As a soon to be social security recipient, I'll openly admit that when I first saw Rent in its early days, I left with a headache and didn't understand at least half the words. After studying the songs and seeing it again, I liked it better, but no WOW from me. And while I appreciated the great talent in Spring Awakening, I really thought the whole production and play itself was such a big YAWN. So I had no intention of going to Passing Strange -- somehow I suspected it would be a similar experience.
But when they extended discounts a few weeks ago and were offering matinee tickets for $48, I thought I'd go online and see what I could find. At first Telecharge rejected the new code that started that day. I tried again, and up came 2 seats in fifth row center orchestra. HUH? I grabbed them, thinking there must be a glitch. I tried again to see if I could get two more like that, but no -- only Row O on sides or second or third row mezzanine. I entered to purchase two full price premium seats, and what came up at $175 each? The two seats next to mine. So needless to say I went -- today, ready to be thoroughly bored or worse.
So why did I love this show? I was a bit scared when it started as I really couldn't hear Stu speaking the intro over the over amped music, but immediately after that, everything was fine -- and I'm not sure what show I've ever seen before that I didn't know where I could hear virtually every lyric perfectly. I loved the cast. I loved the staging. I loved the concept, and yes (surprise of surprises) I loved the music. Why is that? Call me astounded!
Well, it's good that someone enjoyed it. I've only heard pretty bad things about it. But I'm sure we're all glad that you had a good time! My father said the same thing about Rent!
No just the people on this board. I've read no reviews, so I guess I wouldn't be the right person to talk to about this show. Sorry. Ask about any other show LOL.
I'm glad you liked it Patash. this is a perfection case for how Passing Strange is more accessible than some might think. it's very non-traditional for Broadway, but that's only because Broadway is, for the most part, so stuck on its legacy and traditions. in any other context, the show isn't that avant-garde at all. it's just a great time!
Well, in my case I had only heard good things about the show, but stubbornly I was sure I still wouldn't like it. After all, I heard the same "great things" about Rent and Spring Awakening.
I hope the comparisons between SA and PS come to an end soon. I liked both shows (PS more), and I see little similarities. SA is a dense, brooding, neurotic show; PS is much more vibrant and loose and fun. the music's a lot different too. not all "rock" sounds the same, just as not all orchestral stuff sounds the same.
Hey Patash -- about "Amsterdam" since you just saw it...(as per discussion yesterday re mid song riff - Official PS Love Thread discussion 6/10)). I'd be curious as to the audience reaction during this number? Just how crazy was it?