Christopher Ashley, Kelly Devine, David Bryan, and Joe DiPietro have just thanked the heavens above for the reviews of 'The Little Prince'. The all screamed in delight, 'We're no longer the worst !'
The set, such as it is, is comprised of lazy, textureless projections that bring to mind the 1993 video game “Myst” and the planetary opening sequence of “3rd Rock From the Sun.”
Lol, sounds like six margaritas and a joint would make this an awesome night out!
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I didn't think this would happen, but I'm so glad people understand my asdfmovies reference (hence the upvotes).
For those that don't: asdfmovies was a series of two-minute comedy YouTube episodes from many years ago, and it involved many stick-figure stock characters. The character in the center of my GIF above is Dougal Flopguy, and whenever he shouts "EVERYBODY DO THE FLOP", everyone around him falls flat on their face with him.
How apropos for a show like The Little Prince.
Life is the most precious gift in the world... embrace every moment
Not too familiar with this show but it’s the same show that was supposedly super successful overseas, right? Did they change anything from then to now to cause it to flop? I agree maybe the audience for this show isn’t a Broadway crowd.
jkcohen626 said: "This seems to be the worst-reviewed production this season. Absolutely brutal. I think it just wasn't a good fit for Broadway."
If it had just gone to the New Victory, it might have been largely overlooked by critics. Though maybe families would still hate it even with lowered expectations.
The New Victory programs some of the very best cirque companies in the world. I can guarantee the families who make up the membership would have hated this. The aerial acts in this show pale in comparison to what they are used to, except for the end where the prince flies over the audience. I was like, NOW you’re going to pull out something show-stopping? When we all have our coats in hand?
the narrator was the biggest sin of this production. She was SO distracting. Everything had the same weird affectation, line readings didn’t make sense, no character delineations. They should have just included minimal narration in the form of silent movie style dialogue cards which could appear on the large screen on set. It would have been 100x more successful if it could have just lived as a dance piece without the weird narrator.
the original book remains a whimsical classic. But it has yet to translate into another medium with great success.
BoringBoredBoard40 said: "This will be gone by months end I am sure"
It’s a limited run anyway, but it could end up being even more limited...
I am reminded a bit of Rocktopia, another “not a musical, not a play” oddity which opened at the climax of the season (2017/18) and was generally critically panned. It seems like March/April is the time to bury these projects...
Lumiere2 said: "These reviews are worse than terrible...now we'll see what happens to ticket sales..."
There weren’t that many sales to begin with. I was at the show last week and the box office had a stack of comps set aside the size of a brick of cheese. I can’t imagine many are actually paying for this show at all.
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Saw it Saturday night. Got a rush ticket and was front row center. Yes the show wasn’t great, not knowing the story the plot was really odd and didn’t like and sometimes could not understand the narrator. But otherwise the dancing and aerial work was great! If you are going for the dancing you will live it otherwise you won’t enjoy it.
The dancer/aerialist uses rigging hung from just outside the proscenium, allowing him to swing out over the front orchestra seats. This was a genuine "wow" moment, not only because he was twirling above my head, but because this was the best constructed aerial moment of the show when it came to choreo.
And I'm sure there will be plenty of folks who do enjoy the dancing and circus work. But if you've seen dance or circus before, you will probably be underwhelmed by what's going on here. Cirque du Soleil pitches a tent in New York usually once a year. You could buy a very inexpensive ticket to whatever cirque company The New Victory has booked (they generally have at least one during their season. They've recently had Circus Abyssinia, Circus Oz, 7 Fingers, and Cirque Mechanics). And then dance...there's an astounding number of places in the city to see some of the best dance companies in the world. If The Little Prince is your first exposure to these disciplines, you may be impressed. But if you're a theatergoer who has taken in circus and dance before, it'll leave you mostly shrugging your shoulders.
MayAudraBlessYou2 said: "Re: "How does he fly over the audience?"
The dancer/aerialist uses rigging hung from just outside the proscenium, allowing him to swing out over the front orchestra seats. This was a genuine "wow" moment, not only because he was twirling above my head, but because this was the best constructed aerial moment of the show when it came to choreo. ."
I remember when "Sunset Boulevard" was preparing to being staged in London, there were rumors of a plan that "Joe Gillis" (Kevin Anderson) was to float over the audience in a 'dead man's float' position and then land on his feet to narrate the story. That way the audience would feel that they were at the bottom of the pool, looking up at the corpse floating above them. They were going to use a similar mechanism as they did with the chandelier falling to the stage over the audience's heads in 'POTO'.
However, the idea was nixed when they found out how costly it would be, and Anderson felt it was too dangerous. Does anyone else know more details about this ? That story has stayed with me for a long time. (I had heard it from someone who was working as a stage hand in the LA production, and they were thinking of doing it in LA).