This is an odd thread subject but it's been rumbling in my head (not a good sign) for a while now...
It strikes me that a huge majority of my fave shows are ones that are very hard to really make "work" in revivals or even in their original productions. I wonder if I like them all the more because they are challenging but flawed....
I'm talking shows like Sweet Charity, Zorba, Follies, Pippin (even), Baker's Wife (more flawed than some), Merrily We Roll Along, Passion, ANY LaChiusa, Closer to Heaven (I'm serious here), etc...
None of these shows IMHO are ones where everything sorta "works" like what magically happens with some shows--yet they capture my heart and mind more than most others...
"You never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it."
To Kill A Mockingbird
Chess is a WONDERFUL example--and add it to my list too (wow I have a soft spot for shows by pop duos it seems...)
I know some of my choices like Sweet Charity or Pippin wouldn't be on most people's lists but have these shows ever had truly successful revivals? (Charity's somewhat successful 80s revival was basically a restaging so doesn't count) --Pippin even was a disaster in london which led to Chicago never getting a Fosse production there.
I'd like to give Jane Eyre a chance--it's always interested me...
i have lots! seussical follies merrily we roll along personals - i love some of the music! and i liked it when it came to the UK the wiz - guilty pleasure!not the film tho! please marie christine i was looking at the ceiling and then i saw the sky - fringe at some of the recording, but some gives me absolute shivers.
SWEET CHARITY was not a problem show in 1966, and it wasn't a problem show in the 86 revival, also directed by Fosse. It was a hit both times. The 86 revival also won several Tonys.
The 05 revival was a problem production, mainly because it was Fosse-less, and had a ton of backstage drama. But though some think the book is weak, Charity is NOT a problem show. It's one Broadway's best scores.
Updated On: 2/23/07 at 09:19 PM
Dracula Jekyll & Hyde The Scarlet Pimpernel Cyrano de Bergerac The Woman in White Seussical Carrie Bounce Whistle Down the Wind Bare Candide Little Women
Updated On: 2/24/07 at 09:50 PM
Follies, though not a hit originally, is one of the most perfect musicals ever written. Hardly a problem show. My favorite problem show? I do love flops, if they're good. Merrily We Roll Along is pretty fantastic. I don't see how it flopped that badly, but again, the original production was, uh...strange. Anyone Can Whistle. What a score, but what a book. It's funny how these great scores get tacked to ridiculous books that just don't work. I love The Rink. Absolutely one of my favorite scores. Frank Rich was quite unkind to it and killed it, honestly. It was quite a show with quite a score, a book that had some problems, but not nearly as many as Mr. Rich thought, and a powerhouse performance by Chita Rivera. There are several more of course. The Happy Time. Golden Boy. Some shows just don't catch on I guess. It's sad sometimes when they don't.
Chess (for the reasons mentioned) Doonesbury (Gary trudeau was submitting new 'timely' material every week!) Merrily We Roll Along (same reasons others have stated) Avenue Q (I hate the thought of the PetsCo sock puppet starring in the Hackensack Community Players production) Barnum (Too many cross-class skills required)
Ljay it was a mild hit in the 60s but not much after Gwen left--I sitll think Charity is a problem show--peoples memories of it are so strong because th eoriginal productionw as so good but it wasn't quite the hit some think, --and 80s revival won some awards but according to the Martin Gottfriend Razzle Dazzle book it lost a ton of movies and suffered a huge amount of probs. I love the show to death but it fits my definition of a problem show (prob even more so than Pippin which I also listed)