Here they are!Always interesting to see when Featured performers get nominated for the Distinguished Performance award. Who do we think is winning this year?
I know the Drama League is one of the bigger jokes of the industry and their main objective is to get producers to buy tables, but nominating this many shows outside of the Distinguished Performance category is just ridiculous: Play (11), Revival/Play (9), Musical (10), Revival/Musical (5, a great number!), Director/Play (11), Director/Musical (9)
I glanced quickly at the rest of the competitive categories, but I didn't look closely enough at them to have an opinion yet.
I mainly looked at the Performance award, and wow....this is some BS. I've been following this award for the past 7-ish years (?) and form my money, this is one of the worst lists I've seen. SO many egregious omissions, and SO many middle-of-the-road "acceptable" performances nominated.
I feel like they are usually pretty good about representing the full season of Off-Broadway plays, even those without high-profile stars. But this list feels very Broadway heavy, very musical heavy, and very celebrity heavy. And maybe that wouldn't matter so much if there hadn't been so many strong performances Off-Broadway this year.
Here are some of the most egregious omissions IMO (not only limited to Off-Broadway plays)
Tala Ashe - English + Vagrant Trilogy Francis Benhamou – Prayer for the French Republic Chuck Cooper - Trouble in Mind Emily Davis – Is This a Room Johanna Day - How I Learned to Drive Caleb Eberhardt – On Sugarland Shannon Tyo – Chinese Lady Billy Eugene Jones – On Sugarland Tamika Lawrence – Caroline + Black No More Katrina Lenk - Company Nana Mensah – Nollywood Dreams Austin Pendleton – The Minutes John Douglas Thompson – Merchant of Venice Mare Winningham – North Country Kara Young – Clyde’s
Nobody from Assassins except the miscast Will Swenson?
Mrs. Doubtfire for best musical? Michael Mayer for director? American Utopia is now somehow a musical? No Katrina Lenk? Beanie for distinguished performer?
As far as Distinguished Performer, Sharon D. Clarke and Gabby Beans are the defining performances of this season (from what I've seen). However, I have also heard nothing but stellar reviews for Victoria Clark, Deirdre O'Connell, and Kenita R. Miller. Could see it going to one of them too.
This award hasn't gone to an Off-Broadway performance since Ebersole in GREY GARDENS.
Jaquel Spivey (recency bias), Sharon D. Clarke, or Myles Frost feel like the most likely winners this year. Or Deidre O'Connell if enough voters actually saw it.
Smaxie said: "Six was nominated for the Drama League in 2020 and lost to Moulin Rouge! - but is somehow nominated again?"
Jennifer Simard was nominated for the Drama League Award THREE TIMES for her performance in DISASTER in its various iterations. This is not an organization that uses a ton of logic.
TaffyDavenport said: "I'm assuming it's because Six never officially opened in 2020."
The 2020 nominations came out on May 1, 2020 and Six was included then, despite not having officially opened. I noticed that they didn't extend that same courtesy to Girl from the North Country which opened March 5, 2020 and only got to play for a week. It too was nominated in 2020, but has not been nominated again.
Begin at the beginning and go on till you come to the end: then stop.
Also...I thought the distinguished performance award was at a set 50 nominees. But I only count 43 this year?
Which is a shame because they totally had room for the likes of Katrina Lenk, Johanna Day, Emily Davis, Carmen Cusack, Chuck Cooper, and Austin Pendleton. Also...Mrs. Doubtfire for Best Musical???? Outside of the wonderful work by Rob McClure, it's a pretty rough show. I can't believe that got in over Flying Over Sunset and Paradise Square (both are divisive and not perfect, but at least they try SOMETHING).
JBroadway said: "BroadwayFanatic454 said: "@JBroadway, It does say on their website that VAGRANT TRILOGY did not make the cut-off and will be considered next year."
Fair enough, but I was mainly thinking of her performance in English, which was extraordinary."
I completely agree with you! So looking forward to seeing her in VAGRANT TRILOGY on Friday. What an exceptional season it has been for Off-Broadway plays!
I know the Drama League is one of the bigger jokes of the industry and their main objective is to get producers to buy tables, but nominating this many shows outside of the Distinguished Performance category is just ridiculous:Play (11), Revival/Play (9), Musical (10), Revival/Musical (5, a great number!), Director/Play (11), Director/Musical (9)"
So... they're the Golden Globes of the New York Theatre scene?
Hugh is not eligible for this award as he already won it. They still gave kudos to him and fellow previous winners Patti LuPone and Mary-Louise Parker anyway.
Dolly80 said: "Wait- so no nomination for Huge Jackman?"
Read the full article. A person can win once in a lifetime, and Hugh already won for BOY FROM OZ. He's cited at the bottom along with prior winners Patti LuPone and Mary Louise Parker.
He's also getting a special award:
The Drama League previously announced the 2022 Special Recognition Award Recipients: Tony® Award winner Hugh Jackman will receive the Distinguished Achievement in Musical Theater Award; director Lileana Blain-Cruz will receive the Founders Award for Excellence in Directing; Tony® Award winner Billy Crystal will receive the Contribution to the Theater Award; and Tony® Award winner Willette Murphy Klausner will receive the Gratitude Award.
KevinKlawitter said: "So... they're the Golden Globes of the New York Theatre scene?"
Yes, but they share that distinction along with the Outer Critics Circle Awards and to some extent the Drama Desks.
Though the OCCs have made attempts to reform and diversify themselves under the guidance of Prez David Gordon (who's young enough to be the grandchild of some of those members), and now the Drama Desks have a ceremony produced by Broadway Brands.
None of these awards really mean anything. It's a way for lesser journalists/voters/publications to receive free tickets, to network, to brush shoulders, and can shine a small flashlight (not spotlight) on certain shows leading up to the Tonys. The flashlight is a little brighter for Off-Broadway shows.
I would say the NY Drama Critics' Circle Award is the only critics' award with real legitimacy in NYC.
In terms of general esteem, I've always considered the Drama Desks to be 2nd to the Tonys. In that sense, it would be the "Golden Globes" equivalent, except I find the Drama Desks to have more integrity than the Golden Globes.
If we're continuing the equivalences, you might say that the Drama League is like the SAG awards, OCC is like the Critics Choice, Lucille Lortel is like the Indie Spirits. Not that it's actually that 1-to-1, of course. I'm just speaking loosely.
On an artistic level, I think the Drama Desks are more meaningful, because they include all New York theatre. Not just the small number of traditional plays and musicals that happen to get the commercial funding to open in one of those specific 41 theatres in Midtown Manhattan.
American Utopia isn't a musical. Mrs Doubtfire and Mr Saturday Night getting in over Paradise Square is a bit surprising, but I guess the Drabinsky antipathy is stronger than I expected. Frankly, I think Intimate Apparel and Black No More were both better pieces than either of them as well. (As previously mentioned in this thread) Very interesting that A Strange Loop and Six were nominated again, while Girl from the North Country was not. Glad to see The Hang and Oratorio for Living Things sneak in. I didn't see The Hang but heard great thing about it. Oratorio was one of my favorite recent theatre experiences.
Play
Same confusion about The Lehman Trilogy and Dana H being repeat nominees (see also for colored girls...). Also confused as to why Skeleton Crew is being considered a revival, given that the original off-Broadway production was only in 2016, and it retained its director and the majority of its creative team.
But overall I think this is a solid group of shows. I wouldn't have minded seeing Letters of Suresh, Sanctuary City, Is This a Room, or Pass Over on the list, particularly over Merry Wives (which wasn't a revival?). But no major issues with the chosen batch.
Play/Musical Revival
Yeah, no real quibbles here either other than the miscategorization of Skeleton Crew as a revival. Twilight: Los Angeles, 1992 was great, but I wouldn't have gone out on a limb for it.
Play/Musical Direction
Stephen Brackett's exclusion is a travesty. Michael Mayer's inclusion is a travesty. Jerry Zaks's inclusion is a surprise. Wouldn't have minded seeing Jessica Stone (Kimberly Akimbo) or Lileana Blain-Cruz (Skin of our Teeth) in the mix.
Surprise (yay!) inclusions Gabby Beans Rachel Dratch L Morgan Lee Cecily Strong Michelle Wilson
Surprise Exclusions
Kara Young (Clyde's) & Jordan Cooley (Kimberly Akimbo), but it seems like they're excluded due to caps on nominations from any individual productions.
No one from The Minutes or Hangmen.
No one from Flying Over Sunset
If I had to make predictions now, I'd say:
Play - The Lehman Trilogy Play Revival - How I Learned to Drive Musical - A Strange Loop (with Six right behind) Musical Revival - Company Play Director - Sam Mendes Musical Director - Marianne Elliott Distinguished Performance (Top 3 Contenders):
Sharon D. Clarke, David Morse, Deirdre O'Connell
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If we map these onto potential Tony Categories:
Musical Actor
Billy Crystal Myles Frost Hugh Jackman (ineligible) Rob McClure Jaquel Spivey