Today is the one year aniversary of Taboo leaving broadway. Granted, the book was a mess but there were some stellar performances and the music was fantastic.
SHH don't tell anyone, I LOVE TABOO SOOOOOOOOOOOOOOOOOOOOO MUCH! just kidding, tell the world. Taboo is one of the greatest shows.
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
that is a photo from the awesome-ly gritty London production.
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
personally, i like the London version. though the bway version has better orchestrations, i thought the london version was more gritty, had a more focused (though not by much) book, was in a better theater (it had tables and seats and Phillip and Petal [a character who is funny but too harsh and transvestite-like for bway audiences] mingled with the audience). the songs where arranged a little differently (Freak is a different song than Ode To.. which starts the show off BRILLIANTLY) there is no composite lover crap, the sets and costumes are more real and in a smaller theater it is SO much more intiment (sp?) and powerfull. check out this great website. it's filled with pics and stuff. I just liked the London better and i find myself more captivated by the recording (though i love Sarah U. Berry) and i think Pual Baker is a GREAT Phillip. i'm off to Zealot skool (hebrew skool) see ya lata Taboo Unofficial
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
personally, i like the London version. though the bway version has better orchestrations, i thought the london version was more gritty, had a more focused (though not by much) book, was in a better theater (it had tables and seats and Phillip and Petal [a character who is funny but too harsh and transvestite-like for bway audiences] mingled with the audience). the songs where arranged a little differently (Freak is a different song than Ode To.. which starts the show off BRILLIANTLY) there is no composite lover crap, the sets and costumes are more real and in a smaller theater it is SO much more intiment (sp?) and powerfull. check out this great website. it's filled with pics and stuff. I just liked the London better and i find myself more captivated by the recording (though i love Sarah U. Berry) and i think Pual Baker is a GREAT Phillip. i'm off to Zealot skool (hebrew skool) see ya lata Taboo Unofficial
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
personally, i like the London version. though the bway version has better orchestrations, i thought the london version was more gritty, had a more focused (though not by much) book, was in a better theater (it had tables and seats and Phillip and Petal [a character who is funny but too harsh and transvestite-like for bway audiences] mingled with the audience). the songs where arranged a little differently (Freak is a different song than Ode To.. which starts the show off BRILLIANTLY) there is no composite lover crap, the sets and costumes are more real and in a smaller theater it is SO much more intiment (sp?) and powerfull. check out this great website. it's filled with pics and stuff. I just liked the London better and i find myself more captivated by the recording (though i love Sarah U. Berry) and i think Pual Baker is a GREAT Phillip. i'm off to Zealot skool (hebrew skool) see ya lata Taboo Unofficial
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
I tear up at a few of them, Il Adore, being one. A year ago at this time, the show was almost coming to the end, and I was sitting there with tears streaming down my face.
I hung out with Cheyenne Jackson in his dressing room waayyyyyy before he tickled D2."unleash the girly"
Our fingerprints don't fade from the lives we touch.