.
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Daniel Evans as The Baker Jennifer Laura Thompson as The Baker's Wife Erin Davie as Cinderella Heidi Blickenstaff as The Witch Jim Dale as The Narrator/ Mysterious Man Elena Shaddow as Rapunzel Santino Fontana as Wolf/ Cinderella's Prince Manoel Felciano as Rapunzel's Prince
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Catherine Zeta-Jones as The Witch. The whole point of the witch in that show is that she becomes gorgeous. Nobody can knock 'em dead like Cathy Z.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Whatever the cast, just get somebody new to direct it. I love James Lapine, but what was the point of having the same director do the revival? Get somebody new in there to give a fresh, different take on it. That's really the point of revivals. The original production was amazing and fantastic; you can't replicate it, you need to try something new.
Brian Stokes Mitchell as the Wolf/Prince (probably too small a role for him, but it would be great to see)
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Matthew Broderick would actually be a GREAT Baker, I agree.
I'd love to see Patti LuPone try the Witch, but...
As for the Wife, one of my all time favorite characters in one of my all time favorite musicals... I have to think about it some more
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
Weren't there some really bizarre changes in the last revival? Like an addition of the three little pigs or something? I never saw it, I've just read this.
What's with the revisionist history of everyone liking Laura Benanti in this production? If I remember correctly people hated her performance and then hated that she was out of the show so much and it wasn't until much later that everything was explained as to why she missed so many performances and why she was fired and then people started liking her again.
>what was the point of having the same director do the revival? Get somebody new in >there to give a fresh, different take on it. That's really the point of revivals. The >original production was amazing and fantastic; you can't replicate it, you need to try >something new.
The revival was quite different though...
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Paul W. Thompson, did you see the Oklahoma revival??
Two great shows that were given lackluster revivals. In this case, I think the reason ITW won was a lesser of two evils vote. The Oklahoma revival was,a t least in my opinion, just plain bad, save for Shuler Hensly and Andrea Martin. It was especially sad considering that the production was the same as that great production shown on PBS with Hugh Jackman as Curly.
-There's the muddle in the middle. There's the puddle where the poodle did the piddle."
Yes, I did see "Oklahoma!" And while it was not perfect, it was insightful and fun. The "Into the Woods" revival was unnecessary and cluttered. And when the most interesting character onstage in a musical is the mute cow, you know there's a problem.
Whatever the cast, just get somebody new to direct it. I love James Lapine, but what was the point of having the same director do the revival? Get somebody new in there to give a fresh, different take on it. That's really the point of revivals. The original production was amazing and fantastic; you can't replicate it, you need to try something new.
Did you even see the revival? It was completely different from the dark original production. If a person didn't know, there was no way of being aware that the director was the same. The show was literally taken in a whole new direction.
How to properly use its/it's:
Its is the possessive. It's is the contraction for it is...
And what's so wrong with Madonna being the Witch? I doubt she'd take a musical on Broadway, but I found her to be outstanding in the "Evita" film (especially acting wise).