Click below to access all the Broadway grosses from all the shows for the week ending 12/15/2019 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
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And Tina's numbers are insane. Didn't expect the show to be such a big hit.
Lightning Thief just going to limp on through the holidays until it closes.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Fordham2015 said: "A Christmas Carol's "record-breaking" gross isn't listed"
Yep. It was included in the report from the broadway league, so this is a mistake on broadwayworlds end.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
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I'm happy to see West Side Story have such a great first week, but I'm skeptical as to whether they'll be able to maintain it.
There's been so much discussion in the theatre community surrounding this show, that I imagine a huge portion of NYC's theatre-going community will be seeing it in these first few weeks, and/or the first few weeks after opening - so they could be some of the first audiences in the room. I know that was my thinking when I attended the 1st preview, and I got the sense that the house was largely filled with theatre people. But once all the theatre people have seen it, I predict that the show will have a hard time filling that barn of a theatre. Especially as word spreads about the partial view seating.
I disagree with many of the negative things people have been saying about this production for the past few months, but one thing I do agree with is that this production might have trouble finding an audience. Because tourists will likely be turned off by it, and the pool of serious NYC theatre-goers (the main audience for this show) is only so large.
JBroadway said: "I'm happy to see West Side Story have such a great first week, but I'm skeptical as to whether they'll be able to maintain it.
There's been so much discussion in the theatre community surrounding this show, that I imagine a huge portion of NYC's theatre-going community will be seeing it in these first few weeks, and/or the first few weeks after opening - so they could be some of the first audiences in the room. I know that was my thinking when I attended the 1st preview, and I got the sense that the house was largely filled with theatre people. But once all the theatre people have seen it, I predict that the show will have a hard time filling that barn of a theatre. Especially as word spreads about the partial view seating.
I disagree with many of the negative things people have been saying about this production for the past few months, but one thing I do agree with is that this productionmight have trouble finding an audience. Because tourists will likely be turned off by it, and the pool of serious NYC theatre-goers (the main audience for this show) is only so large.
But I'll be very happy to be proven wrong."
If the reviews are incredibly spectacular, all is up for grabs vis-a-vis my following points; when I purchased seats a couple of days ago, I was pleasantly surprised that there were a good number of decently priced tickets. Admittedly in the rear mezzanine for a Broadway barn, there are a couple hundred seats at $49. (Note: having seen shows from several humungous touring barns, those rear mezzanine seats would be considered good to very good seats in many of them (St. Louis Fox, LA Pantages, Kennedy Center Main theatre, Boston Wang (whatever it is called now) and Opera House, Tampa Straz, and etc.
Further, there are 200 - 300 orchestra seats that are $119 to $79. Again not the best seats, but still affordable. I assume they are going to try to target a younger audience that includes a lot of people whenever go to the theatre. Very reasonable prices for as many as 500 seats could be effective. (PS -- I purchased the first two seats in my row (14th) that cost $79. The seats right next to us are $159, and there are still four seats further to the sides, so I am cautiously optimistic. I know choreography looks best from center and near-sides, but for that saving, I bought them.
Based the word-of-mouth so far, I am guessing that this has the potential to be an event.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
haterobics said: "laurensambrose said: "Harry Connick Jr. outgrossing the terrible Lightning Thief delights me."
Seems like a low bar for delight. Shouldn't he do better than that?"
Agree, that seems like a very odd choice of two shows to sort of pit against each other. Lots of shows outgrossed The Lightning Thief, and Harry Connick Jr outgrossed a lot of those shows as well. Did The Lightning Thief insult Mr. Connick Jr. in some way that his outgrossing them makes you happy?
senorvoce2 said: "It appears that "A Christmas Carol" has been inadvertently omitted from the Grosses Listings. I hope we can see the full untruncated results soon."
ACC:$822,983, 97.44% gross potential, ATP of $124.34
Regarding The Inheritance. We attended both parts on Sunday, December 15. Very strong production. I was amazed though at the confusion of some of the theater goers around me. At Part 1 the straight couple behind me didn’t know it was going to be a Howard’s End adaptation with gay characters and AIDS as a major topic. They were trying to give away their tickets for Part 2 during the act breaks. At Part 2 I sat next to a couple who hadn’t seen Part 1 and didn’t know you needed to. Before the start of Part 2 I did my best to explain what happened in Part 1. They left at the end of the first act saying they were still thoroughly confused.
This is not the play’s fault.
But it might explain the low grosses. Still in this day and age of the Internet when it’s easy to learn about the shows you’re about to shell out money for, such confusion strikes me as odd.
I do want to add that the audience who stayed with it gave it a rousing ovation at curtain call. And the talented cast deserved the sustained applause.
romain2 said: "Regarding The Inheritance... was amazed though at the confusion of some of the theater goers around me. At Part 1 the straight couple behind me didn’t know it was going to be a Howard’s End adaptation with gay characters and AIDS as a major topic. They were trying to give away their tickets for Part 2 during the act breaks. At Part 2 I sat next to a couple who hadn’t seen Part 1 and didn’t know you needed to. Before the start of Part 2 I did my best to explain what happened in Part 1. They left at the end of the first act saying they were still thoroughly confused.
This is not the play’s fault."
Sounds like the woman who claimed to be completely blindsided by Slave Play. How can people fork over hundreds of dollars on tickets for a show and not know what it's about?
itsjustmejonhotmailcom said: "senorvoce2 said: "It appears that "A Christmas Carol" has been inadvertently omitted from the Grosses Listings. I hope we can see the full untruncated results soon."
ACC:$822,983, 97.44% gross potential, ATP of $124.34"
I recall earlier this year a good number of us thought that perhaps Be More Chill would break the Lyceum record but it didn't. I have a feeling that Christmas Carol may very well break that record again this coming week and the week after for obvious reasons.
Kad said: "Two part plays are a tough sell, period, and I don't think The Inheritance has successfully made a case for itself as a "event.""
I see your point. Even Harry Potter nowadays is a tough sell, given how its average ticket price is the third lowest this past week (after Lightning Thief and Slave Play.)