Todays audiences may or may not appreciate the classic genius of Noel Coward, but could 'Sail Away' ever have a possibility of being revived on Broadway by Roundabout, or even by Encores?
Or would some people prefer to leave the thought alone and preserve the wonderful memory of Elaines performance?
"Light the candles! Get the ice out! Roll the rug up, it's today!"
It might be a fun afternoon to revisit it in a reading/concert version as Mufti might do... but on the whole, it was considered old-fashioned, dated and unsubstantial when it first appeared on the scene.
I don't think time has done anything to erase that original impression...
Didn't Stritch do concert version somewhere a few years back?
Yes, Stritch did it at the Carnegie Hall recital room a few years ago, and was terrific. I'm not sure the show is quite seaworthy though. It has some really fun songs and that great title tune, but my lord, is it light on plot and conflict.
Begin at the beginning and go on till you come to the end: then stop.
Funny this should come up now, I've been re-reading The Noel Coward Diaries and last night read about the out of town tryout and Broadway opening. It opened with good reviews and a strong box office advance, then shortly after How To Succeed...opened and took all their business away. It did have a successful London and Australian run in the years that followed.
I was also thinking about how well a revival of 'Flora, the Red Menace' would fare. Although the book needs retooling I do prefer the original version to the 1987 version (score/orchestration-wise at least). Or maybe it's just the fact that it wasn't Liza on the recording
"Light the candles! Get the ice out! Roll the rug up, it's today!"
I think it had a decent run in London but ultimately was a financial failure. Coward (and his work) at the time wasn't popular with critics and was looked on as "old hat" next to the "kitchen sink" dramatists emerging in the early 1960's. It wasn't until a very successful production of Hay Fever at the National Theatre with a cast that included Edith Evans, Maggie Smith, Robert Stephens, Lyn Redgrave, Derek Jacobi, and Sarah Miles that things turned around for him.
There was a successful Australian production of Sail Away (minus Elaine Stritch) that played Melbourne and Sydney following London.
BigFatBlonde, yes you are almost right - it was Nude With A Violin. If you've not read The Noel Coward Diaries it is well worth a look for what he had to say about his own shows and actors/actresses and show that he saw on Broadway and the West End over 40 years.
After the show had been playing in NY for a couple of months the box office was dropping off and one of the co producers flew to Jamaica to see Coward with a list of a few things people were saying about the show (problems), one was " that the boys in the show are all pansies and the girls aren't attractive enough". Looking at that sketch they may have a point.