The creative team who will be adapting F. Scott Fitzgerald’s landmark novel The Great Gatsby into a Broadway-bound stage musical have been announced.
Formed and led by Chunsoo Shin, one of the most influential musical producers in Korea’s theatre industry, the team of dynamic theatre talent features music & lyrics by Tony Award nominees Nathan Tysen & Jason Howland, a book by Jonathan Larson Grant winner Kait Kerrigan, with direction by Marc Bruni.
A private industry reading will take place this month, and a regional bow is being planned for the 2023-2024 season.
Fitzgerald’s timeless, seminal novel The Great Gatsby continues to entice legions of fans worldwide with its elegant, fiery, and soul-stirring tale. Set in the Roaring Twenties, eccentric millionaire Jay Gatsby will stop at nothing in his tragic pursuit of Daisy Buchanan, a wealthy young woman who he loved in his youth. Surrounded by characters with incredibly complex and nuanced inner lives, passions and longings boil, and then erupt – spurring the unimaginable fates that befall them. A novel destined to sing, this world premiere musical adaptation will roar into the 21st century through an electrifying jazz and pop-infused score.
Looks like according to a casting notice, this version of Gatsby will have a pre-Broadway run at Paper Mill Playhouse this fall (9/5-11/12) with an aim for a Spring 2024 opening on Broadway.
They seem to want to cut the other Gatsby musical off at the pass, which is probably their only choice, considering the other’s team is stacked with Grammy, Tony, and Pulitzer winners. Their producer must have money to burn, because I really cannot see this turning out particularly well.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
jacobsnchz14 said: "Looks like according to a casting notice, this version of Gatsby will have a pre-Broadway run at Paper Mill Playhouse this fall (9/5-11/12) with an aim for a Spring 2024 opening on Broadway.
Kad said: "They seem to want to cut the other Gatsby musical off at the pass, which is probably their only choice, considering the other’s team is stacked with Grammy, Tony, and Pulitzer winners. Their producer must have money to burn, because I really cannot see this turning out particularly well."
This has Korean money behind it (which actually has quite a robust theatrical market) and could frankly be a loss-leader for international productions in countries where English is not the primary language.
Of course the key will be getting a theatre, if Shubert or Nederlander or Roundabout will give them one. Jordan Roth is producing the other GATSBY musical, which has the billionaire oligarch Len Blavatnik behind it. It's not a great situation for the A.R.T. GATSBY. Even though its team is more high-profile, nothing is a guaranteed hit and opening on the heels of a (presumed) flop GATSBY adaptation isn't great.
Yes, if this Gatsby does come to Broadway, it definitely muddies the waters for the ART production, regardless of whether this flops or succeeds. If it flops, it tarnishes the other by being in close proximity. And if it’s a hit, who would want to produce a rival?
Its good they have Korean producers behind it, because based solely on creative teams, I cannot imagine many American investors choosing to back this.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I've no ties to the Tysen/Howland The Great Gatsby, but was invited to a reading a few months ago by a general manager who is handling it. I would not underestimate it at all. I thought the score was especially strong and was surprised that for a novel that has proven so difficult to adapt, they did so well with it. Anything can happen on the way to the stage, but the material is there.
Begin at the beginning and go on till you come to the end: then stop.
Kad said: "Yes, if this Gatsby does come to Broadway, it definitely muddies the waters for the ART production, regardless of whether this flops or succeeds. If it flops, it tarnishes the other by being in close proximity. And if it’s a hit, who would want to produce a rival?"
Exactly. Whether this production is good, bad, or otherwise, it could set that production back 5+ years. Messy! But that's the peril of adapting a Public Domain work.
Reminds me of 2018 when there were rumors of the Ian McKellen KING LEAR coming to Broadway, Rudin usurped that by doing an early announcement of the Glenda Jackson production before a director was even signed on. So naturally the McKellen didn't come in. (In hindsight, wish we had got the McKellen instead of the Jackson.)
Smaxie said: "I've no ties to the Tysen/Howland The Great Gatsby, but was invited to a reading a few months ago by a general manager who is handling it. I would not underestimate it at all. I thought the score was especially strong and was surprised that for a novel that has proven so difficult to adapt, they did so well with it. Anything can happen on the way to the stage, but the material is there."
that’s good, if surprising, to hear, Smaxie. I will say, having attended presentations of other Tysen works, that his stuff tends to present well, but seems to lose its way in production.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
RippedMan said: "I love the score to Amelie so I could see this being good."
Do you love the lyrics to Amelie divorced from the music? Tysen is only doing the lyrics (as he did for Paradise Square, also written with Jason Howland).
A soul-stirring, glamourous, and sizzling world premiere musical. F. Scott Fitzgerald's The Great Gatsby is one of the most beloved tales of all time, having sold over 30 million novels and adapted to an acclaimed blockbuster film. Set in the Roaring Twenties, the story follows eccentric and mysterious millionaire Jay Gatsby, who will stop at nothing in the pursuit of the lost love of his youth, Daisy Buchanan. Through its fascinatingly nuanced characters, driven by complex inner lives-with passions and longings that boil, and then erupt-The Great Gatsby has always been destined to sing. Featuring an electrifying jazz and pop-infused score written by Tony Award nominees Nathan Tysen (Paradise Square) & Jason Howland (Beautiful: The Carole King Musical - Grammy Award winner), a book by Kait Kerrigan (The Mad Ones), and direction by Marc Bruni (Beautiful: The Carole King Musical), this world premiere musical is set to roar The Great Gatsby into the 21st century.
By special arrangement with Chunsoo Shin - award-winning Korean theatre producer and OD Company president.