I think people are making such a big deal about GYPSY because LaLupone is in the title role, a role that Arthur Laurents SWORE she'd never play on Broadway or in any professional production.
There's just not enough..."controversy"...around the CAT revival. It just seems kind of sudden and random.
I'd much rather see a revival of Arthur Miller's ALL MY SONS, which hasn't been on Broadway in over twenty years. THAT I'd be going nuts for.
"I love talking about nothing. It is the only thing I know anything about." - Oscar Wilde
I actually couldn't be more excited about the CAT ON A HOT TIN ROOF revival. Probably because I don't get why Ashley Judd, who played Maggie in the last revival, was allowed anywhere near this masterpiece--save for the fact that she is southern. To me this revival feels like an event. The main cast couldn't be better: Howard, Rose (especially Rose, God I can't wait to see her take on Maggie!!!), Jones, and even Rashad will all be marvelous. Give me this revival over the LuPone GYPSY any day of the week. Any play that manages to bring Anika Noni Rose back to Broadway merits this much excitement.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
ALL MY SONS got a first rate revival 10 years ago by Roundabout at the Pels, starring John Cullum, Michael Hayden and Keira Naughton.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
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"The Devil Be Hittin' Me" -- Whitney
Dollypop, I see your point re the all-black cast. I wonder how it will look when James Earl Jones as Big Daddy has that speech where he says something to the effect of: "I worked my ass off like a n*." Though I think if played well (and it is James Earl Jones so chances are it WILL be played well) it could be a comment on racism among people of the same race but different class. I do think the fact this is an African-American cast will bring some interesting layers to the competition between Maggie and Mae (issues like their poor backgrounds and Mae's fertility), the relationship between Big Daddy and Big Mamma, and especially to the issue between Brick and Maggie (especially with the DL phenomenon among African-Americans). I'm a bit afraid of Allen's direction and Howard's lack of stage credits, but I have a good feeling about this revival.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
"This CAT bothers me because it's an all-black production of a play that is set on a plantation and has chracters named Sookey and Lacey."
Maybe you should read more. You can find MANY books about this subject! Many black families lived on plantations, had a lot of money and had black servants, that yes they called by names like that. I know a lot of people are just not informed, but they even had rich, free and land owning blacks pre civil war.
This is a great book on the black upper class in the 40's and 50's. Our Kind of People: Inside America's Black Upper Class
All other considerations aside, the role seems tailor-made for James Earl Jones -- I'm going to see him and if the others work out, it's a bonus, as far as I'm concerned. Actors of Jones' caliber come rarely and any chance to see him, I'm going to do my damnedest to see.
I think people feel sorry for the production because it looks like it's going to be really bad. It's Debbie Allen trying to direct and sister Phylica playing a role she's not suited for.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
There are so many good plays & shows that do not get revived . Instead the same shows keeping getting revived over & over again.
How many times will Guys & Dolls & Man Of La Mancha be revived?Give it a rest guys. They will than wonder why the revival flopped. I would love to see many of Tennessee Williams lesser know works staged - off broadway if need be.
NYC don't try to educate, people want to see what they want to see and early New South rich Black people isn't it. It's an impossible concept for people to accept.
"Girl, this cupcake is the jumpoff"- Adriane Lenox
Did anyone else notice the close timeline of both GYPSY and CAT ON A HOT TIN ROOF productions on Broadway over the years?
-CAT... opened on Broadway in 1955, followed by GYPSY only four years later in 1959. -Both shows were revived for the first time in 1974. -GYPSY received its third revival in late 1989, while CAT... received its third revival shortly after in early 1990. -Both shows were revived for the fourth time in 2003 (and both revivals closed in 2004). -Both shows will be revived for the fifth time on Broadway in 2008, with both productions scheduled to open in March.
Pretty fun coincidence.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
We did a all-black cast production of CAT here in Richmond almost ten years ago, starring Tamara Tunie as Maggie. The plot and dialogue all work extremely well with the casting ... I think there was only one specific reference that needed changing, but it was not at all plot essential.
I think it's psychological. Plays don't have anywhere near the staying power of a musical, so when the same plays are produced over and over again people barely notice. They'll close soon and another one will replace it. Musicals, on the otherhand, don't generally sneak in under the publicity radar, and people tend to want more new musicals than people want more new plays. Plus, I think, people are always curious about old plays with stellar casts and whether or not they can be pulled off. Musicals can generally hide a bland performance better (acting-wise).
"Plays don't have anywhere near the staying power of a musical"
I assume your speaking of recent history (say, the last 30 years) and lenght of runs on broadway. Because, historically, plays have a bit longer of a shelf life than musicals.
"I'm so looking forward to a time when all the Reagan Democrats are dead."