I hear from these boards that GODSPELL is headed back to Broadway. I love GODSPELL, and it means a lot to me. It plays about twice a year somewhere local, though - and PIPPIN never does. My mother played the music from Pippin so much when I was a child, that I never even realized it was from the early 70's. The music is very similar to GODSPELL, and I don't think PIPPIN has EVER had a revival (right?) So, I ask you? Why not revive PIPPIN instead of GODSPELL?
George:
Rubbing alcohol for you, Martha?
Martha: Never mix, never worry!
That show has just re opened in the UK on tour before wanting to head back to the West End, but the show died on tour and was playing to 300 people a night in 2000 capacity theatres.The reviews were not pretty and said that even with all the up to date references they added the show was to dated
Namo i love u but we get it already....you don't like Madonna
"true, but all you have to do is put, above the title, in huge block letters, "FROM THE CREATOR OF WICKED", and it's box office gold." ________________________________________________________________ OMG! I didn't even KNOW that! If THAT is the case - then a PIPPIN revival right now could be a box-office BONANZA!
George:
Rubbing alcohol for you, Martha?
Martha: Never mix, never worry!
not really, with both shows, directors' interpretation is so important. Both shows can be done very minimalistic, and you don't have to have a lot of actors for either, depending on the vision. I saw a production of Godspell last year at the Walnut that was heavily reliant on the set and special effects. It probably cost a pretty penny.
I find that Pippin is done best when done minimally.
"I'm an American, Damnit!!! And if it's three things I don't believe in, it's quitting and math."
"It's because Godspell is cheaper to mount." _________________________________________________ No KIDDING! Usually when I see GODSPELL somewhere local there are almost no sets at all! That's fine for local - but are people going to show up for something like that on Broadway? Granite, the PIPPIN sets (I've only seen a DVD version with William Katt & Ben Vereen) are slight compared to something like WICKED... I think they COULD turn it into a stage extravaganza if they WANTED to.
George:
Rubbing alcohol for you, Martha?
Martha: Never mix, never worry!
Godspell is a more audience friendly show. It's easier to stage and since it is ensemble casting the show is "diva retardant" -- it doesn't need a star to sell the show. Everybody recognizes "Day by Day", it's pretty easy to choreograph, and has an upbeat ending. The music has also been updated without hurting the score.
Pippin is a darker show with a rather cold ending. To sell the show today, Pippin and the Leading Player both need to be played by someone who has a box office name. The music is not as recognizable outside the theater community. Everyone expects Fosse or faux-Fosse choreography. And the music is still kind of stuck in the 70s. Plus nobody wants to mess with the comic legacy that Irene Ryan left playing Berthe. Who could do the part justice?
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
I wouldn't have minded if they stuck the recent Pippin tour on Broadway. I like it much better than Godspell. I think it's Schwartz's best solo-written show.
Pippin's score could easily be modernized, a'la that off-broadway production of Godspell a few years back. I would love to hear a "2008" version of the score with electric guitars, hard drums, and r&b beats.
"I'm an American, Damnit!!! And if it's three things I don't believe in, it's quitting and math."
I think Godspell is a much more appealing show, I just re-watched the movie version a few days ago. All the songs are interesting. Pippin has two great songs and the rest have never held my interest. I could never understand why it ran so long. I recently rented the DVD of the broadway production and had trouble staying awake.
I don't think production costs are much of an issue, stage productions I have seen of each are fairly minimal.
Can I lobby for a broadway production of The Baker's Wife before revivals of either of those shows? Updated On: 1/4/08 at 06:01 PM
Methinks he means that 1982 production of it... it was filmed in like Australia or Canada, I can't remember, and was badly edited, cutting a lot of dialogue, "Prayer for a Duck", and "I Guess I'll Miss the Man".
"Your lyrics lack subtlety! You can't just have your characters announce how they feel! That makes me feel angry!"
Well in my mind, Godspell is the superior of the two. One of the only things that made Pippin good in the first place was Bob Fosse. His vision, his book changes, his direction, his additions and subtractions. Pippin without Fosse is a VERY weak show. Which is why all following productions have had trouble standing on their own feet. The only way Pippin would work would be if someone recreated the Fosse production from top to bottom, or at least kept all of his changes. Which Schwartz will NEVER let occur.
I got rid of my teeth at a young age because... I'm straight. Teeth are for gay people. That's why fairies come and get them
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.