Putting aside the “I’m glad just to be cast in a show” mantra, which ensembles would you hate to be a part of?
For me, I’d say The Light in the Piazza. They don’t do anything expect walk around in period costumes and sing backup. I think I’d rather be in the Brooklyn "ensemble"...or not.
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--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I always felt bad for swings in Into the Woods because usually they only get to go on as Sleeping Beauty or Snow White, since those two are usually understudies for the bigger roles.
I don't think Avenue Q's ensemble has such a bad time. Aren't all of them understudies? Many of them are understudies for more than just 1 part, so they probably go on a fair amount of time.
*SPOILER*
and they do go on every night--in the audience during The Money Song.
*END SPOILER*
I'd hate to be in Wicked's ensemble. Imagine having friends and family constantly asking you for tickets/discounts if possible. I actually thought about this yesterday.
"If it walks like a Parks, if it wobbles like a Parks, then it's definitely fat and nobody loves it." --MA
I would definitely agree with LITP. Definitely boring for an ensemble member.
...What happened next, was stranger still, a woman breathless and afraid, appeared out of the night, completely dressed in white. She had a secret she would tell, of one who had mistreated her. Her face and frightened gaze, my mind cannot erase...But then she ran from view. She looked so much like you...
I was in "The Secret Garden", and on the days I wasn't Dickon (it was, after all, community theatre), I was just so bored because of the lack of much to do.
On the flip side, I absolutely loved being in the ensembles of "Bye Bye Birdie" and "The Music Man." There's just so much to do for those shows, it's fantastic.
I would hate being in the Ensemble of "The Sound Of Music" At least as a male, all you do is waltz at the party, and turn into a Nazi in the final scene.
"If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it." -Stephen Colbert
"In theater, the process of it is the experience. Everyone goes through the process, and everyone has the experience together. It doesn't last - only in people's memories and in their hearts. That's the beauty and sadness of it. But that's life - beauty and the sadness. And that is why theater is life." - Sherie Rene Scott
the ensemble could make up backstories and situations and all sorts of cool stuff
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
2008 European Tour
London: Les Mis, Lion King, Sound of Music, Joseph, Hairspray, Billy Elliot
France: Le Roi Lion, Cabaret
Germany: Der Konig der Lowen
Holland: Tarzan & Les Mis
From the look of it at the Macy's parade you'd have to drug me before you could get me to go on in The Grinch......those Whos were way too happy.
I always try to save a couple of the marshmallows till the very end but I never make it. I always end up with a bunch of flake things and pink milk...my mind wanders. - Garden State
Well I would have to say Into the Woods...because I don't think there is much Ensemble lol.
And for those saying ACL. While you're not onstage, you're still singing most of the songs. They sing the group parts of Montages and both Ones. It's a pretty good set up.
I think a lot of this has to do with how the director chooses to use the ensemble in a show. For instance I find it shocking that people listed the esembles of Secret Garden and Fiddler on the Roof as being boring...while almost all the productions I have seen or heard utilized the ensemble so that they were onstage almost the whole time. In Secret Garden the ensemble are the chorus of ghosts of the past that sort of narrate the story and watch over the characters. In the production of Fiddler I did, the ensemble was in view almost the whole time as the villagers and gave a sense of community.
I think in general it has to do with how ensemble-driven the director of a show is.
Akiva
ps.. Neddy....it is a BLAST. My first professional gig was playing Rusty Charlie. I got to sing a killer opening number and then have the time of my life for the rest of the show. Not a bad way to spend a summer.
Updated On: 11/26/06 at 03:13 PM
Akiva, I definitely agree, if only because when I was in Fiddler, I was onstage a ton of times. For The Secret Garden, though, we sang "House on a Hill" (was that the song?), the two parts of "Storm", and one other little thing. That was about it. Definitely a director's decision.
Yeah that's true, because when I was in Fiddler the ensemble just sort of stood there and sang their song and then left, didn't have much to do unless you were sort of a pseudo-ensemble member with a name.
And another vote for Guys and Dolls being awesome for ensemble. And 42nd Street is probably the best ensemble show you can ever be in (providing you tap, I guess)