I can hardly remember a thing about that dreadful, horrendous excuse for a Best Musical Tony winner, especially in a season that included THE Unforgettable LIGHT IN THE PIAZZA.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
I LITERALLY have never found a show so forgettable. All I remember is A) thinking we'd be hearing "The Song That Goes Like This" and "Diva's Lament" a LOT, and B) thinking, "Christian Borle is AMAZING!"
All 3 of the Tony nominated musicals that year were more meritorious than the winner, and Spelling Bee, Dirty Rotten Scoundrels, and Piazza will wind up being more important in the long run.
Every single Tony Award that SPAMALOT won belonged to PIAZZA.
Best Musical Best Director Best Featured Actress
The Tony voters took those awards and threw them in the garbage.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Oh, now, WBAF, as far as Best Featured Actress goes, they were two completely different ends of the spectrum, you know that. I agree with that idea that Piazza was just an anachronism that didn't belong in that year of awards. But I definitely have to defend Sara Ramirez, because homegirl kicked ass in the role.
Meanwhile, I agree with the crowd that Spamalot is definitely forgettable. Don't get me wrong -- it's a fantastic, fun, fluffy show -- but within a month, everything about it just flies out of your head.
Perhaps it would have been a smarter move to put him in as The Lady Of The Lake?
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Hey, I agree with all the points that have been stated about PIAZZA and Supt. Actress too. But that is water under the bridge as they say. My question is why bring in someone who's fans will come expecting to hear him sing and then don't get that? The show is loose enough to make some changes and I was womdering what the possibilities are.
As much as I love The Light in the Piazza, I have to say that Sara Ramirez totally kicked in the role of Lady in the Lake. You just KNEW it was a star turn in the making.....
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
Perhaps I would have just KNOWN if she would have just SHOWN up at the performance I attended.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Ok, I'm not gonna lie. I saw Spamalot and laughed my ass off BUT, and this is a big BUT, as far as quality goes, Piazza was definitely the better show. It was the show that really made me more openminded about the theatre.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
I thought Spamalot was, by far, the weakest of the four nominees for Best Musical that season. Piazza, Scoundrels, and Spelling Bee were all much better.
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
I saw Spelling Bee with the replacements - whoever's in it now, plus Mo Rocca (well, his understudy). I don't know if it was the cast, but I felt it was an incredibly weak show.
Piazza didn't do it for me one bit - though I will say Victoria Clark and Kelli O'Hara delivered fantastic performances.
Dirty Rotten was hilarious, featuring a breakout performance from Norbert, and solid work from Lithgow, Scott, etc.
Having seen Spamalot with the original cast, twice (both Curry and Ramirez were present), I will say there was something special about it. It was this huge nostalgia trip that audiences - and the critics - loved. It's organized chaos, brilliantly staged and acted. Sara Ramarez deserved her Tony, but I do completely understand why many don't agree.
I wish Clay well, but I DOUBT they will alter anything of the role for him.
Wow. Um... Wanna Be A Foster, you sure are bitter
I *LOVE* SCOUNDRELS, SPAMalot and PIAZZA with all my heart. I would have been happy with any of them winning. Can't get with BEE at all- Sorry, spellers
By the way, Brad Oscar joins the cast as Sir Bedevere on December
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
I also enjoyed Dirty Rotten Scoundrels. Loved it, in fact.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
"Light in the Piazza" was the most overrated pretentious piece of crap I have ever seen in my life. Different strokes, I guess.
It's comments like that, which lead me to believe that the show is ahead of its time. Geuttel is a genius. The score is, for my money, one of the best of the last 25 years. In every regard, it was one of the most beautiful, sweeping, romantic pieces that I've ever had the good fortune to witness on a stage.
SpamAlot is a mess. It's a second rate jukebox musical of Monty Python sketches. All three of the other nominees that year will go on to be FAR more important in the American musical canon. I will defend Sara Ramirez's win though. Kelli gave a moving, richly textured performance, but Sara was a force of nature on that stage. It really was, as someone said, a true star-is-born turn. The two performances are hardly comparable, but were both equally deserving in their own right. I give Sara even more props for making that turd of a show tolerable to sit through.
"I seem to have wandered into the BRAIN load-out thread... "
-best12bars
"Sorry I am a Theatre major not a English Major"
-skibumb5290