When it was announced that Mary Poppins would be making its way over the Atlantic to Broadway there were suggestions that it was going to be modified slightly, after taking on board criticisms of the West End production and also making the show more suitable to an American audience (not as dark, focusing on the more fun nature of the piece). Does anyone know if this has happened?
I hope not. I saw the West End production a few weeks ago and its fine the way it is. If they make it "happier" and "more like the movie" for American audiences, its going to be simply another one of the "screen to stage" adaptations.
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I'm sure some of the darker scenes (Temper Temper) have been significantly altered. I also heard some complaints about how Mary is portrayed as a more strict and cold person which I can also assume would be altered. The production in London was so fantastic, I can only hope for the same here, just different.
I worry that the show will seem "wrong" to American audiences who saw the movie hundreds of times as children. I saw the show in London, and when people ask me how it was, I always say, "It's sort of like a stage production of "The Wizard Of Oz" where the Cowardly Lion is the one who sings "Over The Rainbow."
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leefowler, I don't get what u meant with the WoZ thing... Anyway, I found the Westend production amazing and yes there are some boring bits with the Banks family but overall, it's more than fantastic as a production. I duno whether they cut away the character of Ms Andrews! And 'Temper Temper' is one of my fav. scenes!
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Temper, Temper is being cut. Hopefully, Disney will do the smart thing and not change too much. They didn't try to change the end of Aida.
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Sorry Mary Poppins, but I fell asleep when we saw it in London! Glad to hear that Temper Temper is being cut, it was BAD!
Tina Maddigan, who plays Sophie in the biggest role of her young career, remembers "bouncing on the sofa as a child at home in Newfoundland, listening to ABBA records." GO TINA!!
Mary Poppins was so dark and stern she seemed like Scar from The Lion King!
Tina Maddigan, who plays Sophie in the biggest role of her young career, remembers "bouncing on the sofa as a child at home in Newfoundland, listening to ABBA records." GO TINA!!
My problem with the show was that is was boring. Every now and then there was a glimpse of potenitally magical moments.. but not often. I hope the Broadway version is an improvement.
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This topic has been discussed many times, but I definitely liked that the London version of the show was able to incorporate some of the darker tone that was present in the original books. The Mary Poppins of the books is cold and stern, not to mention extremely vain, but the paradox is that she is still universally revered and beloved because of the magic that follows her everywhere. I hope the indications that they won't change much for the Broadway run are true.
As an aside, I hope Ashley Brown (whom I really like) can do a convincing British accent.
Ashley Brown was shipped over to London for a 3 month vacation, paid by Disney. The purpose was to improve her accent and immerse her in British culture.
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So there are my facts. Straight and the nearest as can be correct as nobody bothered to keep count. Also an article in the NY Times today about more current death counts.
But sure go ahead and make Mary Poppins lighter cause god knows the great American public cant take it
I've also been given the indication that no songs will be cut. For some reason, people on this board don't have an understanding of what Disney entertainment is. While it is often times light, Disney has created some pretty frightening imagery in its films, musicals, and park attractions. They aren't a company that's scared to scare the hell out of kids. They've been doing a rather good job of it since 1928 and have made quite a bit of money with it to boot! Disney realizes that people are not necessarily looking for exact translations of of their films, if so, they certainly wouldn't have hired Julie Taymor to reinvent The Lion King. Disney knows that their material has more substance than many screen to stage translations so they don't have to "Keep it light, keep it bright, keep it gay" in order to make money. I think tourists will be more inclined to see this show as a dark Mary Poppins because they will feel more sophisticated that they aren't seeing a dopey movie on stage.
When I was a tyke, a movie theatre in my hometown used to screen the Disney animated movies on Saturday afternoons. And the "Night on Bald Mountain" section of Fantasia gave me nightmares for months. Bambi, Pinocchio and Dumbo all did some damage as well.
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>>But sure go ahead and make Mary Poppins lighter cause god knows the great American public cant take it
I think my main objection to lightening it up to match the film would simply be because it's like saying Americans are too closed minded to see a new take on an old classic. "Too British", they would say. WTF. I'm sick of having things dumbed down for American audiences. It's embarassing as hell.
i just really didn't understand the West-End production of Mary Poppins... i thought the show was completely half-assed... i would fully understand if they wanted to represent the book and not the movie... but then don't try and force light and frothy Disney songs into the show! And also, if they wanted to have the giant audience that a purely Disney production would bring in... then why not have the story make sense in relation to the songs? I just did not understand the production... hopefully for the Broadway debut, they will choose one polar end or the other