I was supposed to go Wednesday evening, but silly me booked two shows that night -- since Marmelade was part of the series, easy swap for early December. I've not heard a word yet, but it has been only 3 performances...
"Sir K, the Viscount of Uppity-shire...." -- kissmycookie
Interesting, I liked it though at times I thought that I was having an acid flashback, a little on the surreal side. Michael C. Hall was good. Mamie Gummer, who's Merryl Streep's daughter (and looks like her) was really good as Lucy.
'Take me out tonight where's there's music and there's people and they're young and alive.'
I actually read it over the weekend. Interesting, could have been brilliant, but a little shallow.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
The reviews have been unfair. Yes, it does go on for too long and it's not as deep as it coule have been. But it's totally enjoyable. Mamie Gummer is terrific. Adults playing kids can go wrong so easily. But she pulled it off amazingly well.
Went to the Saturday matinee (a press performance...every major critic seemed to be there). The play itself did nothing for me. Absurdist to the point of stupidity. The acting was superb, with the exception of Pablo Schreiber (whom I saw in Manuscript and didn't like...I guess Liev got all the talent in the family). Hall and Gummer were both outstanding, and the always wonderful David Constabile steals every scene he's in.
I wouldn't highly recommend it, but there are much worse shows.
Anyone else simply tired of this genre? The precious-slash-cutting-edge absurdist cartoon (post-FUDDY MEERS). There are some talented and entertaining practitioners of this style (I used to enjoy even the most flawed Nicky Silver plays, because they all had some real intellectual weight behind them). But to me the gold standard was early and brief, Craig Lucas's RECKLESS, and even that seemed diminished in revival because it's been so copied. Different strokes for different folks, but I think producing organizations are too taken with their "theatricality" merely because they escew naturalistic elements. To me, they are too often sketch-like doodles, stretched to a full evening, that depend on outre trappings, Peewee's Funhouse settings, and arch presentational acting. We could use a few more PROOFS and DOUBTS.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling