"Who's in a New York City recording studio on June 9? Exactly! JAY Records will preserve the revised score of Lynn Ahrens and Stephen Flaherty's musical Seussical for a cast album that will boast the players of the 2007 Theatreworks/USA production seen on tour and Off-Broadway.
Composer Flaherty told Playbill.com that JAY will take the troupers into a studio June 9. The single CD is expected to be released later this year.
The 75-minute disc will present the entire new version of the show, "with quite a bit of new continuity material, lyrics and some new scenes not heard on the original Broadway cast recording," the composer said.
The recording will be produced by John Yap and Ahrens and Flaherty. Yap has a history of committing the scores of lyricist Ahrens and Flaherty to disc — Dessa Rose, the London Once On This Island, Lincoln Center's A Man of No Importance and The Glorious Ones (coming this summer) are all in the JAY catalog, as is Flaherty and Frank Galati's Loving Repeating."
"I mean, sitting side by side with another man watching Patti LuPone play Rose in GYPSY on Broadway is essentially the equivalent of having hardcore sex." -Wanna Be A Foster.
"Say 'Goody.' Say 'Bubbi.'" ... "That's it. Exactly as if it were 'Goody.' Now I know you're gonna sing 'Goody' this time, but nevertheless..."
"In the U.S.A.
You can have your say,
You can set you goals
And seize the day,
You've been given the freedom
To work your way
To the head of the line-
To the head of the line!"
---Stephen Sondheim
I'm so excited for this! I know they reduced the story lines, but does anyone know if the Lorax is in this version?
"In theater, the process of it is the experience. Everyone goes through the process, and everyone has the experience together. It doesn't last - only in people's memories and in their hearts. That's the beauty and sadness of it. But that's life - beauty and the sadness. And that is why theater is life." - Sherie Rene Scott
It's not that unnecessary. There are enough changes to merit a new CD. It's probably very difficult for regional theatre producers trying to decide weather or not to do the show and then they get a perusal script and try to follow along with the OBC and find so many inconsistencies. I wish JAY would rerecord some other shows that have the same problem with changes having been made after the original cast recording was produced.
Whoops. I didn't realize they were recording the actual one act TYA version. I would have preferred they record the revised two act version. That means there's going to be some songs and characters missing and the "Who's Christmas Pageant" will still go unrecorded. Shame.
It's one of my favorite scores. I have seen ALL incarnations of this: Backer's audition, Boston pre-Broadway tryout, Broadway with David Shiner, Broadway with Bryan Batt, Broadway with Rosie O'Donnell, Broadway with Cathy Rigby, 1st Nat'l Tour with Cathy Rigby, non-Equity Tour with Peter Roman, and countless community, college, and high & middle school productions.
I *hate* the 75-minute version, but I am glad it is preserved with the new alterations
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
1) No, "The Lorax" is not on this recording. 2) The Cat is played by Shorey Walker (female) who played the Cat in the version that was at the Lortel last summer. The cast on this CD is the same cast from that production. That production was BRILLIANT, and anyone who says they do not like the shortened version probably never saw this one, b/c it was phenomenal 3) Despite what others may think or say, THE GLORIOUS ONES cd WILL be out this summer. It may take John Yap a long time to produce CDs, but he always does a quality job that makes it worth the wait.
Trust me that this new recording is going to be GREAT...
I'm not familiar with the 75-minute revision, but the national tour revision was not an improvement on the Broadway production. It actually made less sense. I always felt the show should be more of a revue. Trying to tie together all those stories just doesn't work since very few of them are related in the first place.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
I've seen every incarnation of SEUSSICAL, and can honestly say that the version at the Lortel last summer was the one that made the most sense of any of them. The director, Marcia Milgrom Dodge, did a brilliant job of giving the story a context. It takes place in a schoolyard, and then all the kids "become" their Seussian counterparts. It was amazing. Of course, you don't actually see this on the CD, but still, it worked incredibly well. It was the first time that I felt like the show was seamless and not at all choppy. I didn't miss anything that had been cut, because it just flowed so smoothly.
FWIW...I much prefer the "jr." version of the production, it got rid of all the extraneous bits that came out of left field.
If we're not having fun, then why are we doing it?
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